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Dutch School

of painting is a sort of “pre-Raphaelite” exactness of detail without selection. It is, in fact, photographing exactly what appears before the artist, as faithfully as his art will allow. The subjects are generally the lower classes of social life, as pothouse scenes, drunken orgies, street groups, Dutch boors, etc., with landscapes and still-life. The greatest of the Dutch masters are: for portraits, Rembrandt, Bol, Flinck, Hals, and Vanderhelst; for conversation pieces, Gerhard Douw, Terburg, Metzu, Mieris, and Netscher; for low life, Ostade, Brower, and Jan Steen; for landscapes, Ruysdael, Hobbema, Cuyp, Vanderneer, Berchem, and A. Both; for battle scenes, Wouvermans and Huchtenburg; for marine pieces, Vandevelde and Bakhuizen; for still-life and flowers, Kalf, A. Van Utrecht, Van Huysum, and De Heem.

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Entry taken from Dictionary of Phrase and Fable, edited by the Rev. E. Cobham Brewer, LL.D. and revised in 1895.

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Dusty-foot
Dutch
Dutch Auction
Dutch Clocks
Dutch Comfort
Dutch Concert
Dutch Courage
Dutch Gleek
Dutch Gold
Dutch Nightingales
Dutch School
Dutch Toys
Dutch Uncle
Dutchman
Duty
Duumvirs
Dwarf (The)
Dwarf Alberich (in the Nibelungen Lied)
Dwarf Peter (das Peter Manchen)
Dwarfs (under three feet in height)
Dwile, or Dwyel