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, earl of Monmouth, was the eldest son of Robert, the first earl of Monmouth, who died in 1639, and whose “Memoirs,” written by himself, and containing some curious particulars of secret history of the Elizabethan period, were published from a manuscript in the possession of the late earl of Corke and Orrery, in 1759, 8vo. Henry, his son, was born in 1596, admitted a fellow commoner of Exeter college, Oxford, at the age of fifteen, and took the degree of B. A. in 1613, after which he was sent to travel into foreign countries. In 1616 he was made a knight of the bath at the creation of Charles prince of Wales. In 1625 he was known by the name of lord Lepington, his father’s title before he was created earl of Monmouth, and was noted, Wood says, as “a person well skilled in modern languages, and a general scholar.” This taste for study was his consolation when the depression of the nobility after the death of Charles I. threw many of them into retirement. He died June 13, 1661. In Chauncey’s Hertfordshire is the inscription on his monument in the church at Rickmansworth, which mentions his living forty-one years in marriage, with his countess, Martha, daughter of the lord treasurer Middlesex. He was a most laborious writer, but chiefly of translations, and, as lord Orford observes, seems to have distrusted his abilities, and to have made the fruits of his studies his amusement rather than his method of fame. Of his lordship’s publications we have, 1. “Romulus and Tarquin; or De Principe et Tyranno,” Lond. 1637, 12mo, a translation from Malvezzi, in praise of which sir John Suckling has some verses in his “Fragmenta Aurea,” and others were prefixed by Stapylton, Davenant, Carew, &c. It came to a third edition in 1648. 2. “Speech in the house of peers, Jan. 30, 1641, upon occasion of the present distractions, and of his Majesty’s removal from Whitehall,” London, 1641. 3. “Historical relations of the United Provinces, and of Flanders,” London, 1652, fol. translated from Bentivoglio. 4. “History of the Wars in Flanders,” ibid. 1654, fol. from the same author, with a portrait of the translator. 5. Cf Advertisement from Parnassus, in two Centuries: with the politic touchstone,“ibid. 1656, fol. from Boccalini. 6.” Politic Discourses, in six books,“ibid. 1657, fol. 7.” History of Venice,“ibid. 1658, fol. both from Paul Paruta, a noble Venetian. 8.” The use of Passions,“ibid. 1649 and 1671, 8vo, from the French of J. F. Senault. 9.” Man become guilty or the corruption of his nature by sin,“ibid, from the same author. 10.” The History of the late Wair of Christendom,“1641, fol. which lord Orford thinks is the same work with his translation of” Sir Francis Biondi’s History of the Civil Wars of England, between the houses of York and Lancaster.“11.” Capriata’s “History of Italy,” 1663, fol. His lordship began also to translate from the Italian “Priorato’s History of France,” but died before he could finish it. It was completed by William Brent, esq. and printed at London, 1677.

, was born in 1596, of a noble family, originally of Florence, and entered himself of the Minims. Cardinal Richelieu, who became acquainted with him during his retirement at Avignon, was so struck with his modesty and learning, that he gave him the bishopric of Itiez, in which diocese he did much good. From the see of Uiez he was translated to that of Autun, and died in 1664, at the age of sixty-eight. He published, 1. “A History of the Minims,” 4to.' 2. “The Life of queen Joan, foundress of the Annonciades,” 8vo. 3. “The Life of cardinal de Berulle,” in Latin, 8vo. 4. “The History of the Cardinals,” in Latin, 1660, 2 vols. folio, &c. His Latin works are more tolerable in regard to style than those in French, the diction of which is become obsolete.

, a brave and loyal officer, grandson of the preceding, was born in 1596. He was educated at Exeter college, Oxford, where his accomplishments were acknowledged, and his principles of loyalty and religion indelibly fixed, under the care of Dr. Prideaux. After taking possession of his estate he sat in parliament; and in 1638 attended the king with a troop of horse, raised at his own expence, in an expedition to Scotland, on which occasion he received the honour of knighthood. Abhorring the principles which then broke out in open rebellion, he joined the royal army, and had a command at the battle of Stratton, in 1643, when the parliamentary forces were defeated, and greatly distinguished himself in other engagements, particularly that at Lansdown, near Bath, fought successfully against sir William Waller, July 5, 1643, but received a fatal blow with a pole-axe. Many of his brother officers fell with him, and their bodies were found surrounding his. Lord Clarendon says, “That which would have clouded any victory, was the death of sir Bevil Greenville. He was, indeed, an excellent person, whose activity, interest, and reputation was the foundation of what had been done in Cornwall, and his temper and affection so public, that no accident which happened could make any impression on him; and his example kept others from taking any thing ill, or at least seeming to do so; in ft word, a brighter courage and gentler disposition were never married together, to make the most cheerful and innocent conversation.” His descendant, lord Lansdowne, erected a monument on the spot where he was killed.

, an eminent painter, the son of Francis Stella, a Fleming, was born in 1596 at Lyons, where his father had settled on his return from Italy. Although he was but nine years old at his father’s death, the latter had successfully initiated him in the principles of the art, which he afterwards improved in Italy. At the age of twenty, being at Florence, the great duke Cosmo de Medicis, perceiving him to be a man of genius, assigned him lodgings and a pension equal to that of Callot, who was there at the same time; and here, during a residence of seven years, he exhibited many proofs of his skill in painting, designing, and engraving. Thence he went to Rome, where he spent eleven years, chiefly in studying the antique sculptures, and Raphael’s paintings. Having acquired a good taste, as well as a great reputation, in Rome, he resolved to return to his own country; intending, however, to pass thence into the service of the king of Spain, who had invited him more than once. He took Milan in his way to France; and cardinal Albornos offered him the direction of the academy of painting in that city, which he refused. When he arrived in Paris, and was preparing for Spain, cardinal Richelieu detained him, and presented him to the king, who assigned him a good pension and lodgings in the Louvre. He gave such satisfaction here, that he was honoured with the order of St. Michael, and painted several large pictures for the king, by whose command the greatest part of them were sent to Madrid. Being very laborious, he spent the winter-evenings in designing the histories of the Holy Scriptures, country sports, and children’s plays, which were engraved, and make a large volume. He also drew the designs of the frontispieces to several books of the Louvre impression; and various antique ornaments, together with a frieze of Julio Romano, which he brought out of Italy. He died of a consumption in 1647. This painter had a fine genius, and all his productions were wonderfully easy. His talent was rather gay than terrible: his invention, however, noble, and his design in a good style. His models were evidently Raphael and Poussin. He was upon the whole an excellent painter, although somewhat of a mannerist. Sir Robert Strange has a fine engraving from a “Holy Family” by this artist.