Vandervelde, William

, called The Young, was born at Amsterdam in 1633, and was the son of the preceding, by whom he was carefully instructed in the art$ but afterwards he was placed under the direction of Simon de Vlieger, a very excellent painter of ships, sea-shores, and sea-ports, who however was far surpassed by his disciple. As soon as young Vandervelde felt his strength, and thought he might appear with advantage in his profession, he went to his father in London; and some of his paintings, being exhibited at the English court, immediately procured him employment from the king, and the principal nobility. His subjects were the same as those of his father, and he observed the same method of sketching every object after nature; but his pictures upon the whole are not only superior to the works of his father, but to all other artists in that style; and no age, since the revival of the art, is thought to have produced his equal. Whether we consider the beauty of his design, the correctness of his drawing, the graceful forms and positions of his vessels, the elegance of his disposition, the lightness of his clouds; the clearness and variety of his serene skies, as well as the gloomy horror of those that are stormy; the liveliness and transparence of his colouring; the look of genuine nature that appears in agitated and still waters; and the lovely gradation of his distances, as well as their perspective truth, they are all executed with equal nature, judgment, and genius. Houbraken and other writers observe, that the pictures of the young Vandervelde are so esteemed in England, that those which were scattered through the Low Countries were eagerly sought after, and purchased at vast prices; so that in Holland they rarely have the pleasure of seeing any of them. Undoubtedly the most capital of his works are in England in the royal collections, and in the cabinets of the nobility and gentry, and some few are also in Ireland. He died April 6, 1707, in the seventy -fourth year of his age. ²