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, an Italian poet of the fifteenth century, was born at Verona, and flourished about 1470. His principal work was printed at Verona, 1479, 4to, and entitled “Acci Zucchi Summa Campaneae, Veronensis, viri eruditissimi in Æsopi Fabulas interpretatio per rhythmos, in libellum Zucharinum inscriptum, &c.” In this work each fable is preceded by a Latin epigram, and followed by a sonnet containing the moral. It was a work of considerable popularity, as there were no less than three editions in the same century; viz. in 1491, 1493, and 1497. Maffei speaks of him in his “Verona illustrata.”

, an elegant Italian poet of the last century, was born at Verona, July 16, 1732, and began his studies at the Jesuits’ college at Brescia, but was obliged, by bad health, to return home to complete them. The work on which his reputation chiefly rests is his poem on the silk- worm, “Del baco da seta, canti IV. con annotaziom,” Verona, 1756, 4to, in which he contrives to be original on a subject that had been amply treated in the sixteenth century, in the “La Sereide” of Tesauro. He dedicated this poem to the marquis Spolverini, the author of a didactic poem on the cultivation of rice, “La cold vazi one del Riso.” His poetical efforts were all directed to the object of his more serious labours, agriculture. His bust is in the hall of the academy of agriculture at Verona, of which he was the founder, and among other academies, he was a member of the Georgophiles of Florence. He wrote another poem, “Le Cascine,” with notes, but it does not appear to have been printed. He died at Verona in 1788.

, a very learned Italian astronomer and philosopher, was born at Verona, Dec. 13, 1662. After being instructed in the elements of education in his own country, he removed to Bologna, where he went through a course of rhetoric and three years of philosophy, in the Jesuits’ college. He afterwards studied mathematics and design, and made a great progress in both. In 1680 he removed to Padua, where he studied divinity, and was admitted to the degree of doctor. His master in mathematics and natural philosophy was the learned Montanari, who became much attached to him, and bequeathed to him his collection of mathematical instruments. At Padua Bianchini learned also anatomy, and, with rather more pleasure, botany. His inclination being for the church, he went next to Rome, where he was kindly received by cardinal Peter Ottoboni, who knew his family, and appointed him his librarian. Here, as was usual for persons with his views, he went through a course of law, but without losing sight of his favourite studies, experimental philosophy, mathematics, and astronomy. He was admitted a member of the physico-mathematical academy, established by Ciampini, and read many learned papers at their sittings.

, nephew of the preceding, priest of the oratory of St. Philip de Neri, was also a learned antiquary. He was born at Verona Sept. 9, 1704, the son of John Baptist, brother to Francis Bianchini, and was educated under the eye of his uncle in the college of Montefiascone. Before 1725, he was promoted to a canonry in the cathedral, and a prebendal stall in St. Luke, and was soon after appointed librarian to the chapter: but in 1732 he resigned that and his benefices, and entered into the congregation of the oratory at Rome, where he divided his time between the pious duties of that order, and his literary researches, particularly in what related to history and ecclesiastical antiquities. His first publication was, 1. The fourth and concluding volume of his uncle’s edition of Anastasius Bibliothecarius, Rome, 1735, fol. 2. “Viridiciae canonicarum Scripturarum vulgatse Latinoe editionis,” Rome, 1740, fol. This volume, the only one published, was to have been followed by six others, the plan of which is sketched in the preface, which, with the preliminary dissertations, contains the history of all the different books of the bible, the manuscript copies in various libraries, the translations, &c. 3. “Evangeliarum quadruplex Latinse versionis antiquoe, seu veteris Italicte, nunc primum in lucem editum ex codd. Mss. aureis, argenteis, &c. aliisque plusquam millenariae antiquitatis,” Rome, 1749, fol. This may be considered as a part of the preceding. 4. “Demonstratio historiae ecclesiasticse quadripartitae monumentis ad fidem temporum et gestorum,” ibid, 1752, fol. A second volume was afterwards published of this elegant collection of fragments of antiquity, inscriptions, medals, vases, &c. found in the different churches, cemeteries, and museums of Rome, or elsewhere, beautifully engraven, and accompanied with explanations and chronological tables. It extends, however, no farther than the first two centuries of the Christian iera. 5. “Delle porte e mura di Roma, con illustrazioni,” ibid. 1747, 4to. 6. “Parere sopra la cagione della morte della sig. contessa Cornelia Zangari, esposto in una lettera,” Verona, 1731, and an improved edition, Rome, 1743, 8vo. This curious dissertation relates to a lady of rank who was found in her room reduced to ashes, except her head, legs, and one of her fingers. As this could not be ascribed to external fire, the room being no wise damaged, it excited much attention, and gave rise to a variety of opinions. Bianchini maintains in this tract, that it was the effect of an internal and spontaneous fire occasioned by the excessive use of camphorated brandy, to which the lady had been much addicted. The time of Bianchini’s death is not mentioned.

, was born at Verona, March 10, 1697, of an eminent mercantile family, and as after completing his education he shewed no inclination for the church, his father brought him up to trade, which he carried on during the whole of his long life. In his youth he was particularly attached to music, played on several instruments, and even attempted composition, but neither this taste, nor his mercantile pursuits, interrupted his fondness for the study of the history and antiquities of his own country, which in the course of a few years beheld one of its merchants placed in the rank of men of letters and historians. His works entirely relate to the history of Verona, and although he appears rather as editor than author, yet his countrymen felt no small obligation to him for the care and expense which he bestowed in improving their ancient annalists. His first labour was a new edition and supplement, in 2 vols. 4to, 1745 and 1747, of Zagata’s “Chronicle of the City of Verona,” enriched with additions of great interest by Biancolini, particularly a plan of the ancient theatre of Verona, which the learned Maffei had thought it impossible to trace. 2. “Notizie storiche deliechiese di Verona,” four books, 1749—1752, 4to, afterwards reprinted and enlarged to 6 vols. 4to. 3. “Dei vescovi e governatori di Verona dissertazioni due,” Verona, 1757, 4to. He also contributed to the Italian translation of the Greek historians, “Collana degli storici Greci,” (begun in 1733 at Verona by, the bookseller Ramanzini) not only by literary, but pecuniary assistance of the most liberal kind. He died upwards of eighty-two years old, in 1780.

, an Italian scholar and writer of considerable eminence, was born at Verona in 1427, and in 1451 entered the congregation of the regular canons of St. John of Lateran, where he bore several employments, as visitor of the order, procurator-general, and abbot of Fiesole in Tuscany. Cosmo de Medici, who had a high respect for him, spent seventy thousand crowns in the repairs of that monastery, and it was in the church belonging to it that Bosso delivered the ensigns of the cardinalship to John de Medici, afterwards pope Leo X. Sixtus VI. also employed him in many important affairs, particularly in reforming the religious houses of Genoa, and other neighbouring districts, and he thrice offered him a valuable bishopric, which he refused. He vigorously opposed the decree of pope Innocent VIII. which ordered all sorts of monks to pay part of their yearly revenues to the clerks of the apostolic chamber. Hermolaus Barbarus was his pupil and guest at Fiesole, and Picus of Mirandula, his friend. He died at Padua in 1502. Mr. Roscoe says he was a profound scholar, a close reasoner, and a convincing orator; and to these united a candid mind, an inflexible integrity, and an interesting simplicity of life and manners. His literary productions were, l.“De Instituendo Sapientia animo,” Bologna, 1495. 2. “De veris et salutaribus animi gaudiis,” Florence, 1491. 3, “Epistolar. Lib. tres,” or rather three volumes, printed 1493, 1498, 1502. Some orations of his are in the collection entitled “Recuperationes Fsesulanse,” a rare and beautiful book, said to have been printed in 1483. His whole works were published by P. Ambrosini, at Bologna, 1627, with the exception of the third book, or volume, of letterS| which, on account of its extreme rarity, was at that time unknown to the editor. His moral writings were very highly esteemed; and one of his pieces on female dress, “de vanis mulierum ornamentis,” excited a considerable interest. The editor of Fabricius throws some doubts on the date of the “Recuperationes,” and if there be letters in it dated 1492 and 1493, it is more probable that it is a typographical error for 1493.

, a celebrated artist, called Paul Veronese, the great master of what is called the ornamental style, was born at Verona in 1530, and was the disciple of Antonio adile. When young, in concurrence with Batista del Moro, Domenico Brusasorci, and Paol Farinato, he painted at the summons of cardinal Ercole Gonzaga, in the cathedral of Mantua, and left no doubt of his superiority in the. contest. He then went to Venice, and with the procurator Grimani to Rome, where, from the frescos of M. Angelo and Raffael, he acquired the idea of that breadth which distinguishes him in all his allegorical and mythologic pictures; and though the simplicity inseparable from real grandeur vras not a principle to be courted by him who aimed at captivating the debauched Venetian eye, he gave proofs, that, if he did not adopt, he had a sense for its beauties. The Apotheosis of Venice in the ducal palace, in magnificence of combination, loftiness, splendor, variety, offers in one picture the principles and the elemental beauties of his style. It was, however, less to this work, than to his Cene, or convivial compositions, that Paolo owed his celebrity. He painted four at Venice, for four refectories of convents, all of enormous dimensions and equal copiousness of invention. The first, with the Nuptials of Cana, once in the refectory of*St. Giorgio Maggiore, now in the Louvre, and known by numerous copies, is thirty palms long, comprizes 130 figures, with a number of distinguished portraits; and yet was painted, says Lanzi, for no more than ninety ducats. The second, better preserved, was painted for the convent of S. Giovanni and Paolo, and represents the call of St. Matthew; it is chiefly praised for the character of the heads, which Ricci copied for his studies at an advanced age. The third, at St. Sebastian, is the Feast of Simon, which is likewise the subject of the fourth, painted for the refectory o/ the Servi, but sent to Lewis XIV. and placed at Versailles. This, perhaps, is the master-piece of the four, though placed in an unfavourable light, and greatly injured by neglect, and the dampness of the place.

, a learned philologist, was born at Verona in 1541, and was brought to France in his infancy, by John Fregosa, bishop of Agen: here he was educated, and for some time served in the army, after which his patron sent him to Rome, with a view to the ecclesiastical life. Ceruti, however, being disinclined to this, returned to his native country, and married. He afterwards opened a school at Verona, in which he had great success, and along with Guarinoni was at the head of the academy of the Moderati. In 1585 he published an edition of Horace at Verona, with a paraphrase, 4to, and in 1597 an edition of Juvenal and Persius, 4to. He also wrote commentaries on some parts of Cicero, and on the Georgics of Virgil, but it does not appear that they were printed. His other published works are, two Letters in the “Amphotides Scioppiana;” a “Dialogus de Comcedia,” Verona, 1593, 8vo; another, “De recta adolescentulorum institutione,” and a collection of Latin poems in 1584. He died in 1579.

, a famous painter, in the early stage of the art after its restoration, was born at Verona in 1332, and was a disciple of Giovanni da Fiesole. His most conspicuous work was a picture in the great council chamber of the state of Venice, executed by order of the doge and senate, who regarded the work in so extraordinary a degree of esteem, that they granted him a pension for life, and conferred upon him the privilege of wearing the habit of a noble Venetian; the highest honour in the power of the state to bestow. Many of his pictures adorn the pope’s palace of St. Giovanni Laterano, and the churches in Florence, Urbino, Perugia, Sienna, and Rome. One of them in the church of Santa Maria Nuova, placed over the tomb of cardinal Adimari, representing the Virgin and child, with St. Joseph and St. Benedict, was highly commended by Michael Angelo; whom Vasari represents as being accustomed to say that in painting the hand of Gentile was correspondent with his name. He died in 1412, 80 years old.

, an Italian painter, was born at Verona in 1522; his mother dying in labour of him. He was a disciple of Nicolo Golfino, and an admirable designer, but not altogether so happy in his colouring: though there is a piece of his painting in St. George’s church at Verona, 50 well performed in both respects, that it does not seem inferior to one of Paul Veronese, which is placed next to it. He was famous also for being an excellent swordsman, and a very good orator, and Strutt mentions some engravings by him. He had considerable knowledge in sculpture and architecture, especially that part of it which relates to fortifications. His last moments are said to have been as remarkable as his first, on account of the death of his nearest relation. He lay upon his death-bed in 1606; and his wife, who was sick in the same room, hearing him cry out r 4< He was going,“told him,” She would bear him company; and actually did so, as they both expired at the same minute.

an eminent Italian poet and physician, was born at Verona in 1483. Two singularities are related of him in his infancy; one, that his lips adhered so closely to each other when he came into the world, that a surgeon was obliged to divide them with his knife; the other, that his mother, Camilla Mascarellia, was killed by lightning, while he, though in her arms at the very moment, escaped unhurt. Fracastorio was of parts so exquisite, and made so wonderful a progress in every thing he undertook, that he became eminently skilled, not only in the belles lettres, but in all arts and sciences. He was a poet, a philosopher, a physician, an astronomer, and a mathematician. He was a man also of great political consequence, as appears from pope Paul Ill.'s making use of his authority to remove the council of Trent to Bologna, under the pretext of a contagious distemper, which, as Fracastorio deposed, made it no longer safe for him to continue at Trent. He was intimately acquainted with cardinal Bembo, Julius Scaliger, and all the great men of his time. He died of an apoplexy, at Casi near Verona, in 1553; and in 1559 the town of Verona erected a statue in honour of him.

, an accomplished scholar and Latin poet, was born at Verona, and not at Venice, as Foscarini asserts. He studied Greek and Latin with astonishing progress, under Romulus Amaseus, and the extensive learning he afterwards acquired made him known and respected by all the eminent scholars of his time. On the death pf one of his particular friends, John Matthew Giberti, bishop of Verona, which happened in 1544, he composed a funeral oration, which is said to have been very eloquent, but which he was not able to deliver without such continual interruption from the tears and sobs of his audience, as prevented its being heard with any other effect. At this time he enjoyed a canonry at Venice, which he kept all his life. Navagero and Valerio, the two successive bishops of Verona, and both cardinals, had the highest esteem for Fumani; by the interest of the former he was appointed secretary to the council of Trent. He died advanced in age in 1587. He published “D. Basilii Moralia, et Ascetica,” translated by him, Leyden, 1540, fol. but is best known by his Latin poems, the chief of which is a system of logic, in Latin verse, on which, notwithstanding the unpromising nature of the attempt, Tiraboschi bestows very high praises. This curious work remained in manuscript until 1739, when it was published in the Padua edition of the works of Fracastorius, 2 vols. 4to. There are other poems by Fumani in the same collection, both in Greek and Latin, and some in Italian; but in the latter he is not thought so successful.

, surnamed Veronese, the first branch of a family celebrated in the republic of letters, and one of the revivers of literature, was born at Verona in 1370. After being taught Latin by John of Ravenna, he went to Constantinople, with the sole view of learning Greek in the school of Emanuel Chrysoloras, who had not then come to Italy. Pontico Virunio, in his life of Chrysoloras, says that Guarino was of an advanced age when he set out for Constantinople, and that he returned to Italy with a large collection of Greek manuscripts, the loss of which by shipwreck so affected him, that his hair turned white in one night; but Maffei and Apostolo Zeno have justly considered this as a fable. It appears, on the other hand, on comparing various circumstances, that Guarino was very young when he went into Greece, and was only twenty years of age when he returned. After this return he first kept school at Florence, and afterwards successively at Verona, Padua, Bologna, Venice, and Ferrara, in which last city he resided longest. Nicolas III. of Este had invited him thither in 1429 to superintend the education of his son Lionel. Six or seven years after, he was appointed professor of Greek and Latin in the university of Ferrara. This office he filled until the assembling of the grand council, to which the emperor John Paleologus came, accompanied with several Greeks, who found Guarino. sufficient employment, as he mentions in his letters, and on the council being removed to Florence, he accompanied them thither as interpreter between the Latins and Greeks. He returned again to Ferrara, where he held his professorship until his death in 1460. His principal works consist of Latin translations from Greek authors; particularly of many of Plutarch’s lives, part of Plutarch’s morals, and Strabo’s geography. Of this author he at first translated only ten books, by order of pope Nicholas V.; the other seven were translated by Gregory of Typhernuin, and in this state the work was first printed at Rome in 1470, folio. But, at the request of the Venetian senator Marcello, Guarino made a translation of these seven books, of which there are manuscript copies at Venice, Modena, &c. Maffei, in his “Verona Illustrata,” mentions also a translation of the whole seventeen in the hand-writing of Guarino, which was at one time in the library of the senator Soranzo at Venice. To his translation of Plutarch’s lives, he added those of Aristotle and Plato. He also compiled a Greek grammar, “Em. Chrysolorae erotemata lingusc Graecse, in compendium redacta, a Guarino Veronesi,” Ferrar. 1509, 8vo and a Latin grammar, “Grammatical institutiones,” without date or place, but printed at Verona, 1487, and reprinted in 1540, the model, says Maffei, from which all others have been taken. Annexed are some lesser treatises, “Carmina ditiferentialia,” “Liber de Diphtongis,” &c. Guarino also wrote commentaries or notes on various authors, both Greek and Latin, among the latter on Cicero’s orations and Persius’s satires, and was the author of various Latin orations delivered at Verona, Ferrara, and other places, and of some Latin poems, and a great number of letters which have not been printed. He was the first who recovered the poems of Catullus, a manuscript which was mouldering in a garret, and almost destroyed, and rendered the whole legible, with the exception of a very few verses. If it be thought that even all this is insufficient to justify the high reputation which Guarino enjoyed in his lifetime, and for ages afterwards, we must add that, independently of rendering these services to the cause of learning, which were of great importance at its revival, Guarino derived no small share of fame from the vast number of scholars whom he formed, with a like taste for classical literature, which they dispersed throughout all Europe. Guarino, likewise, was one of the most indefatigable student* of his time. Even in old age his memory was extraordinary, and his application incessant. He took little nourishment and little sleep, and rarely went abroad, yet he preserved his strength and faculties to the last. By his wife he had at least twelve children, two of whom followed his steps Jerome became secretary to Alphonso, king of Naples and Baptist, or Battista, rather better known, was professor of Greek and Latin at Ferrara, like his fathev, and like him educated some eminent scholars, among whom were Giraldi and Aldus Manutius. He left a collection of Latin poetry, “Baptists Guarini Veronensis poemata Latina,” Modena, 1496; a treatise on study, “De ordine docendi ac studendi,” without place or date; but there is a subsequent edition of Heidelberg, 1489. He wrote also other treatises, translations from the Greek, discourses, and letters, which latter remain in manuscript. It is to him we owe the first edition of the Commentaries of Servius on Virgil; and he assisted his father in recovering and making legible the manuscript of Catullus above mentioned.

, an ancient Latin poet, was born at Verona, and flourished about the year 24 B. C. Eusebius relates, that he died a few years after Virgil. Ovid speaks of a poem by him, on the nature and quality of birds, serpents, and herbs; which, he says, Macer, being then very old, had often read to him, and he is said also to have written a supplement to Homer; but the work by which his name is chiefly known, first printed at Naples in 1477, 4to, and often since under the title “De virtutibus Herbarum,” is unquestionably spurious, and the production of a much later writer. By some it is ascribed to Odo or Odobonus, a French physician of the ninth century. This barbarous poem is in Leonine verse, and various manuscripts of it are in our public libraries of Oxford, Cambridge, the British Museum, &c. It was, according to Dr. Pulteney, in common use in Enprland before the sera of printing, and was translated into English by John Lelamar, master of Hereford-school, who lived about 1473. Even Linacre did not disdain to employ himself on this work, as in “Macer’s Herbal practysed by Dr. Lin aero, translated out of Latin into English.” Lond. 1542, 12mo. This jejune performance, adds Dr. Pulteney, which is writ-r ten wholly on Galenical principles, treats on the virtues of not more than eighty eight simples.

, was an Italian physician of so much reputation, that he was regarded by his countrymen as a second Galen. He was born at Verona in 1488, of the noble family of Monte in Tuscany, and sent to Padua by his father, to study the civil law. But his bent lay towards physic; which, however, though he made a vast progress in it, so displeased his father, that he entirely withdrew from him all support. He therefore travelled abroad, and practised physic in several cities with success, and increased his reputation among the learned, as an orator and poet. He lived some time at Home, with cardinal Hyppolitus; then removed to Venice; whence, having in a short time procured a competency, he retired to Padua. Here, within two years after his arrival, he was preferred by the senate to the professor’s chair; and he was so attached to the republic, which was always kind to him, that, though tempted with liberal offers from the emperor, Charles V. Francis I. of France, and Cosmo duke of Tuscany, he retained his situation. He was greatly afflicted with the stone in his latter days, and died in 15'5l. He was the author of many works; part of which were published by himself, and part by his pupil John Crato after his death. They were, however, principally comments upon the ancients, and illustrations of their theories; and have therefore ceased to be of importance, since the originals have lost their value. He translated into Latin the works of Aetius, which he published at the desire of cardinal Hyppolitus. He also translated into Latin verse the poem of Museus; and made translations of the Argonautics attributed to Orpheus, and of Lucian’s Tragopodagra.

, a learned Italian, was born at Verona, of a family that had produced several men of letters about the beginning of the sixteenth century. In early life he became introduced to John-Matthew Giberti, bishop of Verona, at whose house he had an opportunity of profiting by the conversation of various learned men. The Greek appears to have been his favourite study, and his fame was established by his able translations from that language. In September 1545, he was employed, with two other persons of consequence at Verona, to furnish provisions for that city, at a time when a scarcity was apprehended; but not long after we find him at the council of Trent, where he delivered an harangue that was published at the end of his “Apostolicae Institutiones.” In 1554, he was one of the ambassadors deputed by the city of Verona to compliment the doge of Venice on his accession; and on this occasion he was created a knight of that republic, On his return home, he was appointed president of the jurisdiction of silk-manufacturers, a corporation which was then established. He enjoyed the favour and esteem of many Italian princes, but of none more than of Guy Ubaldi, duke of Urbano, whom he accompanied to Rome, and was made commander of the ecclesiastical troops by pope Julius III. Here he had begun a translation of Ocellus Lucanus, when he was seized with a disorder which interrupted his studies and his attendance at court; but he was enabled to complete his translation in 1558, and it was printed the year following, in which year he died.

, one of the most celebrated scholars of the seventeenth century, was born at Verona, Aug. 29, 1631. His baptismal name was Jerom, which he changed tO'Henry, when he entered the order of the Augustines. His family is said to have been originally of England, whence a branch passed into Ireland, and even to Cyprus. When this island was taken by the Turks, a James Noris, who had defended it as general of artillery, settled afterwards at Verona, and it is from this person that the subject of the present article descended. His father’s name was Alexander, and, according to Niceron, published several works, and among them a History of Germany. Maffei, however, attributes this work only to him, which is not a history of Germany, but of the German war from 1618 to the peace of Lubec, translated from the Italian by Alexander Noris. His son discovered, from his infancy, an excellent understanding, great vivacity, and a quick apprehension. His father, having instructed him in the rudiments of grammar, procured an able professor of Verona to be his preceptor. At fifteen, he was admitted a pensioner in the Jesuits’ college at Rimini, where he studied philosophy; after which, he applied himself to the writings of the fathers of the church, particularly those of St. Augustine; and, taking the habit in the convent of Augustine monks of Rimini, he so distinguished himself among that fraternity, that, as soon as he was out of his noviciate, the general of the order sent for him to Rome, in order to give him an opportunity of improving himself in the more solid branches of learning. Here he indulged his favourite propensity for study to the utmost, and spent whole days, and even nights, in the library of his order at Rome. His daily course of reading was fourteen hours, and this practice he continued till he became a cardinal. It, is easy to conceive that a student of such diligence, and whose memory and comprehension were equally great, must have accumulated a vast stock of knowledge. But for some time his reading was interrupted by the duties of a regent master being imposed on him, according to the usual practice; and we find that for some time he taught at Pesaro, and afterwards at Perugia, where he took his degree of doctor of divinity. Proceeding then to Padua, he applied himself to finish his “History of Pelagianism,” which he had begun at Rome, when he was no more than twentysix: and, having now completed his design, it was printed at Florence in 1673. The great duke of Tuscany invited him, the following year, to that city, made him his chaplain, and professor of ecclesiastical history in the university of Pisa, which the duke had founded with that view.

, a learned Italian monk, was born at Verona, in 1594. He entered among the Theatins when he was about eighteen years of age, and after passing his noviciate at Venice, took the vows in 1614. He afterwards studied philosophy and divinity, was ordained priest in 1621, and exercised the various functions of his office and order, applying at his leisure hours to study, and writing the many works enumerated by his biographers. The principal of these are, “Comment, in quatuor Evangel, et Acta Apostol.” in 4 vols. folio; “Adagia Sanctorum Patrum,” in 2 vols. folio; “Eiectra Sacra, in quibus qua ex Latino, Grseco, Hebraico, et Chaldaico fonte, qua ex antiquis Hebraeorum, Persarum, GnecoruiD, Romanorum, aliarumque Gentium ritibus, qusedam divinse Scripturae loca noviter explicantur et illustrantur,” in 3 vols. folio. He died at Verona Jan. 14, 1650, aged fifty-six.

, a learned scholar of the sixteenth century, was born at Verona in 1529. He discovered an attachment to history and antiquities in his earliest years, and entered into the order of the Augustins. As soon as he had made profession, the general of his order sent him to Rome to complete his studies, and in 1553 he was appointed to instruct the novices. He then taught scholastic theology at Florence for some time, but his chief residence was at Rome, where he was patronized by cardinal Marcello Cervini, afterwards pope Marcel 1 us II. From thence he passed into the court of cardinal Alexander Farnese, with whom he travelled into Sicily in 1568, where he died in his thirty-ninth year. One of his first labours was an edition of the “Fasti Consulares,” first brought to light by Sigonius, which he published, illustrated with notes, at Venice in 1557. He published treatises also, “De Antiquis Romanorum Nominibus;” “De Principibus Romanis;” “De Republica;” “De Triumphis et Ludis Circensibus;” and “Topographia Romae.” These valuable works are founded in a great measure upon ancient inscriptions, of which he had collected and copied nearly three thousand. Some time after, this collection, which had come into the hands of cardinal Savelli, disappeared, and Maffei is of opinion that the collection published at Antwerp by Martin Sanctius, in 1588, and which served as a foundation for Gruterus’s great work, was in reality that of Panvinius. Panvinius was also a profound investigator of sacred or Christian antiquities, as appears by his works, “. De Ritu sepeliendi mortuos apud veteres Christianos” “De antiquo Ritu baptizandi Catechumenos;” “DePrimatu Pein;” “Chronicon Ecclesiasticum;” “De Episcopatibus Titulis, et Diaconis Cardinalium” “Annotationes et Supplementa ad Platinam de Vitis Pontificnm;” “De Septem pnrcipuis Urbis Romse Basilicis;” “De Bibliotheca Vaticana.” He had undertaken a general ecclesiastical history, for which he collected matter sufficient to fill six large -manuscript volumes, which are preserved in the Vatican. He wrote a chronicle of his own order, and a history of his native city, Verona, including an account of its antiquities, printed many years after his death.

, an Italian mathematician, was born at Verona, Nov. 4, 1721, and was educated at Padua, principally in jurisprudence, in which faculty he took his doctor’s degree, but he did not confine himself to that science. The knowledge which he acquired was so general, that upon whatever subject the conversation happened to turn, he delivered his sentiments upon it as if it had formed the only object of his study. On his return from the university, he entered on the possession of a considerable fortune, and determined to devote himself entirely to literary pursuits. The Hebrew, Greek, Latin, and Italian languages occupied much of his time, his object being to understand accurately the two first, and to be able to write and speak the two last with -propriety and elegance. He also learned French, Spanish, and English, the last particularly, for he was eager to peruse the best English writers, and was enabled to enter into their spirit. Ethics, metaphysics, divinity, and history, also shared much of his attention, and he displayed considerable taste in the fine arts, music, painting, and architecture. Nor did he neglect the study of antiquities, but made himself familiarly acquainted with coins, gems, medals, engravings, &c. Scarce any monumental inscriptions were engraved at Verona which he had not either composed or corrected. With the antiquities of his own country he was so intimately acquainted, that every person of eminence, who visited Verona, took care to have him in their company when they examined the curiosities of the city.