Abeille, Gaspar

was born at Riez in Provence, in 1648. He removed to Paris early in life, where he was much admired for the brilliancy of his wit. The marechai de Luxembourg took notice of him, and gave him the title of his secretary; and the poet followed the hero in his campaigns. The marshal gave him his confidence during his life, and at his death recommended him to his heirs as an estimable man. The prince of Conti and the duke de Vendome vouchsafed him their familiarity, and found great pleasure in his lively and animated conversation. The witticisms which would have been common in the mouth of any other man, were rendered striking in him by the turn he gave them, and by the grimaces with which he accompanied them. A countenance remarkably ugly and full of wrinkles, which he managed at pleasure, stood him instead of a variety of masks. Whenever he read a tale or a comedy, he made a ludicrous use of this moveable physiognomy for distinguishing the personages of the piece he was reciting. The abbe Abeille enjoyed a priory, and a place in the French academy. We have of him some odes, some epistles, several tragedies, one comedy, and two operas. A certain prince observed of his tragedy of Cato, that, if Cato of Utica should return from the grave, he would be only the Cato of the abbe Abeille. He understood well enough what was necessary to the formation of a good poet: but he was not one himself. His style is feeble, low, and languid. In his versification he discovers none of that dignity he had in his character. He died at Paris, the 21st of May, 1718. A French critic, speaking of the two tragedies, Solyman and Hercules, written by Jean Juvenon de la Thuillerie, says, the reader will be able to judge of their merit, when he is informed that they were attributed to the Abbé Abeille .¹

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