e of Pellison and others in 1695, and 1725 in 2 volumes 12mo, was the daughter of Gaspar de Coligni, the third of that name, marshal of France, and colonel-general of
, countess de la Suze, a French
poetess, whose works have been printed with those of Pellison and others in 1695, and 1725 in 2 volumes 12mo, was
the daughter of Gaspar de Coligni, the third of that name,
marshal of France, and colonel-general of infantry. She
was very early married, in 1643, when she could not be
more than seventeen, to Thomas Hamilton, earl of Haddington, according to Moreri, but we find no mention of
this in the Scotch peerage. After his death she espoused
the count de la Suze, of an illustrious house in Champaigne.
But this second match proved unfortunate, owing to the
furious jealousy of the count her husband, whose severities
towards her made her abjure protestantism, and profess the
catholic faith, which occasioned queen Christina of Sweden
to say, “that she had changed her religion, that she might not
see her husband, neither in this world nor the next.
” Their
antipathy became so great that the countess at last disannulled the marriage; and to induce the count to accede
to it, she offered 25,000 crowns, which he accepted. She
then gave herself up to the study of poetry, and became
much admired by the geniuses of her time, who made her
the subject of their eulogiums. Her fort lay in the elegiac strain, and those works of hers which have come down
to us have at least a delicate turn of sentiment. Her other
poems are songs, madrigals, and odes. The wits of her
time gave her the majesty of Juno with Minerva’s wit and
Venus’s beauty in some verses, attributed to Bouhours:
but her character in other respects appears not to have
been of the most correct kind. She died at Paris, March
10, 1673.
, the third of that name, honorary auditor and keeper of the books
, the third of that name, honorary
auditor and keeper of the books in the chambre des comptes
at Paris, died 1719, and left Remarks on the Addition to
the History of Louis XI. by Naude* an edition of the
“Satire Menipee,
”
, the third of that name, was the son of the preceding Robert the
, the third of that name, was
the son of the preceding Robert the second, and was educated by the celebrated Desportes, who inspired him with
a taste for poetry. He began printing in 1572, and in
1574 was honoured with the title of king’s printer. He
translated from Greek into French the first two books of
Aristotle’s Rhetoric, and printed them himself in 1629, 8vo.
In the title-page he calls himself poet and interpreter to
the king for the Greek and Latin languages. He was a
man of spirit and wit, and was much celebrated for his
choice of devices and mottoes for eminent personages. He
died in 1629, but left no family. Besides his translation
of Aristotle and some Greek poets, he was the author of,
1. “Vers Chretiens au comte du Bouchage,
” Discours en vers au connetable de Montmorency,
”
Epitre de Gregoire de Nysse touchant ceux
qui vont a Jerusalem,
” with a preface on the superstitious
abuse of pilgrimages, which gave rise to the opinion that
he was not far from embracing the protestant religion.
e shall now briefly mention the remaining branches of this justly celebrated family. Henry Stephens, the third of that name, and son to Robert, the second, was treasurer
We shall now briefly mention the remaining branches of
this justly celebrated family. Henry Stephens, the third
of that name, and son to Robert, the second, was treasurer of the royal palaces. Prosper March and thinks he was
a printer in 1615, but no work is known to have issued
from his press. He had two sons, Henry and Robert, and
a daughter married to Fougerole, a notary. His son
Henry, sieur des Fossés, was the author of “L' Art de
faire les devices, avec un Traité des rencontres ou mots
plaisants,
” Paris, Art of making devices
” was translated into English by our countryman Thomas Blount (See vol. V. p. 430) and published in 1646,
4to. Henry assumed the title of interpreter of the Greek
and Latin languages, and was reckoned a good poet. We
also are indebted to him for a character of Louis XIII. and
eloges of the princes and generals who served under that
monarch, which he published in a work entitled “Les Triomphes de Louis-le-Juste,
” Paris,