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Amberger, Christopher

, a painter of Nuremberg, of the sixteenth century, was the disciple of the younger Holbein, and a successful imitator of his manner. His designs were correct, the disposition of the figures admirable, and the perspective excellent, nor was he deficient in colouring. His chief reputation rests on a composition of the history of Joseph, which he described in twelve pictures. He also painted a portrait of the emperor Charles V. which that monarch, according to the testimony of Sandrart, accounted equal to any of the portraits of him painted by Titian; and to express his high approbation of that performance, he not only paid the artist three times as much as he expected, with a liberality truly royal, but he honoured him also with a rich chain of gold and a medal. There are several of his pictures in the royal gallery of Munich. The abbé Marolles, and, after him, Florent le | Comte mention Amberger, as an engraver, without specifying his works; but Basan tells us, that he engraved in wood several prints, from his own compositions. He died in 1550. 1

1

Strutt and Pilkington. Biog. Universelle.

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Entry taken from General Biographical Dictionary, by Alexander Chalmers, 1812–1817.

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Amberger, Christopher (?–1550)
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