Tellier, François Michel Le

, marquis de Louvois, by which title he is generally known, was born at Paris, January 18, 1641. He was the son of Mit-hel le Teilier, secretary of state, and afterwards chancellor of France, and keeper of the seals. The great credit and power of the father gave an early introduction to the son into the offices of slate, and he was onlv twenty- three when the reversion of the place of war-minister was assigned to him. His vigilance, activity, and application, immediately marked him as a man of superior talents for business; and two years afterwards, in 1666, he succeeded his father as secretary of state. In 1668 he was appointed post-mastergeneral, chancellor of the royal orders, and grand vicar of the orders of St. Lazarus and Mount Carmel; in all which places he fully justified the first conception of his talents. By his advice, and under his care, was built the royal hospital of invalids; and several academies were founded for the education of young men of good families in the military line. After the death of Colbert, in 1683, Louvois was appointed superintendant of buildings, arts, and manufactures. Amidst this variety of occupations, to which his genius proved itself fully equal, he shone most particularly in the direction of military affairs. He established magazines, and introduced a discipline which was felt with advantage in every department of the army. He several times acted in person as grand master of the ordnance, and in that branch of duty signalized his judgment and energy no less than in every other. The force of his genius, and the success of his most arduous undertakings, gained him an extreme ascendant over the mind of Louis XIV. but he abused his power, and treated his sovereign with a haughtiness which created disgust and hatred in all who saw it. One day, on returning from a council, where he had been very ill received by the king, he expired in his own apartment, the victim of ambition, grief, and vexation. This happened when he was no more than fifty-one, on the 16th of July, 1691.

Louvois, with all his talents, was not regretted either by the king or the courtiers. His harsh disposition, and very haughty manners, had irritated every one against him. He | may also be reproached for the cruelties exercised in the Palatinate, and for other sanguinary proceedings. He wished not to be outdone in any severities. “If the enemy burns one village within your government,” said he, in a letter to the marshal de Bouflers, “do you burn ten in his.” Yet, notwithstanding every exception which may justly be made to his character, his talents were of more advantage than his faults were of injury to his country. In no one of his successors was found the same spirit of detail, united with complete grandeur of views; the same promptitude of execution in defiance of all obstacles; the same firmness of discipline, or the same profound secrecy in design. Yet he did not support ill fortune with the same firmness as his master. When the siege of Coni was raised, he ca ned the news to Louis XIV. with tears in his eyes. “You are easily depressed,” said the king “it is not difficult to perceive that you are too much accustomed to success. I, who have seen the Spanish troops within the walls of Paris, am not so easily cast down.” His sudden death is mentioned by madame de Sevigne, in her letters, in her own characteristic style. “He is dead, then; this great minister, this man of so high consideration; whose Moi (as M. Nicole says) was of such extent; who was the centre of so many affairs. How much business, how many designs, how many secrets, how many interests to develope How many wars commenced, how many fine strokes 6f chess to make and to manage Oh, give me but a little time I would fain give check to the duke of 'Savoy, check-mate to the prince of Orange. No, no not a moment. Can we reason on this strange event No, truly we must retire into our closets, and there reflect upon it”

A book entitled “Testament politique du marquis de Louvois,” was published in his name, 1695, in 12mo, but the author of it was Courtils, and no just judgment of the marquis can be deduced from such a rhapsody. He left prodigious wealth, a great part of which he owed to his wife, Anne de Souvre, marchioness of Courtenvaux, the richest heiress then in the kingdom. ¹