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, fourth son of the preceding, was born in 1727, studied some time at Oxford, which he quitted for the Temple, and after the usual course was admitted to the bar. He was one of his majesty’s counsel learned in the law, and a bencher of the lion society of the Inner Temple, but, although esteemed a very sound lawyer, he never rose to any distinguished eminence as a pleader. He was for some time recorder of Bristol, in which situation he was preceded by sir Michael Foster, and succeeded by Mr. Dunning, afterwards lord Ashburton. In May 1751 he was appointed marshal of the high court of admiralty in England, which he resigned in 1753, on being appointed secretary for the affairs of Greenwich hospital; and was appointed justice of the counties of Merioneth, Carnarvon, and Anglesey, 1757, and afterwards second justice of Chester, which he resigned about 1785, retaining only the place of commissary-general of the stores at Gibraltar. Had it been his wish, he might probably have been promoted to the EngU&h bench, but possessed of an ample income, having a strong bias to the study of antiquities, natural history, &c. he retired from the practice of the law, and applied his legal knowledge chiefly to the purposes of investigating curious questions of legal antiquity. His first publication, which will always maintain its rank, and has gone through several editions, was his “Observations on the Statutes,” 1766, 4to. In the following year he published “The Naturalist’s Calendar,” which was also favourably received. In 1773, desiring to second the wishes of the Rev. Mr. Elstob to give to the world the Saxon translation of Orosius, ascribed to king Alfred, in one vol. 8vo, he added to it an English translation and notes, which neither give the meaning, nor clear up the obscurities of the Latin or Saxon authors, and therefore induced some severe observations from the periodical critics. His next publication was, “Tracts on the probability of reaching the North Pole,” 1775, 4to. He was the first proposer ofthe memorable voyage to the north pole, which was undertaken by captain Phipps, afterwards lord Mulgrave: and on the event of it, he collected a variety of facts and speculations, to evince the practicability of such an undertaking. His papers were read at two meetings of the royal society, and not being admitted into their “Philosophical Transactions,” were published separately. -It must be allowed that the learned author bestowed much time and labour on this subject, and accumulated an amazing-quantity of written, traditionary, and conjectural evidence, in proof of the possibility of circumnavigating the pole; but when his testimonies were examined, they proved rather ingenious than satisfactory. In 1781 he published “Miscellanies on various subjects,” 4to, containing some of his papers in the Philosophical Transactions, and other miscellaneous essays composed or compiled by him, on various subjects of antiquity, civil and natural history, &c. His contributions to the Philosophical Transactions and to the Archaologia are numerous, as may be seen in the indexes of these works. He was a -member of both societies, and a vicepresident of that of the antiquaries, which office he resigned in his latter days on account of his bad state of health. He died after a lingering illness, at his chambers in the King’s Bench walk, Temple, March 11, 1SOO, aged 73, and was interred in the vault of the Temple church. Mr. Barrington was a man of amiable character, polite, communicative, and liberal.

, an admirable English artist, was born in 1727, at Sudbury, in Suffolk, where his father was a clothier. He very early discovered a propensity to painting. Nature was his teacher, and the woods of Suffolk his academy, where he would pass in solitude his mornings, in making a sketch of an antiquated tree, a marshy brook, a few cattle, a shepherd and his flock, or any other accidental objects that were presented. From delineation he got to colouring; and after painting several landscapes from the age of ten to twelve, he quitted Sudbury, and came to London. Here he received his first instructions from Gravelot, and was then placed under the tuition of Mr. Hayman, with whom he staid but a short time. After quitting this master, he for a short time resided in Hatton-garden, and practised painting of portraits of a small size, and also pursued his favourite subject, landscape. During this residence in London, he married a young lady, who possessed an annuity of 200l.; and then retired to Ipswich, and from thence to Bath, where he settled about 1758. He now began painting portraits at the low price of five guineas, for a threequarter canvas, and was soon so successful as to be encouraged to raise his price to eight guineas. In 1761, for the first time, he sent some of his works to the exhibition in London. In 1774, he quitted Bath, and settled in London in a part of the duke of Schomberg’s house in Pail-Mall. In this situation, possessed of ample fame, and in the acquisition of a plentiful fortune, he was disturbed by a complaint in his neck, which was not much noticed upon the first attack, nor was it apprehended to be more than a swelling in the glands of the throat, which it was expected would subside in a short time, but it was soon discovered to be a cancer, which baffled the skill of the first medical professors. Finding the danger of his situation, he settled his affairs, and composed himself to meet the fatal moment, and expired Aug. 2, 1788. He was buried, according to his own request, in Kew Churchyard.

, an elegant English poet, descended from an ancient Roman catholic family in Norfolk, was the youngest brother of the late sir William Jerningham, bart. and was born in 1727. He was educated in the English college at Douay, and from thence removed to Paris, where he improved himself in classical attainments, becoming a good Latin scholar, and tolerably well acquainted with the Greek, while the French and Italian languages, particularly the former, were nearly as familiar to him as that of his native country. In his mind, benevolence and poetry had always a mingled operation. His taste was founded upon the best models of literature, which, however, he did not always follow, with respect to style, in his latter performances. The first production which raised him into public notice, was a poem in recommendation of the Magdalen hospital; and Mr. Jonas Hanway, one of its most active patrons, often declared, that its success was very much promoted by this poem. He continued 'occasionally to afford proofs of his poetical genius; and his works, which passed through many editions, are uniformly marked by taste, elegance, and a pensive character, that always excites tender and pleasing emotions; and in some of his works, as in “The Shakspeare Gallery,” “ Enthusiasm,” and “The Rise and Fall of Scandinavian Poetry,” he displays great vigour, and even sublimity. The fiist of these poems had an elegant and spirited compliment from Mr. Burke, in the following passage: “I have not for a, long time seen any thing so well-finished. He has caught new fire by approaching in his perihelium so near to the Sun of our poetical system.” His last work, published a few months before his death, was entitled “The Old Bard’s Farewell.” It is not unworthy of his best days, and breathes an air of benevolence and grateful piety for the lot in life which Providence had assigned him. In his later writings it has been objected that he evinces a species of liberal spirit in matters of religion, which seems to consider all religions alike, provided the believer is a man of meekness and forbearance. With this view in his “Essay on the mild Tenour of Christianity” he traces historically the efforts to give an anchorite-cast to the Christian profession, and gives many interesting anecdotes derived from the page of Ecclesiastical history, but not always very happily applied. His “Essay on the Eloquence of the Pulpit in England,” (prefixed to bishop Bossuet’s Select Sermons and Orations) was very favourably received by the public, but his notions of pulpit eloquence are rather French than English. Mr. Jerningham had, during the course of a long life, enjoyed an intimacy with the most eminent literary characters in the higher ranks, particularly the celebrated earl of Chesterfield, and the present earl of Carlisle. The illness which occasioned his death, had continued for some months, and was at times very severe; but his sufferings were much alleviated by a course of theological study he had imposed on himself, and which he considered most congenial to a closing life. He died Nov. 17, 1812. He bequeathed all his manuscripts to Mr. Clarke, New Bond-street. Mr. Jerningham’s productions are as follow: J. “Poems and Plays,” 4 vols. 9th edition, 1806. 2. “Select Sermons and Funeral Orations, translated from the French of Bossuet, bishop of Meaux,” third edition, 1801. 3. “The mild Tenour of Christianity, an Essay, (elucidated from Scripture and History; containing a new illustration of the characters of several eminent personages,)” second edition, 1807. 4. “The Dignity of Human Nature, an Kssay,” 1805. 5. “The Alexandrian School; or, a narrative of the first Christian Professors in Alexandria,” third edition, 1810. 6. “The Old Bard’s Farewell,” a Poem, second edition, with additional passages, 1812. His dramatic pieces, “The Siege of Berwick,” the “Welsh Heiress,” and “The Peckham Frolic,” have not been remarkably successful.