WOBO: Search for words and phrases in the texts here...

Enter either the ID of an entry, or one or more words to find. The first match in each paragraph is shown; click on the line of text to see the full paragraph.

Currently only Chalmers’ Biographical Dictionary is indexed, terms are not stemmed, and diacritical marks are retained.

called Old Francis Miens, one of the most remarkable disciples of Gerard

, called Old Francis Miens, one of the most remarkable disciples of Gerard Dow, was born at Leyden, in 1635. He imitated his. master with great diligence, and has been thought in some respects to surpass him. Minute accuracy, in copying common objects on a small scale, was the excellence of this artist, with the same sweetness of colouring, and transparence that marks the paintings of Dow. In design he has been thought more comprehensive and delicate than his master, his touch more animated, with greater freshness and force in his pictures. His manner of painting silks, velvets, stuffs, or carpets, was so studiously exact, that the differences of their construction are clearly visible in his representations. His pictures are scarce, and generally bear a very high price. His own valuation of his time was a ducat an hour: and for one picture of a lady fainting, with a physician attending her, and applying remedies, he was paid at that ratio, so large a sum as fifteen hundred florins. The grand duke of Tuscany is said to have offered 3000 for it, but was refused. One of the most beautiful of the works of Francis Mieris, in this country, where they are not very common, is in the possession of Mr. P. H. Hope, and is known by the appellation of the “Shrimp Man.” Mieris died in 1681, at the age of forty-six. He left two sons, John and William, who were both eminent painters. John, however, died young; William is the subject of the ensuing article.