Perrier, Francis

, a French artist of merit, born at Magon in 1590, was a goldsmith’s son; but contracting dissipated habits, ran away from his parents, and is said to have literally begged his way to Rome, in partnership with a blind man. At Rome, after suffering much for want | of resources, he had recourse to his pencil, and was soon enabled to maintain himself. Having become acquainted with Lanfranco, he endeavoured to follow his manner, and was not unsuccessful. This giving him a confidence in his powers, he resolved to return to France; and stopping at Lyons, he painted the Carthusians cloister there. From Lyons he proceeded to Paris; and having worked some time for Vouet, who engrossed all the great works, he took a second journey to Italy, where he stayed ten years, and returned to Paris in 1645. About this time he painted the gallery of the Hotel de la Villiere, and drew several easelpieces for private persons. He died professor of the academy, in 1655. He etched several things with a great deal of spirit, and, among others, the finest basso-relievos that are in Rome, a hundred of the most celebrated antiquities, and some of Raphael’s works. He also engraved, in the chiaro oscuro, some antiquities, after a manner, of which, it was said, he was the first inventor; but Parmegiano used it a long time before him. It consists, of two copper-plates, whose impression is made on paper faintly stained the one plate is engraved after the usual way, and that prints the black and the other, which is the secret, prints the white *. 1

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Pilkington and —Strutt. D’Argenville, vol. IV, —Moreri.