Polemberg, Cornelius

, or Poelemburg, a celebrated Dutch painter, was born at Utrecht in 1586, where he became the disciple of Abraham Bloemart, but went to complete his studies at Rome. His first determination was to imitate the manner of Elsheimer but when he contemplated the works of Raphael, he was so affected, that he was led irresistibly to copy after that much higher model. | This union of objects produced a mixed but original style; more free and graceful than the Flemish, though with far less grandeur and excellence of design than the Italian. He could not rise to the execution of large figures; his best pieces, therefore, are of the cabinet size; but he surpassed all his contemporaries in the delicacy of his touch, the sweetness of his colouring, and the choice of agreeable objects aud situations. His skies are clear, light, and transparent his back-grounds often ornamented with the vestiges of magnificent Roman edifices and his female figures, which are usually without drapery, are highly beautiful. He returned rather reluctantly to Utrecht, where, however, his merit was acknowledged by the great Rubens. Charles I. invited him to London, where he was much employed, and richly paid; but, though he was much solicited to remain here, his love for his native country prevailed, and he returned to Utrecht, where he died in 1660, affluent and highly esteemed. The genuine works of Polemberg are extremely scarce; but figures by him maybe found in the works of other artists, particularly those of Steenwyck, and Kierings; and his disciple John Vander Lis so successfully imitated his style, that the works of the pupil are frequently taken for those of the master. ¹