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Brueghel, Peter

, the younger, and sometimes Called " Hellish Brueghel 17 froni the nature of his subjects, was the son of the preceding artist, born at Brussels, and became the disciple of Gelles Coningsloo. His compositions rather excite disgust than satisfaction; and his human figures, though freely pencilled, and not ill coloured, are not much more elegant than those of the infernal kind. In his historical subjects he generally introduced witches and devils; such as Orpheus charming Pluto and Proserpine to procure the deliverance of Eurydice, surrounded with horrible forms and appearances; Saul and the Witchof Endor; or St. Anthony’s temptations. He is also enumerated by Strutt among the engravers. He died 1642. 2

2

Pilkington. —Strutt. Argenville

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Entry taken from General Biographical Dictionary, by Alexander Chalmers, 1812–1817.

This text has been generated using commercial OCR software, and there are still many problems; it is slowly getting better over time. The text was scanned and OCRd several times, and a majority version of each line of text was chosen. Please don't reuse the content (e.g. do not post to wikipedia) without asking liam at holoweb dot net first (mention the colour of your socks in the mail), because I am still working on fixing errors. Thanks!

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Brucioli, Anthony (15221554)
Brucker, John James (1606–?)
Bruckman, Francis Ernest (16971753)
Bruckner, John (1726–?)
Brueghel, Peter (15101570)
Brueghel, Peter (?–1642)
Brueghel, John (1560–?)
Brueys, David Augustin (16401723)
Bruhier, John James D' Ablaincourt (?–1756)
Bruin, John De (16201675)
Brumoy, Peter (1688–?)
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