Crespi, Daniel

, a Milanese, born in 1592, at first was a disciple of Gio. Batista Crespi, though he afterwards studied under Giulio Cesare Procaccini, and soon became superior to the first, and at least equal to the second. With great vigour of conception, and facility of execution, he combines equal suavity and strength of colour in oil and fresco the distribution of his figures leavesk> wish for alteration. He seems familiar with the best principles of the Caracci, without having frequented their school. In the church della Passione at Milan, where he painted the “Taking down from the Cross,” he has left many portraits that may vie with the best of Titian’s. Continued progress from good to better marked the short period of his life. His last and most admired works are the histories from the life of St. Bruno, in the Certosa at Milan. The most celebrated of them is that of the Parisian teacher, who, raising himself from the bier, pronounces his own condemnation; despair and terror are personified in him and the assembly. Nor is that of the duke of Calabria, who in hunting discovers the solitary cell of the hermit, | much inferior. On this the painter wrote, “Daniel Crispus Mediolanensis pinxit hoc temphim an. 1629,” one year before his death, for he died of the plague in 1630, extremely lamented, and with him all his family. ¹