Vanni, Francis

, an eminent painter, was born at Siena, in 1563, the son of a painter who was in no great reputation, and received his earliest instruction in the school ofArchangelo Salimbeni; but when he was twelve years old he travelled to Bologna, and there studied for two years under the direction of Passerotti. Yet finding in himself an impatient desire to see the celebrated antiques, and the works of Raphael, he went to Rome, and placed himself with Giovanni da Vecchia. By the precepts of that master, his proficiency was extraordinary; so that his performances not only extorted applause from the ablest judges, but also excited the jealousy and envy of Gioseppino, who was instructed in the same school. Having thus established his taste, he returned to his native city, where he studiously contemplated the paintings of Baroccio, and so highly admired them, that he preferred the style and manner of that master to all others, imitated him with success; and was generally esteemed to be no way inferior. Yet he profited afterwards by studying the compositions of Correggio. He was principally engaged in grand works for the churches and convents at Siena and at Rome. To the latter of those cities he was invited by pope Clement VIII. and, by order of that pontiff, he painted in the church of St. Peter an incomparable design, representing Simon the sorcerer reproached by St. Peter; for which performance he received the honour of knighthood. He undoubtedly had an excellent genius; his invention was fruitful and ready, his style of composition truly fine, and his design correct. His manner of colouring was bold, lively, and beautiful his penciling tender and delicate; and the airs of his heads were remarkably graceful. The most capital works of Vanni are at Siena, Rome, Pisa, and | Pistoia; among which are mentioned a Crucifixion, a Flight into Egypt, the Wise Men’s offering to Christ, and the Marriage of St. Catherine, all of them esteemed admirable. He died in 1610, aged forty-seven. ¹