Bianchi, John Antony

, called by Fabroni Blanchius, a religious of the order of the Minorites, was bora Oct. 2, 1686. For some years he taught philosophy and theology, and was afterwards provincial of his order in the Roman province, visitor of that of Bologna, one of the counsellors of the inquisition at Rome, and an examiner of the Roman clergy. He died Jan. 18, 1758. Amidst all |

these graver employments, he found leisure to indulge his taste for the belles lettres, and especially dramatic poetry, which procured him admission into the academy of the Arcadjans. His works were published under his assumed name of Farnabio Gioachino Annutini, a childish anagram of Fra Giovanni Antonio Bianchi. They are, principally, 1. “Tragedie sacre e morali,” four in number, one upon the history of sir Thomas More, and all in prose, Bologna, 1725, 8vo. 2. Other tragedies “La Dina,” “II Demetrio,” &c. published separately from 1734 to 1738. 3. “De‘ vizj e dei diflfeti del moderno teatro, e del modo di corregerli e d’emendarli, ragionamenti vi,” Rome, 17.53. In this, which he published under his academic name, Lauriso Tragiense, he defends the opinion of Maffei against that of Concilia, who had published a dissertation “De spectaculis theatralibus,” in which he maintained that dramatic exhibitions were unfriendly to religion and morals, an opinion which has not been confined, as usually said, to the puritans or methodists of England. 4. “Delia poteste e polizia deila Chiesa, trattati due contro le nuove opinion! di Pietro Giannone,” Rome, 1745 1751, 5 vols. 4to, a voluminous work in vindication of the temporal power of the pope, which had been attacked by Giannone in his History of Naples, and by Bossuet, whose principles Giannone adopted. He wrote some tragedies and comedies, which do not appear to have been printed, and left many other works in manuscript, which Fabroni has enumerated. ¹