Penni, John Francis

, a native of Florence, where he was born in 1488, was called II Fattore, or the Steward, from having been intrusted with the domestic concerns of Raphael, and soon became one of his principal assistants. He more than any other helped him. in the execution of the cartoons of the Arazzi; and in the Loggie of the Vatican painted the histories of Abraham and Isaac. After the death of his master he executed the fresco of the coronation in the stanza of Constantine. The upper part of the Assumption of the Virgin, a work of Raffaellesque grace, at Monte Lupi, in Perugia, is ascribed to him, though Vasari gives it to Perino del Vaga: the under part with the Apostles is painted by Julio. Of the works which he performed alone, no frescoes, and so few oil-pictures remain, that they may be considered as the principal rarities of galleries. Facility of conception, grace of execution, and a singular felicity in landscape, are mentioned as his characteristics. Penni wished much to unite himself with his coheir Julio, but being coldly received by him at Mantua, went to Naples, where his works and principles might have contributed much toward the melioration of style, had he not been intercepted by death in 1528, in his fortieth year. He left at Naples, with his copy of the Transfiguration, a scholar of considerable merit, Lionarde Afalatesta, or Grazia, of Pistoja. Uc had a brother Lucas, who having a close connection with Perino del Vul;;I, who had married his sister, worked with that master (see Perino) for some years at Genoa, Lucca, and other cities of Italy, with great credit. Afterwards he went to England, | and was employed by king Henry VIII. for whom he painted several designs; and was also engaged by some of the merchants of London; but at last he almost entirely quitted the pencil, devoting all his time and application to engraving, as some say, but Mr. Fuseli maintains that he only furnished designs for engravers. ¹