Dürer, Albert, the great early German painter and engraver, born at Nürnberg, son of a goldsmith, a good man, who brought him up to his own profession, but he preferred painting, for which he early exhibited a special aptitude, and his father bound him apprentice for three years to the chief artist in the place, at the expiry of which he travelled in Germany and other parts; in 1506 he visited Venice, where he met Bellini, and painted several pictures; proceeded thence to Bologna, and was introduced to Raphael; his fame spread widely, and on his return he was appointed court-painter by the Emperor Maximilian, an office he held under Charles V.; he was of the Reformed faith, and a friend of Melanchthon as well as an admirer of Luther, on whose incarceration in Wartburg he uttered a long lament; he was a prince of painters, his drawing and colouring perfect, and the inventor of etching, in which he was matchless; he carved in wood, ivory, stone, and metal; was an author as well as an artist, and wrote, among other works, an epoch-making treatise on proportion in the human figure; “it could not be better done” was his quiet, confident reply as a sure workman to a carper on one occasion (1471‒1528).
Definition taken from The Nuttall Encyclopædia, edited by the Reverend James Wood (1907)
Durbar * D'Urfey, Tom