Palma, Jacob

, an eminent artist, born at Serinalto, in the territory of Bergamo, about the middle of the sixteenth century, was a disciple of Titian. He emulated his master’s manner, but, according to Fuseli, was more anxious to attain the colour and breadth of Giorgioni. This appears chiefly in his “St. Barbara.” His colouring had extraordinary strength and brightness, and his pictures are wrought to great perfection, yet with freedom, and without the appearance of labour. Vasari describes, with great fervour, a composition of the elder Palma, at Venice, representing the ship in whicii the body of St. Mark was brought from Alexandria to Venice. “In that grand design,” he says, “the vessel was struggling against the fury or an impetuous tempest, and is expressed with the utmost judgment; the distress of the mariners, the violent bursting of the waves against the sides of the ship, the horrid gloom, only enlivened with flashes of lightning, and every part of the | scene filled with images of terror, are so strong, so lively, and naturally represented, that it seems impossible for the power of colour or pencil to rise to a higher pitch of truth and perfection j and that performance very deservedly gained him the highest applause.” Notwithstanding this deserved praise, his pictures in general are not correct in design, and his latter works did not maintain his early reputation. He died, according to Vasari, at the age of forty-eight, but in what year is not absolutely known, although some fix it in 1588. ¹