Jeffreys, George

, an English poet, born in 1678, was the son of Christopher Jeffreys, esq. of Weldron in Northamptonshire, and nephew to James the eighth lord Chandos. He was educated at Westminster school under Dr. Busby, and was admitted of Trinity college, Cambridge, in 1694, where he took the degrees in arts, was elected fellow in 1701, and presided in the philosophyschools as moderator in 1706. He was also sub-orator for. Dr. Ayloffe, and not going into orders within eight years, as the statutes of that college required, he quitted his fellowship in 1709. Though Mr. Jeffreys was called to the bar, he never practised the law, but, after acting as secretary to Dr. Hartstronge bishop of Derry, at the latter end of queen Anne’s and the beginning of George the First’s reign, spent most of the remainder of his life in the families of the two last dukes of Chandos, his relations. In 1754 he published, by subscription, a 4to volume of “Miscellanies, in verse and prose,” among which are two tragedies, “Edwin,” and “Merope,” both acted at the theatre-royal in Lincoln’s- inn- fields, and “The Triumph of Truth,” an oratorio. “This collection,” as the author observes in his dedication to the late duke of Chandos, then marquis of Carnarvon, “includes an uncommon length of time, from the verses on the duke of Gloucester’s death in 1700, to those on his lordship’s marriage in 1753.” Mr. Jeffreys died in 1755, aged seventy-seven. In sir John Hawkins’s “History of Music,” his grandfather, George, is recorded as Charles the First’s organist at Oxford, in 1643, and servant to lord Hatton in Northamptonshire, | where he had lands of his own; and also his father, Christopher, of Weldron in Northamptonshire, as “a student of Christ church, who played well on the organ.” The anonvmous verses prefixed to “Cato,” were by this gentleman, which Addison never knew. The alterations in the Odes in the “Select Collection” are from the author’s corrected copy. ¹