Michael Angelo Buonarotti, painter, sculptor, architect, and poet, born at Caprese, in Tuscany, one of the greatest artists that ever lived; studied art as apprentice for three years under Domenico Ghirlandajo, and at seventeen his talents attracted the notice of Lorenzo de' Medici, who received him into his palace at Florence, and employed as well as encouraged him; on the death of his patron he left for Bologna, and afterwards, in 1496, went to Rome, whither his renown as a sculptor had gone before him, and there he executed his antiques “Bacchus” and “Cupid,” followed by his “Pieta,” or Virgin weeping over the dead Christ; from 1503 to 1513 he was engaged on the ceiling in the Sistine Chapel; in 1530 we find him at Florence dividing his time between work as an engineer in the defence of the city and his art as a sculptor; three years after this he was back in Rome, and by-and-by busy painting his great fresco in the Sistine Chapel, the “Last Judgment,” which occupied him eight years; in 1542 he was appointed architect of St. Peter's, and he planned and built the dome; sculpture was his great forte, but his genius was equal to any task imposed on him, and he has left poems to show what he might have done in the domain of letters as he has done in those of arts, with which his fame is more intimately associated (1474‒1564).
Definition taken from The Nuttall Encyclopædia, edited by the Reverend James Wood (1907)
Michael * Michaelis, Johann David