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, an illuminator on vellum, who was in England in the reign of queen Elizabeth, appears to have been a native of Florence, and, while here, a teacher of the Italian language. Vertue speaks of some of his works as extant in his time, or as having very lately been so; as the Psalms of David in folio, with an inscription by Ubaldini to Henry earl of Arundel, whom he calls his Maecenas. The date is, London, 1565. There was another book on vellum, written and illuminated by him, by order of sir Nicholas Bacon, who presented it to the lady Lumley. This is, or was, at Gorhambury. There were other specimens of his skill in the royal library, now in the British Museum, and he appears also to have been an author. Walpole mentions one of his Mss. in the Museum, entitled “Scotiae descriptio a Deidonensi quodain facto, A. D. 1550, et per Petruccium Ubaldinum transcripta A. D. 1576,” which was published afterwards in Italian, with his name, at Antwerp, 1588, fol. The Museum catalogue attributes also the following to Ubaldini: 1. “Discourse concerning of the Spanish fleet invading England in 1588 and overthroweu,” Lond. 1590, 4to. 2. “Le Vite delle Donne illustri del regno d'lughilterra, e del regnb di Scotia, &c.” ibid. 1591. Walpole, who appears to have examined this work, gives, as a specimen of Petrucchio’s talents for history, two of his heroines. The first was Chembrigia, daughter of Gurguntius, son of king Bellinus, who, having married one Cantabro, founded a city, which, from a mixture of both their names, was called Cambridge. The other illustrious lady he styles expressly donna senza. name, and this nameless lady, as Walpole says, was the mother of Ferrex and Porrex in lord Dorset’s “Gorboduc,” who, because one of her sons killed the other that was a favourite, killed a third son in a passion. 3. “Precetti moral i, politici, et economici,” 1592, 4to. 4. “Scelta di alcune Attioni, e di varii Accidenti,” 1595, 4to. 5. “Rime,”