, an eminent benefactor to the taste, elegance, and literature of
, an eminent
benefactor to the taste, elegance, and literature of his
time, was the son of col. Mordaunt Cracherode, who sailed
with lord Anson, and in 1753 was appointed lieut. governor of Fort St. Philip, in Minorca. His mother was Mary,
the daughter of Thomas Morice, esq. paymaster of the
British forces in Portugal in queen Anne’s time, and
brother to William Morice, esq. who married bishop Atterbury’s daughter. The colonel died June 20, 1773, and
his widow Dec. 27, 1784, at their house in Queen’s-square,
Westminster, which was afterwards inhabited by their son,
the subject of the present article. Mr. Cracherode was
born in 1729, and educated at Westminster school, where
his contemporary the late Mr. Cumberland says, he was
“as grave, studious, and reserved as he was through life;
but correct in morals and elegant in manners, not courting
a promiscuous acquaintance, but pleasant to those who
knew him, beloved by many, and esteemed by all.
” He
was admitted a scholar at Westminster in 1742, and in 1746
was elected to Christ-church, Oxford, where he took his
degree of B. A. and M.A. at the usual periods: the latter,
April 5, 1753. He entered into holy orders, and atone
time held the curacy of Binsey, a donative, near Oxford,
but accepted no preferment afterwards. At the same time,
he maintained that simplicity and purity in his appearance, manners, and sentiments, which belong to the character he professed. The tenor of Mr. Cracherode’s life,
after he came to reside in London, that of a man of literary
taste and research, was even and uniform: his principal
object was the collection of a library and museum, and
while his thoughts were confined to it, his associations
were necessarily with men of similar pursuits. He employed a considerable part of a large revenue in making
collections of what was best and most curious in literature,
and certain branches of the arts. His library soon became
unrivalled in its kind; and his cabinet of prints, drawings,
and medals, was considered as among the most select and
valuable in a country that possesses so many of them. He
was an exquisite judge of art, both ancient and modern,
particularly of sculpture, painting, and music, and
collected the choicest'of early printed books, drawings, coins,
and gems. Many of hisarticles were unique for their
beauty, their preservation, or the rarity of their occurrence: such, for instance, as his cameo of a lion on a
sardonyx, and intaglio of the discobolos; his Tyndale’s
New Testament on vellum, that formerly belonged to Anne
Boleyn; his lord Finch, with wings on his head, by Marshal; his Olbiopolis, and his Dichalcos, the first and
smallest coin, being the fourth part of an obolus. Of these,
and every other curiosity in his possession, he was, at all
times, most obligingly communicative. His books, which
he used modestly to call a specimen collection, particularly
books of the fifteenth century, form perhaps the most perfect series ever brought together by one man. His passion
for collecting was strong in death, and while he was at the
last extremity, his agents were buying prints for him. In
his farewell visit to Payne’s shop he put an Edinburgh
Terence in one pocket, and a large paper Cebes in another, and expressed an earnest desire to carry away “Triveti Annales,
” and Henry Stephens’s “Pindar
” in old binding, both beautiful copies, and, as he thought, finer than
his own, but which Mr. Payne had destined for lord Spencer.