, a very eminent sculptor, was a native of Lyons in France; but
, a very eminent sculptor, was a native of Lyons in France; but of his early history no memoirs have been discovered. He appears to have come to England, about the time that Rysbrach’s fame was at its height, and became a very formidable rival to that excellent artist, who had at the same time to contend with the growing merit of Scheemaker. Roubiliac is said, however, to have had little business until sir HJdward Walpole recommended him to execute half the busts at Trinity-college, Dublin; and, by the same patron’s interest, he was employed on the fine monument of the general John duke of Argyle, in Westminster-abbey, on which the statue of eloquence is particularly graceful and masterly; but it has been thought that his fame was most completely fixed by his statue of Handel in Vauxhallgardens. Two of his principal works are the monuments of the duke and duchess of Montague in Northamptonshire, well performed and magnificent, although perhapg wanting in simplicity. His statue of George J. in the Senate-bouse at Cambridge, is well executed; as is that of their chancellor, Charles duke of Somerset, except that it is in a Vandyke-dress, which might not be the fault of the sculptor. His statue of sir Isaac Newton, in the chapei of Trinity-college, has always been greatly admired; but lord Orford objects, that the air is a little too pert for so grave a man. This able artist died Jan. 11, 1762, and was buried in the parish of St. Martin’s in the Fields, where he had lived.
, a very eminent sculptor, was born in 1694, at Antwerp. His father
, a very eminent sculptor, was born in 1694, at Antwerp. His father was a landscape-painter, and had been in England, but quitted it with Largilliere, and went to Paris, where he married, and returning to Brussels and Antwerp, died in the latter in 1726, at the age of eighty. Michael, his son, arrived here in 1720, and after modelling some small figures in clay, to show his skill, succeeded so well in a bust of the earl of Nottingham, that he began to be employed on large works, particularly monuments, in which his art and industry gave general satisfaction. His models were thoroughly studied, and ably executed; and as a sculptor capable of furnishing statues was now found, our taste in monuments improved, which till Rysbrach’s time had depended more on masonry and marbles than statuary, on which he taught the age to depend for its best ornaments; and although he is too fond of pyramids for back-grounds, his figures are well disposed, simple and great.