, an English author, who lived in the reigns of James I. and Charles
, an English author, who lived
in the reigns of James I. and Charles I. but whose private
history is involved in much obscurity, was son of Robert
Markham, esq. of Gotham, in the county of Nottingham.
He bore a captain’s commission under Charles I. in the
civil wars, and was accounted a good soldier, as well as a
good scholar. One piece of dramatic poetry which he has
published will shew, says Langbaine, that he sacrificed to
Apollo and the muses, as well as to Mars and Pallas. This
play is extant under under the title of “Herod and Antipater,
” a tragedy, printed in Liebault’s La Maison rustique,
or the country -farm,
” in The English Husbandman, in two
parts,
” Lond. Pleasures of Princes
in the Art of Angling.
” Granger mentions “The whole
Art of Angling,
” be a general
scholar, and seen in all the liberal sciences; as a grammarian, to know how to write or discourse of his art in
true and fitting terms. He should have sweetness in speech
to entice others to delight in an exercise so much laudable.
He should have strength of argument to defend and maintai n his profession against envy and slander,
” &c. Markham
also wrote a tract entitled “Hunger’s prevention, or the
whole Art of Fowling,
” The Soldier’s Accidence and Grammar,
” in
Devereux Vertues tears for the loss of the most Christian
king Henry, third of that name king of France, and the
untimely death of the most noble and heroical Walter
Devereux, who was slain before Roan, in Fraunce,
” a translation from the French, 4to. He was the author also of
“England’s Arcadia, alluding his beginning from sir Philip
Sydney’s ending,
” England’s Parnassus,
” are more numerous than
from any other minor poet. The most remarkable of his
poetical attempts appears to have been entitled “The
Poem of Poems, or Sion’s Muse, contaynyng the diuine
Song of king Salomon, deuided into eight eclogues,
” J the sacred virgin, divine
mistress Elizabeth Sydney, sole daughter of the everadmired sir Philip Sydney.
” Bishop Hall, who was justly
dissatisfied with much of the spiritual poetry with which his
age was overwhelmed, alludes to this piece in his “Satires
”
(B. I. Sat. VIII.); and says that in Markham’s verses Solomon assumes the character of a modern sonneteer, and
celebrates the sacred spouse of Christ with the levities and
in the language of a lover singing the praises of his mistress. For this censure, Marston in his “Certayne Satires
”
(Sat. IV.) endeavours to retort upon Hall.