Moor, Karel De

, an excellent portrait-painter, was born atLeyden, in 1656, and at first was a disciple of Gerard Douw, and afterwards of Abraham Vanden Tempel, whose death compelled him to return to Leyden from Amsterdam, where he studied awhile with Francis Mieris, and at last went to Dort, to practise with Godfrey Schalcken, to whom he was superior as a designer; but he coveted to learn Schalcken’s manner of handling. As soon as Moor began to follow his profession, the public acknowledged his extraordinary merit; and he took the most effectual method to establish his reputation, by working with a much itronger desire to acquire fame, than to increase his fortune. He painted portraits in a beautiful style, in some of them | imitating the taste, the dignity, the force, and the delicacy of Vandyck; and in others, he shewed the striking effect and spirit of Rembrandt. In his female figures, the carnations were tender and soft; and in his historical compositions, the air of his heads had variety and grace. His draperies are well chosen, elegantly disposed in very natural folds, and appear light, flowing, and unconstrained. His pictures are always neatly and highly finished; he designed them excellently, and grouped the figures of his subjects with great skill. His works were universally ad* mired, and some of the most illustrious princes of Europe seemed solicitous to employ his pencil. The grand duke :of Tuscany desired to have the portrait of DeMoor, painted by himself, to be placed in the Florentine gallery; and, on the receipt of it, that prince sent him, in return, a chain of gold, and a large medal of the same metal. The Imperial ambassador count Sinzendorf, by order of his master, engaged him to paint the portraits of prince Eugene, and the duke of Marlborough, on horseback; and in that performance, the dignity and expression of the figures, and also the attitudes of the horses, appeared so masterly, that it was beheld with admiration, and occasioned many commendatory poems, in elegant Latin verse, to be published to the honour of the artist; and the emperor, on seeing that picture, created De Moor a knight of the empire. He died in 1738, in his eighty-second year. 1

1 Pilkington. P’Argenville, vol. III.