Cerquozzi, Michael Angelo

, an eminent painter, called M. A. DI Battague, from his excellence in painting battles, and Bambocciate, from his turn for painting markets, fairs, &c. was born at Rome in 1600, or 1602. His father, a jeweller, perceiving his disposition to the art, placed him with James d’As6, a Flemish painter, then in credit at Rome; after three years study with him, he went to the school of P. P. Cortonese, whom he quitted to become the disciple and imitator of Bamboccio. He surpassed all his fellow-students in taste, and had a manner of painting peculiar to himself. His chearful temper appeared in his pictures, in which ridicule was strongly represented. The facility of his pencil was such, that on the recital of a battle, a shipwreck, or any uncommon figure, he could express it* directly on his canvas. His colouring was vigorous, and his touch light. He never made designs or sketches, but only re-touched his pictures until he hud brought them to all the perfection of which he was capable. Such was his reputation that he could hardly supply the commissions he received, and he became so rich that the cares of wealth began to perplex him. He on one occasion took all his wealth to a retired place in order to bury it, but when he arrived, was so alarmed lest it should be found, that he brought it back, with much trouble, and having been two nights and a day without sleep or sustenance, this, it is said, injured his health, and brought on a violent fever which proved fatal in 1660. His personal character is highly praised. Mr. Fuseli says, that he differs from Bamboccio in the character and physiognomy of his figures; instead of Dutch or Flemish mobs, he painted those of Italy. Both artists have strongand vivid tints; Bamboccio is superior to him in landscape, and he excelis Bamboccio in the spirit of his figures. One of his most copious works is in the palace Spada at Rome, in which he has represented an arrny df fanatic Lazzaroni, who shout applause to Masaniello. ²

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