Aristoxenus

, the most ancient musical writer of whose works any remains are come down to us, flourished in the fourth century B. C. He was born at Tarentum, a city in that part of Italy called Magna Graecia, now Calabria. He was the son of a musician, whom some call Mnesias, others Spintharus. He had his first education at Mantinrea, a city of Arcadia, under his father and Lampyrus of Erythrse; he next studied under Xenophilus, the Pythagorean, and lastly, under Aristotle. Suidas, from whom these particulars are taken, adds, that Aristoxenus took offence at Aristotle’s bequeathing his school to Theophrastus, and traduced him ever after, but this has been contradicted by other writers. His “Harmonics,” the defects of which have been very ably pointed out by Dr. Burney, are all that are come down to us, and together with Ptolemy’s Harmonics, were first published by Gogavinus, but not very correctly, at Venice, 1562, 4to, with a Latin version. John Meursius next translated the three books of Aristoxenus into Latin, from the manuscript of Jos. Scaliger, but, according to Meibomius, very | negligently. With these he printed at Leyden, 16 1G, 4to, Nicomachus and Alypius, two other Greek writers on music. After this Meibomius collected these musical writers together, to which he added Euclid, Bacchius senior, Aristides Quintilianus; and published the whole with a Latin version and notes at the Elzivir press, Amst. 1652, dedicated to Christina queen of Sweden. Aristoxenus is said by Suidas to have written 452 different works, some of which are frequently quoted by ancient authors. The titles of several of them, quoted by Athenaeus and others, have been collected by Meursius in his notes upon this author, and by Tonsius and Menage, all which Fabricius has digested into alphabetical order. ¹