Thomas Middleton, another of the galaxy of Elizabethan writers contributing so many sidelights on Shakspeare’s life and times, is supposed to have been of gentle birth. He entered Gray’s Inn about 1593 and was associated with Dekker in the production of The Roaring Girl, probably having the larger share in the composition. Authorities concur in tracing Dekker’s hand in the canting scenes, but less certainly elsewhere. The original of Moll Cut-purse was a Mary Frith (1584—1659), the daughter of a shoemaker in the Barbican. Though carefully brought up she was particularly restive under discipline, and finally became launched as a “bully, pickpurse, fortune-teller, receiver and forger” in all of which capacities she achieved considerable notoriety. As the heroine of The Roaring Girl Moll is presented in a much more favorable light than the facts warrant.
Line 11. And couch till a palliard docked my dell = (literally) ‘And lie quiet while a beggar deflowered my girl’, but here probably = while a beggar fornicates with my mistress.
Taken from Musa Pedestris, Three Centuries of Canting Songs and Slang Rhymes [1536―1896], collected and annotated by John S. Farmer.
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