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, son to Marcellus, of the same family with the former Acciaioli, was a native of Florence, first educated to the bar, where he presided in quality of senator, but afterwards acquired a prodigious stock of general learning and science. He took a journey to Padua, and became so distinguished as a disputant in scholastic knowledge, that the Venetian nobility crowded to hear him. Nor did he acquire less reputation in Florence in 1565, where he disputed publicly for several days before a great concourse of learned men. He left only the following work, “Multa doctissimorum problematum monumenta, magno studio et ingenio elucubrata.” He is mentioned with great honour by Francis Bocchi, in his Elogia of the most celebrated Florentine writers.

was a native of Florence, and for some time a professor of law at Pisa. Oa his return to his own country, he involved himself in the prevailing political contests; and having taken a part in opposition to the house of Medici, he was banished, and deprived of all his property. Paul III. however, received him at Rome, and appointed him advocate of the treasury and apostolic chamber. He died in 1558, aged 58, leaving several works on jurisprudence, which are enumerated by Mazzuchelli. He was the father of Hypolitus Aldobrandini, who reached the papal chair, and assumed the name of Clement VIII.

, a native of Florence, who flourished in the fourteenth century, and died Sept. 30, 1327, was a physician of great eminence in his time, and practised principally at Sienna, whither the jealousy of his colleagues at Bologna, where he first studied, had obliged him to retire. He wrote notes on Avicenna and Galen, and on some parts of Hippocrates. The abbe Lami gives an article to his memory in his “Notices literaires,” published in 1748; and he is celebrated also in Lucques’s edition of the Eloges of illustrious Tuscans, vol. I.

, an Italian poet of the fifteenth century, whose writings do not justify that honourable name, was according to Crescimbini, a native of Florence, his name Christopher; but on account of his merit, he received a poetic crown, and the surname of Aitissimo. Le Quadrio, however, thinks that this was his family name, s that his Christian name was Angel, and that he was a priest. He was one of the most admired improvisatori of his time, and his verses are said to have been often collected and published. He was living in 1514. Of his poems we have only a translation of the first book of the famous romance, “I Riali di Francia,” Venice, 1534, 4to, enough to prove that he was a very indifferent poet.

, a native of Florence, where he was born in 1582, and died in 1662, was appointed by pope Urban VIII. canon of the cathedral. He wrote a great many books, among which are, 1. “The Rhetoric of Aristotle,” divided into fifty-six lessons; 2. “A translation of the Poetic” of the same author; 3. “Four Academical discourses,” on pleasure, laughter, spirit, and honour. 4. “A life of St. Francis.” 5. Some pious writings, particularly a “Treatise on vocal and mental Prayer.” His father, Nicholas Arrighetti, died at Florence in 1639, and was a man of learning, and skilled in mathematics. There was also a Jesuit of the same name, who published “The theory of Fire,” in 1750, 4to; and died at Sienna in 1767.

, Baldi, or Baldius, a native of Florence, in the seventeenth century, was a very eminent physician and medical writer. He was reader on medicine in the university of Rome, where he held a canon’s place, and acquired the first reputation throughout Italy. His great ambition was to be physician to pope Innocent X. which he had no sooner obtained than he contracted a distemper which proved fatal a few months after his promotion. None of his biographers give the date of his death (probably about 164. ), but all attribute it to the luxurious change in the mode of living at court. He published many works which bear a high character, and among others: 1. “Praelectio de Contagione pestifera,” Rome, 1631, 4to. 2. “Disquisitio iatrophysica de Aere,” Rome, 1637, 4to, 3. “De loco affecto in pleuritide disceptationes,” Paris, 1640, 8vo Rome, 1643, &c.

, a native of Florence, and a Dominican of Fiesoli, and doctor of divinity, gained the esteem and friendship of Ferdinand I. grand duke of Tuscany, and was sent by him into France during the troubles, that he might give an account of them. Being at Lyons 1593, Peter Barnere, a young man of twentyseven, consulted him upon the horrid design of assassinating Henry IV. Banchi, zealous for France and the royal family, directly mentioned it to a lord of the court, pointed out the young man to him, and entreated him to ride off, with all possible speed, to acquaint the king with the danger which threatened him. The nobleman, going to Melun for that purpose, met Barriere, who had just entered the palace to perpetrate his crime. He was arrested, and being put to the torture, confessed all. The king, to reward Banchi, appointed him bishop of Angouleme, but he either resigned it 1608, in favour of Anthony de la Rochefoucauld, or declined it with the reserve of a moderate pension. He appears to have passed the rest of his life at Paris, in the convent of St. James; he was living in 1622, and was a great benefactor to that convent, among other things, by finishing the beautiful Salle des Artes at his own expence he was also very liberal to the convent at Fiesoli. His works are, “Histoire prodigieuse du Parricide de Barriere,” 1594, 8vo. “Apologie contre les Jug-emeus temeraires de ceux, qui out pense conserver la Religion Catholiqtie en faisant assassiuer les tres Chretiens Rois de France,” Paris, 1596, 8vo. “Le Rosaire spirituel de la sacree Vierge Marie,” &c. Paris, 1610, 12mo. Pere Banchi justifies himself in this work againsl some historians who had accused him of abusing Peter Barriere’s confession. He never confessed that young man, and the detestable project was only discovered to him by way of consultation.

, a native of Florence, where he was born in 1488, was called II Fattore, or the Steward, from having been intrusted with the domestic concerns of Raphael, and soon became one of his principal assistants. He more than any other helped him. in the execution of the cartoons of the Arazzi; and in the Loggie of the Vatican painted the histories of Abraham and Isaac. After the death of his master he executed the fresco of the coronation in the stanza of Constantine. The upper part of the Assumption of the Virgin, a work of Raffaellesque grace, at Monte Lupi, in Perugia, is ascribed to him, though Vasari gives it to Perino del Vaga: the under part with the Apostles is painted by Julio. Of the works which he performed alone, no frescoes, and so few oil-pictures remain, that they may be considered as the principal rarities of galleries. Facility of conception, grace of execution, and a singular felicity in landscape, are mentioned as his characteristics. Penni wished much to unite himself with his coheir Julio, but being coldly received by him at Mantua, went to Naples, where his works and principles might have contributed much toward the melioration of style, had he not been intercepted by death in 1528, in his fortieth year. He left at Naples, with his copy of the Transfiguration, a scholar of considerable merit, Lionarde Afalatesta, or Grazia, of Pistoja. Uc had a brother Lucas, who having a close connection with Perino del Vul;;I, who had married his sister, worked with that master (see Perino) for some years at Genoa, Lucca, and other cities of Italy, with great credit. Afterwards he went to England, and was employed by king Henry VIII. for whom he painted several designs; and was also engaged by some of the merchants of London; but at last he almost entirely quitted the pencil, devoting all his time and application to engraving, as some say, but Mr. Fuseli maintains that he only furnished designs for engravers.

, an illuminator on vellum, who was in England in the reign of queen Elizabeth, appears to have been a native of Florence, and, while here, a teacher of the Italian language. Vertue speaks of some of his works as extant in his time, or as having very lately been so; as the Psalms of David in folio, with an inscription by Ubaldini to Henry earl of Arundel, whom he calls his Maecenas. The date is, London, 1565. There was another book on vellum, written and illuminated by him, by order of sir Nicholas Bacon, who presented it to the lady Lumley. This is, or was, at Gorhambury. There were other specimens of his skill in the royal library, now in the British Museum, and he appears also to have been an author. Walpole mentions one of his Mss. in the Museum, entitled “Scotiae descriptio a Deidonensi quodain facto, A. D. 1550, et per Petruccium Ubaldinum transcripta A. D. 1576,” which was published afterwards in Italian, with his name, at Antwerp, 1588, fol. The Museum catalogue attributes also the following to Ubaldini: 1. “Discourse concerning of the Spanish fleet invading England in 1588 and overthroweu,” Lond. 1590, 4to. 2. “Le Vite delle Donne illustri del regno d'lughilterra, e del regnb di Scotia, &c.” ibid. 1591. Walpole, who appears to have examined this work, gives, as a specimen of Petrucchio’s talents for history, two of his heroines. The first was Chembrigia, daughter of Gurguntius, son of king Bellinus, who, having married one Cantabro, founded a city, which, from a mixture of both their names, was called Cambridge. The other illustrious lady he styles expressly donna senza. name, and this nameless lady, as Walpole says, was the mother of Ferrex and Porrex in lord Dorset’s “Gorboduc,” who, because one of her sons killed the other that was a favourite, killed a third son in a passion. 3. “Precetti moral i, politici, et economici,” 1592, 4to. 4. “Scelta di alcune Attioni, e di varii Accidenti,” 1595, 4to. 5. “Rime,”

, who has the credit of promoting Italian literature in the last century, particularly in France, was a native of Verdun. His name was Vigntron, but as he had made the Italian language his study, and wished to acquire reputation at Paris as a teacher, he Italianized his name, and gave out that he was a native of Florence. He published an Italian Grammar and Dictionary; both of which have been repeatedly printed in France and Eng T land, but with modern improvements. He published also Translations of Bentivoglio’s and Loredano’s letters, the Italian on one side. His grammar, it is said, was not written by him, but by the famous Roselli, whose adventures have been printed as a romance. This latter, passing through France, dined with Veneroni, who finding that he reasoned very justly upon the Italian language, engaged him to compose a grammar, for which he gave him a hundred franks. Veneroni only made some additions according to his taste, and published the book under his own name. His “Translation of the Select Fables,” is printed with a German version and plates, Augsburg, 1709, 4to. We find no account of his death; but, from the dates of his publications, he appears to have flourished, if that phrase be allowable in his case, in the early part of the last century.