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Stenwyck, Henry

, called The Old, was born at Steenwyck, in 1550, and was the disciple of John de Vries, who excelled in painting architecture and perspective. In imitation of the style of his master, Stenwyck chose the same subjects; but surpassed him and all his contemporaries, in the truth, neatness, transparence, and delicacy, of his pictures. His subjects were the insides of superb churches and convents, of Gothic architecture, and generally views of them by night, when they were illuminated by flambeaux, tapers, or a number of candles fixed in magnificent lustres, or sconces. He was a thorough master of the true principles of the chiaroscuro, and distributed his lights and shadows with such judgment, as to produce the most astonishing effects; but as he was not expert at designing figures, those that appear in any of his compositions were inserted by Brueghel, Van Tulden, and other eminent artists. The genuine pictures of this master, who died in 1603, aged fifty -three, are extremely scarce, and very highly prized in ev ry part of Europe. 2

2

Argenville, vol. III.- Pilkington.

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Entry taken from General Biographical Dictionary, by Alexander Chalmers, 1812–1817.

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