Bandinelli, Baccio

, an eminent sculptor, was born at Florence in 1487, and died in 1559. He was intended by his father, who was a goldsmith, to follow that business, but discovered an early and much higher relish for sculpture. It is said that at the age of nine he made a statue of snow, which was remarkable for justness of proportion. He attempted also painting, but was deficient in colouring, and wanted perseverance to acquire execution and handling. He was, however, a great designer, and his compositions of the Martyrdom of St, Lawrence, and the Massacre of the Innocents, shew exuberance of fancy. In the former, the draped figures that compose the upper rank of spectators, are equally admirable for simplicity and elegance, whilst the saint‘ himself, and those around him, exhibit little more than clumsiness, or barefaced contrast. The Massacre of the Innocents, with a display of anatomic prowess, presents a scene, not of terror and pity, but loathsomeness and horror. As a sculptor, however, he was esteemed the greatest after Michael Angelo. Among his most admired "works is the copy of the Laocoon, in the garden of the Medicis at Florence. This was intended by pope Clement VII. as a present to Francis I. but when he saw it, he was so much pleased that he could not part with it, and in its stead sent a present of antique statues to the king of France. Another of his admired productions was a bas relief of a Descent from the Cross, which he presented | to Charles V. who rewarded him with a commandery of St. James and to this, not inferior in excellence, maybe added his Hercules and Cacus, a colossal groupe, and his statues of Leo X. and Clement VII. Vasari, who has written his life, justlv censures his envious disposition, and particularly his jealous hatred of Michael Angelo. 1