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Currently only Chalmers’ Biographical Dictionary is indexed, terms are not stemmed, and diacritical marks are retained.

, a learned Italian of the fifteenth century, was a native of Perugia, and of a family of some rank. He was the

, a learned Italian of the fifteenth century, was a native of Perugia, and of a family of some rank. He was the scholar of Joannes Antonius Campanus, and published the first and perhaps only entire edition of Campanus’ works, 1495. Michael Fernus, a Milanese scholar, at his request superintended the press, and enriched the publication with a copious life of Campanus, and a variety of elaborate prefaces addressed to various persons. That which is addressed to Antiquarius himself bears ample testimony to his literary reputation. On quitting his native city, Antiquarius obtained a political orKce of consequence and responsibility at Bologna. About 1460 he removed to Milan, where his erudition enabled him to secure the favour and patronage of Giovanni Galeozzo and Lud. Maria Visconti, dukes of Milan, to whom he was secretary and prime minister, and employed his influence in the patronage of literature. As he was in the church he obtained some rich benefices from pope Alexander VI. Many learned works, the publication of which he had encouraged, were dedicated to him, but we have nothing of his own, except an “Oratio,” Milan, 1509, 4to, and a volume of Latin letters, 1519, 4to. He died at Milan in 1512.

, a celebrated lawyer of the fourteenth century, was a native of Perugia, and the son of Francis Ubaldi, a learned

, a celebrated lawyer of the fourteenth century, was a native of Perugia, and the son of Francis Ubaldi, a learned physician, who had him educated with great care. After studying philosophy and belles lettres, he became the pupil of Bartolus in law studies, and afterwards was his powerful rival. He taught law himself at Perugia, where he had for his scholar cardinal Peter Beaufort, afterwards pope Gregory XI. He next became professor at Padua, from which the duke of Milan invited him to the same office at Pavia. He died April 28, 1400, aged 76, of the consequences of the bite of a favourite cat, a circumstance thus expressed on his epitaph:

a native of Perugia, and author of the first history of music

, a native of Perugia, and author of the first history of music in the Italian language with which we are acquainted, was an able professor, of considerable learning, who flourished about the middle of the seventeenth century. His work, which has for title “Historia Musica di Gio. And. Angelini Bontempi,” was published at Perugia, in small folio, 1695. It is become somewhat scarce, which enhances its value with collectors of books; but Dr. Burney’s opinion is unfavourable. He says that with great parade of his learning, science, and acquaintance with the Greek theorists, that are come down to us, he leaves us in as utter darkness concerning the practice of ancient music as ever, and has furnished us with but little information concerning the modern of his own time, with which, however, as a contrapuntist, he seems to have been perfectly well acquainted. Indeed, by the frequent use he makes of scientific terms, his book, when casually opened, has more the appearance of a dry mathematical treatise, than the history of an elegant art. The most curious and interesting part of his work is, the account which he gives of the discipline of the college of singers in the service of the pontifical chapel, and of the great masters who then flourished at Rome, who had distinguished themselves in writing “Alia Palestrina” for the church: secular music was then but little cultivated, and less respected there, till operas and oratorios had made some progress in polishing melody, and in the just accentuation and expression of words.

a native of Perugia, of the family of Rainaldi, imitated so well

, a native of Perugia, of the family of Rainaldi, imitated so well the verses of the poet Dante, that he was generally called by his name. He was not less distinguished by the delicacy of his poetry, than by his skill in the mathematics and in architecture. He died in 1512, in an advanced age, after having invented several machines, and composed a commentary on the sphere of Sacrobosco. His grandson Vincent Dante, an able mathematician, like him, was at the same time painter and sculptor. His statue of Julius III. has been generally looked upon as a master-piece of the art. Philip II. king of Spain, offered him a large salary to induce him to come and finish the paintings of the Escurial; but the delicacy of Dante’s constitution would not permit him to quit his natal air. He died at Perugia in 1576, at the age of forty-six. There is extant by him, “The lives of those who have excelled in drawings for statues.