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, was born at Chartres, and died at Paris the 2d of May, 1753. He gave to the French theatre several comedies that met with tolerable success; and to the Italian theatre, “l'Embarras des Richesses,” which was far better received; the “Tour de Carnaval,” and some other pieces. His “Ecole des Bourgeois,” abounds in that true comic humour which characterises the plays of Moliere. There are likewise of his: 1. “Les Bigarrures Calotines.” 2. “Lettres à Milord * * *, concerning the Baron and the Demoiselle le Couvreur.” 3. “Anecdotes of Russia, under Peter I.” 1745, 12mo. 4. “Connoissauce de la Mythologie,” 1762, 12mo. This last work is methodical and well digested; but he was only the editor of it. It was written by a Jesuit, who gave it to M. Boudot. Allainval lived in great poverty, sleeping generally in hackney chairs, or coaches in the streets, and died equally poor, in the hotel de Dieu, to which he was carried when struck with the palsy.

, physician and doctor regent of the faculty of Paris, and associate-veteran of the academy of sciences, was born at Chartres Jan. 11, 1717. Many of his ancestors having been physicians, he determined on the same profession, which he practised at Paris with so much success that no physician was more consulted; yet this did not prevent his being jealous of Tronchin, Bordeu, and some others, of whom he spoke very illiberally, but he was a man otherwise of great kindness and benevolence. One anecdote is recorded as characteristic. A banker, who had experienced some heavy losses, was taken ill, and Bouvart, who was called in, suspected that this weighed on his mind, but could not obtain the secret from him. The banker’s wife, however, was more communicative, and told him that her husband had a payment of twenty thousand livres to make very shortly, for which he was unprovided. Bouvart, without making any professions of sorrow or assistance, went immediately home and sent the money to his patient, who recovered surprisingly. Bouvart wrote only two or three small tracts: one a critique on Tronchin’s book, “de colica Pictonum,” 1758, 8vo; a “Consultation sur une naissance tardive,” against the anatomists Petit and Bertin, 1765, 8vo; and a “Memou/e au sujet de l'honoraire des medicines,” 1768, 4to, all written in a keen, controversial style. He was also an opponent of inoculation for the small pox. He introduced the use of the polygala of Virginia in cases of the bite of venomous reptiles, and this was the subject of the only paper he contributed to the academy; but the remedy, although said to be successful in his hands, fell into disrepute. He died Jan. 19, 1787.

, a poet to whom much of the improvement of the French language is attributed, was born at Chartres in 1546, whence he went to Paris. Attaching himself there to a bishop who was going to Rome, he gained an opportunity of visiting that city, and acquiring a perfect knowledge of the Italian language. When he returned to France, he applied himself entirely to French poetry, and was one of the few poets who have enjoyed great affluence, which he owed in part to the great liberality of the princes by whom he was protected. Henry III. of France gave him 10,000 crowns, to enable him to publish his first works. Charles IX. presented him with 800 crowns of gold for his poem of Rodomont. The admiral de Joyeuse gave him an abbey for a sonnet. Besides which, he enjoyed benefices to the amount altogether of 10,000 crowns a year. Henry III. even honoured him with a place in his council, and consulted him on the most important affairs. It is said that he refused several bishoprics; but he loved solitude and retirement, which he sought as often as he could. He was very liberal to other men of letters, and formed a large library, to which he gave them the utmost freedom of access. Some, who were envious of his reputation, reproached him with having borrowed freely from the Italian poets, which he was far from denying; and when a book appeared upon the subject, entitled “Rencontre des Muses de France et d'ltalie,” he said, “If I had known the author’s design, I could have furnished him with many more instances than he has collected.” After the death of Henry III. he joined himself for a time to the party of the League, but afterwards repented, and laboured zealously to serve the interests of Henry IV. in Normandy, and succeeded in obtaining the friendship and esteem of that liberal monarch. He died in 1606. Desportes is acknowledged to have been one of the chief improvers of the French language. His works consist of sonnets, stanzas, elegies, songs, epigrams, imitations, and other poems; some of which were first published in 4to, by Robert Stephens, in 1573. A translation of the Psalms was one of his latest works, and one of the most feeble. A delightful simplicity is the characteristic of his poetry, which is therefore more perfect when applied to amorous and gallant, than to noble subjects. He often imitated and almost translated Tibullus, Ovid, and other classics. A few sacred poems are published in some editions of his Psalms, which have little more merit than the Psalms to which they are subjoined.

, a French writer of distinguished taste and talents, was born at Chartres, Dec. 28, 1728, of a family which made a considerable figure in the profession of the law. He appears to have first served in the army under the marechal Richelieu, and was noted for his courage. On his return to Paris, by the advice of the learned professor Guerin, he devoted his time to literature, and was in 1776 admitted a member of the academy of inscriptions. On the breaking out of the revolution, although chosen into the convention, he was too moderate for the times, and was imprisoned, and probably would have ended his days on the scaffold, had not Marat obtained his pardon by representing him as an old dotard, from whom nothing was to be feared. In 1797 he was chosen a member of the council of ancients, and on that occasion delivered a long speech against the plan of a national lottery. He died March 16, 1799. His principal works are, 1. A French translation of Juvenal, by far the best that ever appeared in that language, and which he enriched with many valuable notes. It was first published in 1770, 8vo, in a very correct and elegant manner, and was reprinted in 1796. 2. “De la passion du Jeu,” 1779, 8vo. The author had been once fond of play, but renounced it in consequence of witnessing the many miseries it occasions, which he has displayed in this treatise. He was afterwards, in 1793 or 1794, charged by the committee of public instruction to draw up, in conjunction with M. Mercier, a report on the suppression of games of chance, which produced a treatise from him, “Sur la suppression des Jeux de Hazard,” probably a repetition of what he had advanced before. 3. “Eloge de l'abbe Blanches,” prefixed to his works. 4. “Memoire sur les Satiriques Latins,” in the 43d vol. of the Memoirs of the academy of inscriptions. 5. “Voyage a Barrege et dans les hautes Pyrenees,” 1796, 8vo, an amusing tour, which would not have been less so if he had avoided an affected imitation of Sterne. 6. “Mes rapports avec J. J.Rousseau,” 1798, 8vo, in which there are some curious particulars of the Genevan philosopher. From the Memoirs of the National Institute we learn that when M. Dussaulx was in the army he married a lady who survived him, and to whom he appears to have been attached with extraordinary fidelity and unremitted affection. He declared, towards the close of his life, that she had been his first and his last love; and it was to her he was indebted for nearly the whole of his literary reputation. Madame Dussaulx, from the casual effusions of his pen, conceived him to be capable of spirited as well as elegant versification, and proposed to him to translate particular passages of Juvenal. These he executed with so much success, that he was incited by degrees to make a complete version of the whole of his satires, and thereby produced a performance which secured to him a very large acquaintance and friendship with the literary world.

, Sieur des Avaux et de Javerci, counsellor and historiographer to the king of France, was born at Chartres in 1619. He finished his first studies there at the age of fourteen, and then was sent to Paris to improve himself in the sciences, and in the management of affairs: but his inclination soon made him devote himself entirely to the muses, and he gained a great reputation by his knowledge in the fine arts. The marquis de Fontenay-Mareuil, being chosen for the second time ambassador extraordinary to the court of Rome in 1647, Felibien was made secretary to the embassy, and perfectly answered the hopes which that minister had conceived of him. During his stay at Rome, his fondness for the liberal arts made him spend all the time he could spare in visiting those who excelled in them; and especially the celebrated Poussin, from whose conversation he learned to understand all that is most beautiful in statues and pictures: and it was according to the exalted notions he then formed to himself of the excellence and perfection of painting, that he wrote those valuable works which established his reputation. On his return from Italy he went to Chartres; and, as he designed to settle himself, he married a lady of considerable family. His friends introduced him afterwards to Fouquet, who would have done something for him had he not soon after lost the king’s favour: but Colbert, who loved the arts and sciences, did not suffer him to be useless. After he had desired him to make some draughts for his majesty, in order to engage him to complete the works he had begun, he procured him a commission of historiographer of the king’s buildings, superintendant of them, and of the arts and manufactures in France: this commission was delivered to him March 10, 1666. The royal academy of architecture having been established in 1671, he was made secretary to it. The king made him afterwards keeper of his cabinet of antiques, in 1673, and gave him an apartment in the palace of Brion. He was also one of the first members of the academy of inscriptions and medals, and became afterwards deputy comptroller general of the bridges and dykes of the kingdom. He died June 11, 1695, aged seventy-six; and left five children.

, a celebrated French divine, was born at Chartres, Oct. 6, 1625. He was the son of John Nicole above mentioned, who, discovering him to be a youth of promising talents, gave him his first instructions in grammar, and so grounded him in classical knowledge, that at the age of fourteen he was qualified to go to Paris, and commence a course of philosophy; and at its completion, in about two years, he took the degree of M. A. July 23, 1644. He afterwards studied divinity at the Sorbonne, in 1645 and 1646 and, during this course, learned Hebrew, improved himself farther in Greek, acquired a knowledge of Spanish and Italian. He also devoted part of his time to the instruction of the youth put under the care of messieurs de Port-royal. As soon as he had completed three years, the usual period, in the study of divinity,he proceeded bachelor in that faculty in 1649, on which occasion he maintained the theses called the Tentative, He afterwards prepared himself to proceed a licentiate;, but was diverted from it by the dispute which arose about the five famous propositions of Jansenius, added to his connections with Mr. Arnauld. By this means he was at more leisure to cultivate his acquaintance with gentlemen of the Port-royal, to which house he now retired, and assisted Mr. Arnauld in several pieces, which that celebrated divine published in his own defence. They both went to M. Varet’s house at Chatillon near Paris, in 1664, and there continued to write, inconcert. Nicole afterwards resided at several places, sometimes at Port-royal, sometimes at Paris, &c. He was solicited to take holy orders but, after an examination of three weeks, and consulting with M. Pavilion, bishop of Aleth, he remained only a tonsured priest. It has been asserted by some, that having failed to answer properly when examined for the subdeaconship, he considered his being refused admission to it, as a warning from heaven. He continued undisturbed at Paris till 1677, when a letter which he wrote, for the bishops of St. Pons and Arras, to pope Innocent XI. against the relaxations of the casuists, drew upon him a storm, that obliged him to withdraw. He went 6rst to Chartres, where his father was lately dead; and, having settled his temporal affairs, he repaired to Beauvais, and soon after took his leave of the kingdom, in 1679. He retired first to Brussels, then went to Liege, and, after that, risited Orval, and several other places. A letter, dated July 16, 1679, which he wrote to Harlai, archbishop of Paris, facilitated his return to France: and Robert, canon of the church of Paris, obtained leave of that archbishop, some time after, for Nicole to come back privately to Chartres. Accordingly he repaired immediately to that, city, under the name of M. Berci, and resumed his usual employments. The same friend afterwards solicited a permission for him to return to Paris, and having obtained it at length in 1683, he employed his time in the composition of various new works. In 1693, perceiving himself to be grown considerably infirm, he resigned a benefice, of a very moderate income, which her had at Beauvais; and after remaining for about two years more in a very languishing state, died of the second stroke of an apoplexy, Nov. 16, 1695, aged 70 years.

, a learned doctor of the Sorbonne, and a celebrated writer of the seventeenth century, was born at Chartres, about 1636. He professed belleslettres at Paris, and became curate of Vibray, in the diocese of Mans, where he composed several of his works, and where he died February 28, 1703, aged sixty-five. He left a great many works, which are tiow but seldom read, though they are very learned, and very often singular.