Cotin, Charles

, a member of the French academy, so ill-treated by Boileau in his satires, and by Moliere in his comedy of the “Femmes Savantes,” under the name of Trissotiu, was born at Paris, and has at least as good a title to a place in this work, as some of Virgil’s military heroes in the Æneid, who are celebrated purely for being knocked on the head. It is said, that he drew upon him the indignation of Boileau and Moliere: of the former, because he counselled him in a harsh and splenetic manner, to devote his talents to a kind of poetry different from satire; of the latter, because he had endeavoured to hurt him with the duke de Montausier, by insinuating that Moliere designed him in the person of the Misanthrope. Cotin, however, was a man of learning, understood the learned languages, particularly the Greek, Hebrew, and Syriac, was respected in the best companies, where merit only could procure admittance, and preached sixteen Lents, in the principal pulpits of Paris. He died in that city in 1682, leaving | several works tolerably well written the principal are, K “Theoclee, on la vraie Philosophie des principes du monde.” 2. “Traite de l’Ame immortelle.” 3. “Oraison funeb. pour Abel Servien.” 4. “Reflexions sur la conduite du roi Louis XIV. quand il prit le soin des affaires par lui-meme.” 5. “Salomon, ou la Politique Royale.” 6. “Poesies Chretiennes,” 1668, 12mo. 7. “CEuvres galantes,” 1665, 2 vols. 12uio, &c. The sonnet to Urania in the “Femmes Savantes” of Molitjre, was really written by abbe Cbtin: he composed it for Madame de Nemours, and was reading it to that lady when Menage entered, who disparaging the sonnet, the two scholars abused each other, nearly in the same terms as Trissotin and Vadius in Moliere. ¹