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, a very extraordinary person, was a native of Amsterdam, where he was born in 1.522. It appears that early in life he travelled into Spain and Portugal, but the motives of his journey are not ascertained. He was a man of science; and, according to report, a good poet. The sister arts he at first considered as an amusement only; but at length was obliged to have recourse to engraving for his support, and though the different studies in which he employed his time prevented his application to this art from being so close as it ought to have been, yet marks of genius are discoverable in his works. They are slight, and hastily executed with the graver alone, in an open careless style, so as greatly to resemble drawings made with a pen. He was settled at Haerlem; and there pursuing his favourite studies in literature, he learned Latin, and was made secretary to that town, from whence he was several times employed as ambassador to the prince of Orange, to whom he addressed a famous manifesto, which that prince published in 1566. Had he stopped here, it had been well; but, directing his thoughts to matters which he did not understand, he brought forward an argument as dangerous as it was absurd. He maintained, that all religious communications were corrupted; and that without a supernatural mission, accompanied with miracles, no person hat! any right to administer in any religious office: he therefore pronounced that man to be unworthy the name of a Christian who would enter any place of public worship. This he not only advanced in words, but strove to shew the sincerity of his belief in it by practice; and for that reason would not communicate with either protestant or papist. His works were published in three volumes folio, 1630; and though he was several times imprisoned, and at last sentenced to banishment, yet he does not appear to Lave altered his sentiments. He died at Tergout in 1590, aged 68. It is to his honour as an artist, that he was the instructor of the justly-celebrated Henry Goltzius. Cuerenhert worked conjointly with the Galles and other artists, from the designs of Martin Hemskerk. The subjects are from the Old and New Testament, and consist chiefly of middling-sized plates lengthwise. He also engraved several subjects from Frank Floris.

, a native of Amsterdam, who distinguished himself by his philosophical writings, was born there in 1739; no particulars of his early life are given in our authority, but it appears that he was educated for the church, and held a canonry in some part of Germany. He died July 7, 1799, at Xantem, near Aix-laChapelle. He was uncle to the famous, or rather infamous, Anacharsis Cloots, who was the idol of the lowest of the mob of Paris about the time of the revolution, and his opinions were in some respects as singular; but he had far more learning, and more skill in disguising them. He is principally known for his “Recherches philosophiques, 1. surlesGrecs; 2. sur les Arnericains, les Egyptiens, et les Chinois,” Paris, 1795, 7 vols. 8vo. In this his countrymen seem willing to allow that he asserts more than be proves; that his object is to contradict all preceding historians, and to lessen the character of the nations he describes. His style is agreeable, but he is full of paradoxes, and of those bold opinions which were once in vogue in France, and reconamended him much to Frederick the Great of Prussia, while they rendered him obnoxious to the ministers of religion.

, a Dutch painter of sea-pieces, and sea-ports, died in 1708, but the time of his birth, and the master under whom he studied, have not been recorded. He was a native of Amsterdam, where he might naturally imbibe a taste for that kind of scenery which he usually represented; consisting of boats, barges, and ships, with many persons engaged in different employments, lading or unlading the vessels. He studied assiduously after nature, and usually sketched from the real objects, so that a strong character of truth is the great recommendation of his seas, rocks, and harbours. His figures are small, but usually designed with great exactness, and so numerous in most of his pieces, as to afford a great fund of entertainment. He had a brother who was a painter of landscapes, and chiefly represented views of the Rhine, but was not equal to him. A capital picture of Abraham Stork is, the reception of the duke of Marlborougb, in the river Amstel.