lived in the latter end of the sixteenth, and beginning of the seventeenth
lived in the latter end of the
sixteenth, and beginning of the seventeenth centuries, and
acquired in his own time considerable fame upon account
of his learning, and some portion of the spirit of literary
research. He was the son of a surgeon, but became a
great favourite in the courts of Charles IX. of France, and
his brother Henry III. and was gradually advanced to offices of high trust in the state. From his childhood, he
said, he had been always fond of looking into old libraries,
and turning over dusty manuscripts. In some of these researches he laid his hands on the letters of Abelard and
Heloise, which he read with much pleasure, and was induced to pursue his inquiries. He found other works of
the same author; but they were ill-written, and not to be
unravelled without great labour, yet nothing can withstand
the indefatigable toil of a true antiquary. Amboise procured other manuscripts; collated them together, and
finally produced one fair copy, which made ample compensation, he says, for all the labour he had endured.
Even posterity, he thinks, will be grateful to him, and
know how to value the pleasure and the profit, they will
derive from his researches. Not satisfied, however, with
the copy he possessed, he still wished to enlarge it. He
applied to different monasteries, and he again searched the
libraries in Paris, and not without success. His friends
applauded his zeal, and gave him their assistance. His
manuscripts swelled to a large bulk, and he read, arranged,
and selected what pleased him best. The rising sun, he
says, often found him at his task. So far fortune had
smiled upon his labours, but somewhat was wanting to give
them the last finish. He went over to the Paraclet, where the
abbess, Madame de Rochefoucauld, received him with the
greatest politeness. He declared the motive of his journey;
she took him by the hand, and led him to the tomb of
Abelard and Heloise. Together they examined the library
of the abbey, and she shewed him many hymns, and
prayers, and homilies, written by their founder, which were
still used in their church. Amboise then returned to Paris,
and prepared his work for the press. As the reputation of
his author, he knew, had been much aspersed by some
contemporary writers, he wished to remove the undeserved
stigma, and to present him as immaculate as might be, before the eyes of a more discerning age. With this view
he wrote a long “Apologetic preface,
” which he meant
should be prefixed to the work. In this preface, an inelegant and affected composition, he labours much to shew
that Abelard was the greatest and best man, and Heloise
the greatest and best woman, whom the annals of human
kind had recorded. He first, very fairly, brings the testimony of those, who had spoken evil of them, whom he endeavours to combat and refute. To these succeeds a list
of their admirers. He dwells on their every word, and
gives more weight to their expressions, and the result is
what we might expect from the pen of Amboise. The compilation, however, although unsuccessful in its main design, contains. some curious matter, and may be read with,
pleasure. But he did not live to see it published, for it was
not printed till the year 1616. He died before this, but
the exact time is not known. The editor of the Dictiounaire Historique places his death in 1620, which must be a
mistake. His works are, 1. “Notable Discours, en forme
de dialogue, touchant la vraie et parfaicte amitie,
” translated from the Italian of Piccolomini, Lyons, 1577, 16mo.
2. “Dialogue et Devis des Damoiselles, pour les rendre
vertueuses et bienheureuses en la vraye et parfaicte amitie.
”
Paris, Regrets facetieux et
plaisantes Harangues funebres sur la mort de divers animaulx,
” from the Italian of Ortensio Lando, Paris, Les Neapolitaines,
” a French comedy,
Paris, Desesperades, ou Eglogues amourouses,
” Paris, Holophernes,
” printed at Paris,