Collaert, Adrian

, an engraver and print-seller of Antwerp, of the sixteenth century, is said to have received the first instructions in his art, in the place of his nativity; after which he repaired to Italy to complete his studies. He contributed not a little, by his assiduity, and the facility of his graver, to the numberless sets of prints of sacred stones, huntings, landscapes, flowers, fish, &c. with which the states of Germany and Flanders were at that time inundated. Many of these are apparently from his own designs, and others from Martin de Vos, Theodore Bernard, P. Breughel, John Stradanus, Hans Bol, and other masters. His style of engraving is at the same time masterly and neat, and his knowledge of drawing appears to have been considerable; but his prints partake of the defects of his contemporaries, his masses of light and shade being too much scattered, and too equally powerful. The following | are amongst his numerous performances. The “Life of Christ in 36 small prints.” “The twelve months, small circles from H. Bol.” “The women of Israel chanting the psalm of praise, after the destruction of the Egyptians in the Red Sea.” This artist flourished according to Strutt and Heinecken about 1530 1550. His son, Hans or John, was an excellent draughtsman and engraver. He studied some time in Rome, and afterwards settled in his native place, Antwerp, where he assisted his father in most of his great works; and afterwards published a prodigious number of prints of his own, nowise inferior to those of Adrian. The works attributed by some to one Herman Coblent, are, by Heinecken, supposed to be by this master. His prints, according to Strutt, are dated from 1555 to 1622, so that he must have lived to a great age. We shall only notice the following amongst his numerous performances “The Life of St. Francis in 16 prints lengthways, surrounded by grotesque borders.” “Time and Truth,” a small upright print beautifully engraved, from J. Stradanus “The Last Judgment,” a large print, encompassed with small stories of the life of Christ. M. Heinecken mentions a print by an artist, who signs himself William Collaert, and supposes him the son of John Collaert. 1