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, born at Madrid, died about 1630, composed several comedies highly applauded in Spain. His style, being pure and elegant, contributed greatly to the improvement of the Spanish language. His theatrical pieces are lively, and abound in moral sentiments. There is likewise, by him, the adventures of don Diego de Noche, 1624, 8vo.

, a Cistercian monk, born at Madrid in 1606, was at first abbot of Melrose, in the Low Countries, then titulary bishop of Missi; afterwards, by a singular turn, engineer apd intendant of the fortifications in Bohemia, from having served as a soldier. The same capricious and inconstant humour which made him lay down the crozier to take up the halberd, now led him from being engineer to, become bishop again. He had successively the bishoprics of Konigsgratz, of Campano, and of Vigevano, in which lastmentioned town he died in 1682, aged 76. He was a man of the most unbounded mind, and of whom it was said, that he was endowed with genius to the eighth degree, with eloquence to the fifth, and with judgment to the second. He wrote several works of controversial theology and a system of divinity in Latin, 7 vols. folio.

, a Spanish artist, the son of Patrizio Caxes, of Arezzo, who settled in Spain, was born at Madrid in 1577, and learned the art of his father, with whom he was employed by Philip III. in the palace del Pardd. Their chief work in the queen’s gallery there, was the story of “Joseph and Potiphar’s wife,” which perished with many other works of art in the fire which consumed that palace. The father died in 1625, before which his son had attained high favour and eminence. The excellence of his frescos in the Sala d' Udienza procured him the favour of Philip III. who appointed him painter to the court in 1612. He soon after painted one of the principal altar-pieces for the church de la Merced at Madrid; and in 1615, various pictures in company with Vinzenzio Caoducho in the cathedral of Toledo and elsewhere. Though, his pencil, in common^with his contemporaries, was chiefly devoted to church legends, he found means to paint the “History of Agamemnon” in the Alcazar at Madrid. His scholars were, Luis Fernandez of Madrid, who painted the life of S. Ramori in the cloisters of La Merced Calzada, a celebrated series; Juan de Arnau of Barcellona; and Don Pedro de Valpuesta of Burgo de Osma, a young man of education, who probably would have excelled his fellow-scholars, had he not entered the church, in which he arrived at the dignity of licentiate. Caxes died in 1642.

, an English nobleman of great parts, was son of the preceding, and born at Madrid, in October, 1612. In 1626 he was entered of Magdalencollege, in Oxford, where he lived in great familiarity with the well-known Peter Heylin, and gave manifest proofs of those great endowments for which he was afterwards so distinguished. In 1636 he was created M. A. there, just after Charles 1. had left Oxford; where he had been spendidly entertained by the university, and particularly at St. John’s college, by Dr. Laud, afterwards archbishop of Canterbury. In the beginning of the long parliament he was disaffected to the court, and appointed one of the committee to prepare a charge against the earl of Strafford, in 1640 but afterwards would not consent to the bill, “not only,” as he said, “because he was unsatisfied in the matter of law, but for that he was more unsatisfied in the matter of fact.” From that time he became a declared enemy to the parliament, and shewed his dislike of their proceedings in a warm speech against them, which he made at the passing' of the bill of attainder against the said earl, in April 1641. This speech was condemned to be burnt, and himself in June following, expelled the house of commons. In Jan. 1642, he went on a message from his majesty to Kingston-upon-Thames, to certain gentlemen there, with a coach and six horses. This they improved into a warlike appearance; and accordingly he was accused of high treason in parliament, upon pretence of his levying war at Kingston-upon-Thames. Clarendon mentions “this severe prosecution of a young nobleman of admirable parts and eminent hopes, in so implacable a manner, as a most pertinent instance of the tyranny and injustice of those times.” Finding what umbrage he had given to the parliament, and how odious they had made him to the people, he obtained leave, and a licence from his majesty, to transport himself into Holland; whence he wrote several letters to his friends, and one to the queen, which was carried by a perfidious confidant to the parliament, and opened. In a secret expedition afterwards to the king, he was taken by one of the parliament’s ships, and carried to Hull; but being in such a disguise that not his nearest relation could have known him, he brought himself off very dextrously by his artful management of the governor, sir John Hotham. In 1643 he was made one of the secretaries of state to the king, and high steward of the university of Oxford, in the room of William lord Say. In the latter end of 1645 he went into Ireland, and exposed himself to great hazards of his life, for the service of the king; from thence he passed over to Jersey, where the prince of Wales was, and after that into France, in order to transact some important matters with the queen and cardinal Mazarin. Upon the death of the king, he was exempted from pardon by the parliament, and obliged to live in exile till the restoration of Charles II. when he was restored to all he had lost, and made knight of the garter. He became very active in public affairs, spoke frequently in parliament, and distinguished himself by his enmity to Clarendon while chancellor. He died at Chelsea, March 20, 1676, after succeeding his father as earl of Bristol. Many of his speeches and letters are still extant, to he found in our historical collections and he wrote “Elvira,” a comedy, &c. There are also letters of his cousin sir Kenelm Digby, against popery, mentioned in our account of sir Kenelm yet afterwards he became a papist himself; which inconsistencies in his character have been neatly depicted by lord Orford. “He was,” says he, “a singular person, whose life was one contradiction. He wrote against popery, and embraced it; he was a zealous opposer of the court, and a sacrifice for it; was conscientiously converted in the midst of his prosecution of lord Strafford, and was most unconscientiously a prosecutor of lord Clarendon. With great parts he always hurt himself and his friends; with romantic bravery, he was always an unsuccessful commander. He spoke for the test act, though a Roman catholic, and addicted himself to astrology on the birth-day of true philosophy.”

, a Spanish poet, was the son of a celebrated lawyer, and was born at Madrid in 1533. He was brought up in the palace of Philip II. and fought under him at the famous battle of Saint Quentin in 1557, after which being desirous to acquire the knowledge of different countries and their inhabitants, he travelled over France, Italy, Germany, and England. Having heard, while at London, that some provinces of Peru and Chili had revolted against the Spaniards, their conquerors and their tyrants, he was seized with an ardent longing to signalize his courage on this new scene of action. Accordingly he set out on the voyage; and soon after his arrival, he passed the frontiers of Chili into a little mountainous region, where he maintained a long and painful war against the rebels, whom at length he defeated. It is this war which makes the subject of his poem of the “Araucana,” so called from the name of the country, and which has very considerable merit, and several passages glow with all the charms of animated verse. The descriptions are rich, though defective in variety; but we can trace no plan, no unity of design, no probability in the episodes, nor harmony in the characters. This poem consists of more than 36 cantos, the length of which is produced by many repetitions and tedious details. Mr. Hayley, however, has bestowed considerable attention on it in his “Essay on Epic poetry,” with a view to recommend it to the English reader. It was printed, for the first time, in 1597, 12mo; but the best edition is that of Ma1632, 2 vols. 12mo. The time of his death is hot known, nor can he be traced beyond 1596.

, elder brother of the preceding, was born at Madrid in 1580, and became a Jesuit at Salamanca in 1600, where he first employed himself in teaching the rudiments of grammar: but he afterwards was professor of philosophy, and was sent to the Indies. There he filled the divinity-chair in the town of Mexico, and also in Santa Fe. These posts, however, not being agreeable to tfhe Retirement in which he desired to live, he returned to Spain. In the voyage he lost the best part of his commentaries upon the “Summit” of T. Aquinas, and narrowly escaped being taken prisoner by the Dutch. He was afterwards deputed to Rome by the province of Castile, to assist at the eighth general assembly of the Jesuits; and, upon the conclusion of it, he was detained there by two employments, that of censor of the books published by the Jesuits, and that of Theologue general. But finding himselt to be courted more and more, from the time that his brother was made a cardinal, he went back into Spain where he was appointed rector of two colleges, or of a college or school consisting of two divisions, as is that of Westminster. He died in 1652, after writing several books, the chief of which are, 1. Commentarii in primam partem S. Thomae de Deo, trinitate, & angelis,“Lyons, 1647, 2 vols, folio. 2.” De sacramentis in genere, &c.“Venice, 1652, 4to. 3.” Discursus praevius ad theologiam moralem, &c.“Madrid, 1643, 4to. 4.” Quasstiones morales de sacramentis," Grenada, 1644, 4to.

, in Spanish Gonçalo Hermandez de Oviedo Y Valdes, a Spanish historian, was born at Madrid, about the year 1478. He was educated among the pages in the court of Ferdinand king of Arragon, and Isabella queen of Castile, and happened to be at Barcelona in 1493, when Columbus returned from his first voyage to the island Haiti, which he called Hispaniola, and which now is known by the name of St. Domingo. Curiosity led him to obtain from Columbus and his companions an account of what was most remarkable in their voyages; and the information he obtained, and the services he rendered Spain during the war of Naples, induced Ferdinand to send him to the Island of Haiti, as intendant and inspector-general of the trade of the new world. The ravages which the syphilis had made during that war, led him to inquire into the most efficacious remedies for this malady, which was supposed to have come from the West Indies. His inquiries were also extended to every thing which regards the natural history of these regions and on his return to Spain, he published “Summario de la Historia general y natural de les Indias Occidentales,” Toledo, 1526, which he dedicated to Charles V. He afterwards made some additions to this work, which he published under the tide of “La Historia general y natural de las Indias Occidentales,” Salamanca, 1535, fol. It was translated into Italian, and afterwards into French, Paris, 1556, fol. It is in this work that he attempts to prove that the syphilis is endemic in the island of Haiti, and that it was imported thence to Spain, and afterwards to Naples, which opinion Astruc advances in support of his own; but this, however, has been called in question. Oviedo is thought to have been the first who recommended the use of the wood of guiacum in the disorder, a remedy not now in any great estimation.

, an eminent Spanish satirist, was born at Madrid in 157O; and was a man of quality, as appears from his being styled knight of the order of St. James, which is the next in dignity to that of the Golden Fleece. He was one of the best writers of his age, and excelled equally in verse and prose. He excelled too inall the different kinds of poetry his heroic pieces, says Antonio, have great force and sublimity his lyrics great beauty and sweetness and his humorous pieces a certain easy air, pleasantry, and ingenuity of tone, which is delightful to a reader. His prose works are of two sorts, serious and comic the former consist of pieces written npon moral and religious subjects the latter are satirical, full of wit, vivacity, and humour, but not without a considerable portion of extravagance. All his printed works, for ie wrote a great deal which was never printed, are comprised in 3 vols. 4to, two of which consist of poetry, a third of pieces in prose. The “Parnasso Espagnol, or Spanish Parnassus,” under which general title all his poetry is included, was collected by the care of Joseph Gonzales de Salas, who, besides short notes interspersed throughout, prefixed dissertations to each distinct species. It was first published at Madrid, in 1650, 4to, and has since frequently been printed in Spain and the Low Countries. The humorous part of his prose-works has been translated into English, particularly “The Visions,” a satire upon corruption of manners in all ranks which has gone through. several editions. The remainder of his comic works, containing, “The Night Adventurer, or the Day-Hater,” “The Life of Paul the Spanish Sharper,” “”The Retentive Knight and his Epistles,“”The Dog and Fever,“”A Proclamation by Old Father Time,“” A Treatise of allThings whatsoever,“” Fortune in her Wits, or the Hour of all Men,“were translated from the Spanish, and published at London, in 1707, 8vo. Stevens, the translator, seems to have thought that he could not speak too highly of his author; he calls him” the great Quevedo, his works a real treasure the Spanish Ovid, from whom wit naturally flowed without study, and to whom it was as easy to write in verse as in prose." The severity of his satires, however, procured him many enemies, and brought him into great troubles. The count d'Olivares, favourite and prime minister to Philip IV. of Spain, imprisoned him for making too free with his administration and government; nor did he obtain his liberty till that minister was disgraced. He died in 1645, according to some; but, as others say, in 1647. He is said to have been very learned; and it is affirmed by his intimate friend, who wrote the preface to his volume of poems, that he understood the Hebrew, Greek, Latin, Italian, and French languages.

, or Lope-Felix de Vega Carpio, a celebrated Spanish poet, was born at Madrid, Nov. 25, 1562. He informs us that his father was a poet, but what he was besides, or the time of his death, is not known. It appears that he was an orphan when at school, about thirteen or fourteen years old, and was then impelled by so restless a desire of seeing the world, that he resolved to escape; and having concerted his project with a schoolfellow, they actually put it in execution, but were soon brought back to Madrid. Before this time, according to his own account, he had not only written verses, but composed dramas in four acts, which, as he tells us, was then the custom. Upon his return to Madrid, however, he abandoned this mode of composition, and ingratiated himself with the bishop of Avila by several pastorals, and a comedy in three acts, called “La Pastoral de Jacinto,” which is said to have formed an epoch in the annals of the theatre, and a prelude to the reform which Lope was destined to introduce.