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, an amiable and ingenious writer, was a native of Ireland, where he was born in the year 1706. His father, the rev. William Brooke of Rantavan, rector of the parishes of Killinkare, Mullough, Mybullough, and Licowie, is said to have been a man of grent talents and worth; his mother’s name was Digby. His education appears to have been precipitated in a manner not very usual: after being for some time the pupil of Dr. Sheridan, he was sent to Trinity college, Dublin, and from thence removed, when only seventeen years old, to study law in the Temple. Dr. Sheridan was probably the means of his being introduced in London to Swift and Pope, who regarded him as a young man of very promising talents. How long he remained in London we are not told*, but on his return to Ireland he practised for some time as a chamber counsel, when an incident occurred which interrupted his more regular pursuits, and prematurely involved him in the cares of a family. An aunt, who died at Westmgath about the time of his arrival in Ireland, committed to him the guardianship of her daughter, a lively and beautiful girl between eleven and twelve years old. Brooke, pleased with the trust, conducted her to Dublin, and placed her at a boarding-school, where, during his frequent visits, he gradually changed the guardian for the lover, and at length prevailed on her to consent to a private marriage. In the life prefixed to his works, this is said to have taken place before she had reached her fourteenth year: another account, which it is neither easy nor pleasant to believe, informs us that she was a mother before she had completed that year. When the marriage was discovered, the ceremony was again performed in the presence of his family. For some time this happy pair had no cares but to please each other, and it was not until after the birth of their third child that Brooke could be induced to think seriously how such a family was to be provided for. The law had long been given up, and he had little inclination to resume a profession which excluded so many of the pleasures of imagination, and appeared inconsistent with the feelings of a mind tender, benevolent, and somewhat romantic. Another journey to London, however, promised the advantages of literary society, and the execution of literary schemes by which he might indulge his genius, and be rewarded by fame and wealth. Accordingly, soon after his arrival, he renewed his acquaintance with his former friends, and published his philosophical poem, entitled “Universal Beauty.” This had been submitted to Pope, who, probably, contributed his assistance, and whose manner at least is certainly followed. At what time this occurred is uncertain. The second part was published in 1735, and the remainder about a year after. What fame or advantage he derived from it we know not, as no mention is made of him in the extensive correspondence of Pope or Swift. He was, however, obliged to return to Ireland, where for a short time he resumed his legal profession.

, a native of Ireland, /was at first provost of Trinity college in Dublin, and afterwards bishop of Cork: in the palace of which see he died in 1735, after having distinguished himself by some writings. 1. “A refutation of Toland’s Christianity not mysterious.” This was the foundation of his preferment; which occasioned him to say to Toland himself, that it was he who had made him bishop of Cork. 2. “The progress, extent, and limits of the human understanding,” 1728, 8vo. This was meant as a supplemental work, displaying more at large the principles on which he had confuted Toland. 3. “Sermons,” levelled principally against the Socinians, written in a manly and easy style, and much admired. He published also, 4. A little volume in 12mo, against the “Custom of drinking to the memory of the dead.” It was a fashion among the Whigs of his time, to drink to the glorious and immortal memory of king William III. which greatly disgusted our bishop, and is supposed to have given rise to the piece in question. His notion was that drinking to the dead is tantamount to praying for the dead, and not, as is really meant, an approbation of certain conduct or principles. The only effect, however, was that the whigs added to their toast, “in spite of the bishop of Cork.”

, renowned in Scotch history as the founder of a monastery at Icolmkill, and the chief agent in converting the northern Picts, was a native of Ireland, where he was a priest and abbot, and is supposed to have been born at Gartan, in the county of Tyrconnel, in 521. From thence, about the year 565, he arrived in Scotland, and received from Bridius, the son of Meilochon, the then reigning king of the Picts, and his people, the island of Hij, or Hy, one of the Western Isles, which was afterwards called from him Icolmkill, and became the famous burial-place of the kings of Scotland. There he built a monastery, of which he was the abbot, and which for several ages continued to be the chief seminary of North Britain. Columba acquired here such influence, that neither king or people did any thing without his consent. Here he died June 9, 597, and his body was buried on the island; but, according to some Irish writers, was afterwards removed to Down in Ulster, and laid in the same vault with the remains of St. Patrick and St. Bridgit. From this monastery at iona, of which some remains may yet be traced, and another, which he had before founded in Ireland, sprang many other monasteries, and a great many eminent men; but such are the ravages of time and the revolutions of society, that this island, which was once “the luminary of the Caledonian regions, whence savage clans and roving barbarians derived the benefits of knowledge, and the blessings of religion,” had, when Dr, Johnson visited it in 1773, “no school for education, nor temple for worship, only two inhabitants that could speak English, and not one that could write or read.”

, another eminent missionary for the propagation of the Christian religion in the sixth century, was a native of Ireland according to Jonas, who wrote his life, sir James Ware, and others; but Mackenzie maintains that he was a North Briton. From either Scotland or. Ireland, however, he went into England, where he continued some time, and in 589 proceeded to France, and founded the monastery of Luxevil, near Besanon, which he governed during twenty years. In 598 we find him engaged in a controversy with pope Gregory concerning the proper time of keeping Easter, which was then a frequent object of dispute; but Columbanus at last submitted to the court of Rome. After so long residence in France, he was banished for censuring the immoralities of Theodoric and his queen. He then went to Switzerland, where he was kindly received by Theodebert, king of that country, and was successful in converting the pagans; but the Swiss army being defeated by the French, he was obliged to remove to Italy, where, under the protection of the king of the Lombards, he founded, in 613, the abbey of Bobio, near Naples. Over this monastery he presided but a short time, dying Nov. 21, 61S. Authors are not agreed as to the order of monks to which Columbanus belonged, but it is certain that his disciples conformed to the rules of the Benedictines. His works are printed in the Bibl. Patrum, and consist of monastic rules, sermons, poems, letters, &c.

, vicar of St. Alkmond’s parish, Shrewsbury, was a native of Ireland, and descended from a very ancient and respectable family in that country, being distantly related to the family of lord Kinsale, to whom he was ordained chaplain. He was educated at Trinity college, Dublin; and his acquaintance with several eminent clergymen brought him to England. In 1770 he accepted the curacy of Shawbury in Shropshire, of which the rev, Mr. Stillingfleet was rector. In January, 1774, he was presented by the lord chancellor to the vicarage of St. Alkmond, which was the subject of a satirical poem, entitled “St. Alkmond’s Ghost,” by an inhabitant of the parish. This was owing to a prejudice conceived against him, as being a methodist, which, however, he soon overcame by his general conduct and talents. To a fund of information derived from reading and reflection, he added a degree of sprightliness and humour, which always rendered his conversation agreeable on every subject. la principle, he was warmly attached to the doctrines of our excellent church, as set forth in her articles and homilies. In the pulpit he was a laborious servant, preaching generally twice, and for some time before his death, three times, every Sunday, and a lecture on Wednesday evening, besides reading the regular service. His sermons were extempore, but in language dignified, in reasoning perspicuous, embellished by apposite allusions, and ornamented with many of the graces of oratory, and he never appealed to the passions of his auditors, but through the medium of the understanding. To the dogmas of Socinus he was an able and unwearied adversary, both from the pulpit and the press, as may be seen by referring to his “Christ Crucified,” 2 vols. 12mo. He was particularly attached to our venerable constitution, and when those pernicious doctrines were broached, which, under the delusive and fascinating title of “Rights of Man,” hurled the monarch of France from his throne, and threatened to involve this country in the same dreadful scenes of ruin and devastation, he strenuously defended the cause of religion and social order. His natural constitution was good, and supported him under many painful fits of rheumatic gout, which weakened his knees so much, as to render it necessary sometimes to sit in the pulpit. Among many temporal losses, none seemed to affect him so much as the death of his youngest son in August, 1803, after serving some time as midshipman under his relation the hon. capt. De Courcy. In the close of his last sermon from Revelation, chap. vi. v. 2. on the evening of the fast day, an allusion to the memory of those whom “we had resigned into the rcy arms of Death,” so far affected him, as to cause an involuntary flow of tears, and obliged him abruptly to conclude. A slight cold taken on that day brought on a return of his disorder, from which he gradually recovered, until a few hours before his death, when a sudden attack in his stomach rendered medical aid useless. Having commended his soul into the hands of his Redeemer, he sunk back, and expired, Nov. 4, 1803. His memory will be long esteemed by his parishioners, and many others who attended his ministry, during a period of thirty years. His remains were interred at Shawbury, on the 9th, and on that occasion a great number of his friends voluntarily joined the funeral procession, and rendered to his memory their last tribute of respect and gratitude. His published works are “Jehu’s Eye-glass on True and False Zeal;” “Nathan’s Message to David, a Sermon;” two Fast Sermons, 1776; “A Letter to a Baptist Minister;” “A Reply to Parmenas,” 1776 “The Rejoinder,” on Baptism, 1777; “Hints respecting the Utility of some Parochial Plan for suppressing the Profanation of the Lord’s Day,” 1777; two Fast Sermons, 1778; “Seduction, or the Cause of injured Innocence pleaded, a Poem,” 1782; “The Seducer convicted on his own Evidence,” 1783; “Christ Crucified,” 1791, 2 vols.; and a Sermon preached at Hawkstone chapel, at the presentation of the standard to the two troops of North Shropshire yeomanry cavalry, in 1798. In 1810, a volume of his “Sermons” was published, with a biographical preface and portrait.

, a native of Ireland, was born in 1724. Being intended for trade, he was some time placed with a linen-draper in Dublin; but disliking his business, he quitted it and his country about 1751, and commenced author in London. Soon after he arrived at the metropolis, he indulged an inclination which he had imbibed for the stage, and appeared in the character of Gloucester in “Jane Shore,” but with so little success, that he never repeated the experiment. After this attempt he subsisted chiefly by his writings; but being of an expensive disposition, running into the follies and excesses of gallantry and gaming, he lived almost all his time the slave of dependence, or the sport of chance. His acquaintance with people of fashion, on beau Nash’s death, procured him at length a more permanent subsistence. He was chosen to succeed that gentleman in his offices of master of the ceremonies at Bath and Tunbridge. By the profits of these he might have been enabled to place himself with ceconomy in a less precarious state; but his want of conduct continued after he was in the possession of a considerable income, by which means he was at the time of his death, March 7, 1769, as necessitous as he had been at any period of his life. He translated one piece from the French of the king of Prussia, called “Sylla,” a dramatic entertainment, 1753, 8vo; “A Voyage to the Moon,” from the French of Bergerac, 1753; “Memoirs of the Count de Beauval,” from the French of the marquis d'Argens,“1754, 12mo;” The third Satire of Juvenal translated intoJEnglish VC.rse,“1755, 4to and he edited an edition of Dryclen’s poetical works, with a life and notes, 1762, 4 vols. ^vo, a beautifully printed work, which had very little success. In 1759 he published a” View of the Stage,“under the na^e of Wilkes in 1762,” The Battle of Lora,“a poem in 1763,” A Collection of Voyages,“2 vols. 12mo, and some other compilations, with and without his name, which, indeed, in ibe literary world, was of little consequence. The most amffsing of his works, was his” Letters written from Liverpool, CilSSter, &c." 2 vols. 12mo. Derrick lived rather to amuse than instruct the public, and his vanity and absurdities were for many years the standing topics of the newspaper wits. A few, not unfavourable, anecdotes of Derrick are given in Boswell’s Life of Johnson.

, a writer of the ninth century, better known by his works than his personal history, is supposed to have been a native of Ireland, who emigrated to France, and there probably died. Cave and Dupin call him deacon, but Dungal himself assumes no other title than that of subject to the French kings, and their orator. In his youth he studied sacred and profane literature with success, and taught the former, and had many scholars, but at last determined to retire from the world. The influence which Valclon or Valton, the abbot of St. Denis near Paris, had over him, with some other circumstances, afford reason to think that if he was not a monk of that abbey, he had retired somewhere in its neighbourhood, or perhaps resided in the house itself. During this seclusion he did not forsake his studies, but cultivated the knowledge of philosophy, and particularly of astronomy, which was much the taste of that age. The fame he acquired as an astronomer induced Charlemagne to consult him in the year 811, on the subject of two eclipses of the sun, which took place the year before, and Dungal answered his queries in a long letter which is printed in D'Acheri’s Spicilegium, vol. III. of the folio, and vol. X. of the 4to edition, with the opinion of Ismael Bouillaud upon it. Sixteen years after, in the year 827, Dungal took up his pen in defence of images against Claude, bishop of Turin, and composed a treatise which had merit enough to be printed, first separately, in 1608, 8vo, and was afterwards inserted in the “Bibliotheca Patrum.” It would appear also that he wrote some poetical pieces, one of which is in a collection published in 1729 by Martene and Durand. The time of his death is unknown, but it is supposed he was living in the year 834.

, an ingenious artist, was a native of Ireland, where he was born in 1710. He came very early to London, when he practised portrait-painting in oil, crayons, and in miniature. In 1734 he had the honour of painting his royal highness, Frederick prince of Wales, a full length, now in Sadler’s-hall, Cheapside. But his genius was not confined to this art, and it is said that he was the inventor and first manufacturer of porcelain in England, and that he spent fifteen years of his life in bringing this to perfection at a manufactory at Bow, during which, his constitution being impaired by constantly working in furnaces, he retired into Wales, with little hope of recovery. Here, however, his health was perfectly restored, and he returned again to London, and resumed his profession, to which he now added the art of mezzotinto engraving, and had considerable employment and success, both as a painter and engraver, tie died of a decline, brought on by intense application, April 2, 1762.

, the author of some dramas and poems of considerable merit, was a native of Ireland, where he was born in 1736. He appears to have profited by a liberal education, but entered early into the army, and attained the rank of captain in the 73d regiment of foot on the Irish establishment. When that regiment was reduced in 1763, he was put on the half- pay list. In 1763 he became acquainted with the late William Gerard Hamilton, esq. who was charmed with his liveliness of fancy and uncommon talents, and for about five years they lived together in the greatest and most unreserved intimacy; Mr. Jephson usually spending the summer with Mr. Hamilton at his house at Hampton-court, and also giving him much of his company in town during the winter. In 1767, Mr. Jephson married one of the daughters of Sir Edward Barry, hart, a celebrated physician, and author of various medical works; and was obliged to bid a long farewell to his friends in London, Dr. Johnson, Mr. Burke, Mr. Charles Townsend, Garrick, Goldsmith, &c. in consequence of having accepted the office of master of the horse to lord viscount Townsend, then appointed lord lieutenant of Ireland. Mr. Hamilton also used his influence to procure Mr. Jephson a permanent provision on the Irish establishment, of 300l. a year, which the duke' of Rutland, from personal regard, and a high admiration of Mr. Jephson’s talents, increased to 600l. per annum, for the joint lives of himself and Mrs. Jephson. In addition to this proof of his kindness and esteem, Mr. Hamilton never ceased, without any kind of solicitation, to watch over Mr. Jephson’s interest with the most lively solicitude constantly applying in person, in his behalf, to every new lord lieutenant, if he were acquainted with him; or, if that we.e not the case, contriving by some circuitous means to pro Mire Mr. Jephson’s re-appointment to the office originally con i erred upon him by lord Townsend and by these means chiefly he was continued for a long series of years, under tw- ive successive governors of Ireland, in the same station, which always before had been considered a temporary office. In Mr. Jephson’s case, this office was accompanied by a seat in the house of commons, where he occasionally amused the house by his wit, but does not at any time appear to have been a profound politician. His natural inclination was for literary pursuits; and he supported lord Towosend’s government with more effect in the “Bachelor,” a set of periodical essays which he wrote in conjunction with Mr. Courtenay, the Rev. Mr. Burroughs, and others. He died at his house at Blackrock, near Dublin, of a paralytic disorder, May 31, 1803.

, a painter of this country, more known from the praises of Pope, who took instructions from him in the art of painting, and other wits, who were influenced probably by the friendship of Pope, than for any merits of his own, was a native of Ireland, and studied for a year under sir Godfrey Kneller. Norris, framer and keeper of the pictures to king William and queen Anne, was the first friend who essentially served him, by allowing him to study from the pictures in the royal collection, and to copy them. At Hamptou-cour the made small copies of the cartoons, and these he sold to Dr. George Clark of Oxford, who then became his protector, and furnished him with money to visit France and Italy. In the eighth number of the Tatler, (April 18, 1709), he is mentioned as “the last great painter Italy has sent us.” Pope speaks of him with more enthusiasm than felicity, and rather as if he was determined to praise, than as if he felt the subject. Perhaps some of the unhappiest lines in the works of that poet are in the short epistle to Jervas. Speaking of the families of some ladies, he says,

, author of <c Chrysal, or the Adventures 'of a Guinea,“and other works of a similar kind, was a native of Ireland, and descended from a branch of the Johnstons of Annandale. He was born in the early part of the last century, but in what year we have not been able to discover. After receiving a good classical education, he was called to the bar, and came over to England for practice in that profession, but being unfortunately prevented by deafness from attending the courts, he confined himself to the employment of a chamber counsel. It does not appear that his success was great, and embarrassed circumstances rendered him glad to embrace any other employment, in which his talents might have a chance to succeed. His” Chrysal“is said to have been his first literary attempt, two volumes of which he wrote while on a visit to Mount Edgecumbe, the seat of the late earl of Mount Edgecumbe. He appears to have had recourse to some degree of art, in order to apprize the public of what they were to expect from it. In the newspapers for April 1760, it is announced that” there will be speedily published, under the emblematical title of the f Adventures of a Guinea/ a dispassionate, distinct account of the most remarkable transactions of the present times all over Europe, with curious and interesting anecdotes of the public and private characters of the parties principally concerned in these scenes, especially in England; the whole interspersed with several most whimsical and entertaining instances of the intimate connection between high and low life, and the power of little causes to produce great events.“This, while it has the air of a puff, is not an unfaithful summary of the contents of these volumes, which were published in May of the same year, and read with such avidity, that the author was encouraged to add two more volumes in 1765, not inferior to the former, in merit or success; and the work has often been reprinted since. The secret springs of some political intrigues on the continent, are perhaps unfolded in these volumes, but it was the personal characters of many distinguished statesmen, women of quality, and citizens, which rendered the work palatable. A few of these were depicted in such striking colours as not to be mistaken; and the rest, being supposed to be equally faithful, although less obvious, the public were long amused in conjecturing the originals. With some truth, however, there is so much fiction, and in a few instances so much of what deserves a worse epithet, that” Chrysal“does not appear entitled to much higher praise than that of the best” scandalous chronicle of the day." In one case, it may be remembered, the author occasioned no little confusion among the guilty parties, by unfolding the secrets of a club of profligates of rank, who used to assemble at a nobleman’s villa in Buckinghamshire. In this, as well as other instances, it must be allowed, that although he describes his bad characters as worse than they were, he everywhere expresses the noblest sentiments of indignation against vice and meanness.

, a dramatic and miscellaneous writer, a native of Ireland, was born on the banks of the lake of Killarney, in 1739. His father was a gentleman of good family in that country, whose fortune being reduced by a series of misfortunes, he was obliged to repair to Dublin, in order to endeavour to support himself by his personal industry. He gave our author, however, some school education; but the narrowness of his finances would not permit him to indulge his son’s natural propensity to study, by placing him in the higher schools of Dublin. He was therefore bound apprentice to 3j stay-maker, an employment but ill suited to his inclination; yet continued with his master till the expiration of his apprenticeship, and then set out for London, in 1760, in order to procure a livelihood by his business. This, however, he found very difficult, and was soon reduced to the utmost distress for the means of subsistence. In this forlorn situation, a stranger, and friendless, he used sometimes to endeavour to forget his misfortunes, and passed some of his heavy hours at a public-house in Russel-street, Covent-garden, much resorted to by the younger players. Having an uncommon share of good-humour, and being lively, cheerful, and engaging in his behaviour, he soon attracted the notice, not only of these minor wits, but of a set of honest tradesmen who frequented that house every evening, and who were much entertained with his conversation. In a little time Mr. Kelly became so well acquainted with the characters of the club, that he was enabled to give a humorous description of them in one of the daily papers; and the likenesses were so well executed as to draw their attention, and excite their curiosity to discover the author. Their suspicions soon fixed on Mr. Kelly, and from that time he became distinguished among them as a man of parts and consideration.

, a miscellaneous writer and translator of the last century, was a native of Ireland, who merits some notice, although we have not been able to recover many particulars of his history. He appears to have resided the greater part of his life in London, and employed his pen on various works for the booksellers, principally translations. In 1765 he received the degree of LL. D. from the university of Aberdeen. He died at his apartments in Gray’s Inn, April 27, 1772, with the character of a man of learning, industry, and contented temper. The first of his translations which we have met with, was that of Burlamaqui’s “Principles of Politic Law,” 1752, 8vo. This was followed by the abbe de Condillac’s “Essay on the origin of Human Knowledge,” 1756, 8vo. Macquer’s “Chronological abridgment of the Roman History,” 1759, 8vo; and Henault’s “Chronological abridgment of the History of France,” 1762, 2 vols. 8vo. In 1766 he travelled on the continent for the purpose of collecting materials for his “History of Vandalia,” which he completed in 3 vols. 4to, in 1776. This tour also occasioned his publishing “Travels through Germany,” &c. 2 vols. 8vo. We find him afterwards appearing as compiler or translator of a “Historyof France” “New Observations on Italy;” “The present state of Europe;” the “Life of Benv^nuto Cellini” Grossley’s “Tour to London” a French Dictionary, &c. &c. His translations were generally admired for elegance and accuracy; his principal faifure was in tjr^translation of Rousseau' “Emilius,” but it seems doubtful whether he translated this, or only permitted his name to be used.

O'Leary (Arthur), a Roman Catholic clergyman, was a native of Ireland, whence, when young, he embarked for France; studied at the college of St. Malo, in Briianny, and at length entered into the Franciscan order of Capuchins. He then acted, for some time, as chaplain to the English prisoners during the seven years war, for which he received a small pension from the Frenrh government, which he retained till the French revolution. Having obtained permission to go to Ireland, he obtained, by his talents, the notice and recompence of the Irish government; and took an early opportunity of shewing the superiority of his courage and genius, by principally attacking the heterodox doctrines of Michael Servetus, revived at that time hy a Dr. Blair, of the city of Cork. After this, in 1782, when there was a disposition to relax the rigour of the penal laws against the Roman Catholics, and establish a sort of test-oath, he published a tract entitled “Loyalty asserted, or the Test- Oath vindicated,” in which, in opposition to most of his brethren, he endeavoured to prove that the Roman Catholics of Ireland might, consistently with their religion, swear that the pope possessed there no temporal authority, which was the chief point on which the oath hinged; and in other respects he evinced his loyalty, and his desire to restrain the impetuous bigotry of his brethren. His other productions were of a various and miscellaneous nature; and several effusions are supposed to have come from his pen which he did not think it necessary or perhaps prudent to acknowledge. He was a man singularly gifted with natural humour, and possessed great acquirements. He wrote on polemical subjects without acrimony, and on politics with a spirit of conciliation. Peace indeed seems to have been much his object. Some years ago, when a considerable number of nocturnal insurgents, of the Romish persuasion, committed great excesses in the county of Cork, particularly towards the tithe- proctors of the protestant clergy, he rendered himself extremely useful, by his various literary addresses to the deluded people, in bringing them to a proper sense of their error and insubordination. This laudable conduct did not escape the attention of the Irish government; and induced them, when he quitted Ireland, to recommend him to men of power in this country. For many years he resided in London, as principal of the Roman Catholic chapel in Soho-square, where he was highly esteemed by people of his religion. In his private character he was always cheerful, gay, sparkling with wit, and full of anecdote. He died at an advanced age in January, 1802, and was interred in St. Pancras church-yard. His works are, 1. “Several Addresses to the Catholics of Ireland.” 2. “Remarks on Mr. Wesley’s Defence of the Protestant Association.” 3. “Defence of his conduct in the affair of the insurrection in Munster,” 1787. 4. “Review of the important Controversy between Dr. Carrol and the rev. Messrs. Wharton and Hopkins.” 5. “Fast sermon at St. Patrick’s chapel, Soho, March 8, 1797.” 6. A Collection of his Miscellaneous Tracts, in 1 vol. 8vo. 7. “A Defence of the Conduct and Writings of the rev. Arthur O'Leary, &c. written by himself, in answer to the illgrounded insinuations of the right rev. Dr. Woodward, bishop of Cloyne,” 1788, 8vo. The bishop, in his controversy with Mr. O'Leary, acknowledges that he represents matters strongly and eloquently, and that, “Shakspeare like, he is well acquainted with the avenues to the human heart;” and Mr. Wesley calls him an “arch and lively writer.” His style was certainly voluble, bold, and figurative but deficient in grace, manliness, perspicuity, and sometimes grammar; but he was distinguished as a friend to freedom, liberality, and toleration and was highly complimented on this account by Messrs. Grattan, Flood, and other members of the Irish parliament, in their public speeches.

, an excellent artist of the English school, and a member of the Royal Academy of London, and of the academies of Rome and Bologna, was a native of Ireland, which country he left at an early age; and having devoted himself to the arts, repaired to Italy, at a time when an acquaintance with the master-pieces of the arts which that country possessed, was considered as an essential requisite for completing the education of a gentleman. The friendships and acquaintance formed by Mr. Tresham while abroad, were not a little conducive to the promotion of his interests on his return to this country; and their advantages were experienced by him to the last moment of his life. As an artist, Mr. Tresham possessed very considerable talents; and, while his health permitted him to exert them, they were honourably directed to the higher departments of his art. A long residence in Italy, together with a diligent study of the antique, had given him a lasting predilection for the Roman school; and his works display many of the powers and peculiarities which distinguish the productions of those great masters whose taste he had adopted. He had much facility of composition, and his fancy was well stored with materials; but his oil pictures are deficient in that richness of colouring and spirit of execution which characterize the Venetian pencil, and which have been displayed, in many instances, with rival excellence in this country. His drawings with pen and ink, and in black chalk, evince uncommon ability; the latter, in particular, are executed with a spirit, boldness, and breadth which are not often to be found in su; a productions. In that which may be termed the erudition of taste, Mr. Tresham was deeply skilled: a long acquaintance with the most eminent masters of the Italian schools made him familiar with their merits and defects; he could discriminate between all their varieties of style and manner; and as to every estimable quality of a picture, he was considered one of the ablest criticks of his day: in the just appreciation, also, of those various remains of antiquity which come under the different classifications of virtu, his opinion was sought, with eagerness, by the connoisseur as well as the artist, and held as an authority, from which few would venture lightly to dissent. This kind of knowledge proved not a little beneficial to him. Some years since, Mr. Thomas Hope, whose choice collections of every kind are well known, had given to one of his servants a number of Etruscan vases, as the refuse of a quantity which he had purchased. Accident made Mr. Tresham acquainted with the circumstance; and the whole lot was bought by him of the new owner for \00l. It was not long before he recefved 800l. from Mr. Samuel Rogers, for one moiety; and the other, increased by subsequent acquisitions, he transferred a few years ago to the earl of Carlisle. That nobleman, with a munificence and liberality which have invariably marked all his transactions, settled on the artist an annuity of 300l. for life, as the price of this collection. With such honour was this engagement fulfilled, that the amount of the last quarter, though due only a few days before Mr. Tresham’s death, was found to have been punctually paid. When Messrs. Longman and Co. commenced their splendid publication of engravings from the works of the ancient masters, in the collections of the British nobility, and others who have distinguished themselves by their patronage of the fine arts, they, with a discernment which does them credit, deputed Mr. Tresham to superintend the undertaking. To the honour of the owners of those master-pieces it must be recorded, that every facility was afforded to this artist, not only in the loan of pictures, but in the communication of such facts relating to the respective works as they were able to furnish. The salary paid him by these spirited publishers, contributed materially to the comfort of his declining years. We should not omit to mention, to the credit of Mr. Tresham, that, regardless as he had been in early life of providing those resourses for old age which prudence would suggest, yet so high were his principles, that the most celebrated dealers in virtu, auctioneers, and others, never hesitated to deliver lots to any amount purchased by him; and we may venture to assert, that he never abused their confidence. But the talents of Tresham were not confined to objects immediately connected with his profession; he had considerable taste for poetry, and his published performances in that art display a lively fancy, and powers of versification, of no ordinary kind. In society, which he loved and enjoyed to the last, he was always considered as an acquisition by his friends; and amongst those friends were included many of the most elevated and estimable characters of the time. In conversation, he was fluent, humourous, and animated, abounding in anecdote, and ready of reply. During the latter years of his life, the contrast exhibited between the playful vivacity of his manners and the occasional exclamations of agony, produced by the spasmodic affections with which he was so long afflicted, gave an interest to his appearance that enhanced the entertainment which his colloquial powers afforded. His existence seemed to hang upon so slight a thread that those who enjoyed his society were commonly under an impression that the pleasure derived from it might not be again renewed, and that a frame so feeble could scarcely survive the exertion which the vigour of his spirit for a moment sustained. The principle of life, however, was in him so strong, as to contradict all ordinary indications; and he lived on, through many years of infirmity, as much to the surprise as the gratification of his friends: his spirits unsubdued by pain, and his mind uninfluenced by the decay of his body. Though partaking, in some degree, of the proverbial irritability of the poet and the painter, no man was more free from envious and malignant feelings, or could be more ready to do justice to the claims of his competitors. So true a relish had he for the sallies of wit -and humour, that he could enjoy them even at his own expense: and he has been frequently known to repeat, with unaffected glee, the jest that has been pointed against himself. By his death, which took place June 17, 1814, the Royal Academy was deprived of one of its most enlightened members, and his profession of a liberal and accomplished artist.