, called Grechktto, an admired artist, was born at Genoa, in 161h, and
, called Grechktto, an admired artist, was born at Genoa, in 161h, and in that city was at Hrst a disciple of Battisca Pagi, and afterwards studied in the academy of Joan Andrea de Ferrara; but his principal improvement was derived from the instructions of Vandyck, who at that time came to reside in Genoa. He formed to himself a very grand manner of design in every branch of his art, and succeeded equally well in all; in sacred and profane history, landscape, cattle, and portrait; executing every one of them with an equal degree of truth, freedom, and spirit. But, although his genius was so universal, his predominant turn was to rural scenes and pastoral subjects, markets, and animals, in which he had no superior. He had great readiness of invention, a bold and noble tint of colouring, and abundance of nature in all his compositions. His drawing is elegant, and generally correct, his touch judicious, and his pencil free and firm. And still to add to his accomplishments, he had a thorough knowledge of the chiaroscuro, which he very happily applied through all his works. In a chapel of St. Luke’s church at Genoa, is an excellent picture by this master. The composition and design are good, the heads of the figures extremely fine, the draperies well chosen and judiciously cast, the animals lively and correct; and the manner through the whole is grand, and yet delicate; though it must be observed, that the colouring is a little too red. In the Palazzo Brignole* is a grand composition, the figures being eighteen or twenty inches high, which is admirably finished, though perhaps a little too dark. And at the Palazzo Caregha, in the same city, is an historical picture of Rachel concealing the Teraphim from Luba*i, in which the figures and animals are exceedingly fine.