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, was chief physician to king James II. He was a man of learning, and what is now termed an able bibliographer. His private collection of books, which were scarce and curious, sold for upwards of 1600l. in 1698; a large sum at that time, when the passion for rare books was much more moderate than now. He died Feb. 9, 1697, aged 69 years. Mr Charles Bernard, brother to Francis, and surgeon to the princess Anne, daughter of king James, had also a curious library, which was sold by auction in 1711. The “Spaccio della Bestia triomfante,” by Jordano Bruno, an Italian atheist, which is said in number 389 of the Spectator to have sold for 30l. was in this sale. Mr. Ames informs us that this book was printed in England by Thomas Vautrollier in 1584. An English edition of it was printed in 1713.

, whose name often occurs in works of Bibliography, but who has not laid bibliographers under many obligations, was a bookseller at Emmerich, about the end of the seventeenth century. His design in his compilations was evidently to serve the cause of literature, but although all his plans were good, they were imperfectly executed, and have proved perplexing and useless. His principal publications in this department were: 1. “Bibliographia Juridica et Politica,” Amsterdam, 1680, 12mo. 2. “Bibliotheca medica et physica,” 1691, igmo, enlarged in 1696. 3. “Gallia critica et experimentalis ab anno 1665 usque ad 1681,” Amst. 1683, 12mo. This is a useful index to the articles in the “Journal des Savans.” 4. “Bibliographia mathematica et artificiosa,” 1685, improved and enlarged, 1688, 12mo. 5. “Bibliographia historica, chronologica, et geographica,” 1685, 12mo, and continued in four parts until 1710. 6. “Bibliographia crudilorum critico-curiosa, seu apparatus ad historian! literariam,” Amst. 1689—1701, 5 vols. 12mo, a sort of general index to all the literary journals, but containing too many alphabets to be easily consulted. It extends from 1665 to 1700. 7. “Incunabula typographic, sive Catalogus librorum proximis ab iwentione typographic annis ad annum 1500, editorum,” Amst. 1688, 12mo, jejune, says our English bibliographer, and erroneous. Indeed each of these undertakings, to be completely useful, would have required more years than Beughem bestowed upon the whole.

, another bibliographer, and a lawyer, was born at Leipsic in 1665, and died in 1714. He was the first, according to Camus, who gave a course of lectures on legal bibliography, at Wittemberg, in 1698. This produced, 1. “Notitiae auctorum juridicorum et juris arti inservientium, tria specimina,” Leipsic, 1698 1705, 8vo, Of this a new and enlarged edition was published in 1726, 8vo, and Jenichen added a continuation in 1738. Four other improved editions, one by Hommelius, in 1749, two in 1750, and a fourth by Frank, in 1758, all in 8vo, shew the value in which this work was held. 2. “Declinatio juris divini naturalis et positivi universalis,” Wittemberg, 1712, 4to; Leipsic, 1716, 1726, 4to.

In order to appreciate these editions, it is necessary to advert to the fate of this extraordinary work in the press. For about a century, it was circulated in manuscript, and liberties of every kind were taken at every transcription. At length it was printed for the first time, as has been supposed, in 1470, and run through various editions to the end of the fifteenth, and for more than sixty years of the sixteenth century. During this period it was prohibited by the popqs Paul IV. and Pius IV. who were in this respect more scrupulous than their twenty-five or twenty-six predecessors in the papal chair. Two grand dukes of Tuscany, Cosmo I. and Francis I. applied one after the other to two other popes, Pius V. and Gregory XIII. in consequence of which the academicians were employed to reform the Decameron important corrections were made, and many passages suppressed, and in this state various editions were permitted to be printed. But with respect to the ancient editions, it is now necessary to observe that there are two opinions, which we shall state, without attempting to reconcile. We have already noticed that the first edition has been supposed to have been printed in 1470, without a date but on the other hand, it is contended that the edition of 1471, by Valdarfer, is not only the first with a date (which those who maintain the existence of the edition of 1470 are disposed to allow), but that in fact there was no previous edition. Those who are of this latter opinion very naturally ask their antagonists to produce the edition of 1470, or an edition without date that can be supposed of that period. In England it is certain that no such edition is known but the French bibliographers seem to be of a different opinion. Ginguene 1 to whom we are indebted for the greater part of this life of Boccaccio, who has written the literary history of Italy, and is considered in France, we apprehend justly, as their first critic and bibliographer in Italian literature this writer speaks of the first edition without a date in the following terms “Elle est sans date et sans nom de lieu ni d'imprimeur, in-fol. en caracteres inegaux et mal formes.” (Hist. Litt. d'ltalie, vol. III. p. 129). It remains, therefore, for the reader to determine whether this is the language of a man who has seen the book, and describes what he has seen; and if this be decided in the affirmative, the existence of the edition is proved, as far as his authority goes. But it must be confessed Ginguene goes no fa ther. He says nothing of any library which possesses this treasure, nor of its supposed value but when he comes to speak of Valdarfer’s edition of 1471, he informs us that it- has been valued by bibliomaniacs (bibliomanes) at 3000 francs, or 125l. And this brings us to notice the copy of this edition recently sold from the duke of Roxburgh’s library, to the marquis of Blandford, for the immense (and with respect to the value of books, the unprecedented) sum of Two Thousand Two Hundred And Sixty Pounds. In the catalogue of this library, it is stated that “no other perfect copy is yet known to exist, after all the fruitless researches of more than three hundred years;” but, notwithstanding this, we find that the French bibliographers set a value on the edition, as if copies, however rare, were still occasionally to be found. We cannot suppose that the French booksellers or collectors would fix a price-current on an article which had not been seen, for three hundred years, still less that our authority is speaking of imperfect copies, the value of which can only be estimated by the quantum of imperfection. It remains also to be noticed that the French bibliographers speak precisely with the same familiarity of the Junti edition of Florence, 1527, 4to, which they value at 600 francs, or 25l. and which sold at the Roxburgh sale for 29 1. no great advance upon the French price. They certainly speak both of this edition, and of the 1471, as of rare occurrence, but by no means hint that the latter is of that extreme rarity imputed to it in this country .

, an eminent bookseller at Paris, is well known to the learned throughout Europe for the able assistance he has afforded to the study of bibliography. Of his personal history very little is related by his countrymen, unless that he was a man of high character in trade; and, as appears from his works, more intimately acquainted with the history of books and editions than perhaps any man of his time in any country. He died July 15, 1782. He first published his “Museum Typographicum,” Paris, 1755, 12mo, a small edition of only twelve copies, which he gave away among his friends. It was published under the name of G. F. Rebude, and according to the Dict. Hist, was reprinted in 1775. Afterwards appeared the “Bibliographic Instructive,” 1763 68, 7 vols. 8vo, succeeded by a small volume of a catalogue of the anonymous publications, and an “Essay upon Bibliography.” The merits of this work are universally acknowledged. The abbe Rive having attacked this work with considerable asperity, De Bure replied in “Appel aux Savans,” 1763, 8vo, and “Reponse a une Critique de la Bibliographic Instructive,” 1763, 8vo. In 1769 he published the catalogue of Gaignat’s library, 2 vols. 8vo, which completely established his reputation as a bibliographer. He was succeeded in these labours by his cousin William, who, with Mons. Van Praet, ^prepared the catalogue of the duke de la Valliere’s library in 1783, and published other valuable catalogues as late as the year 1801.

, author of the Survey of Cornwal, and brother of the preceding sir George Carew, the ambassador, was the eldest son of Thomas Carew, of Mast Anthony, esq. by Elizabeth Edgecombe, daughter of Richard Edgecombe, of Edgecombe, esq. both in the same county, and was born in 1555. When very young, he became a gentleman commoner of Christ Church college, Oxford; and at fourteen years of age had the honour of disputing, extempore, with the afterwards famous sir Philip Sydney, in the presence of the earls of Leicester, Warwick, and other nobility. After spending three years at the university, he removed to the Middle Temple, where he also resided three years, and then travelled into France, and applied himself so diligently to the acquisition of the French language, that by reading and conversation he gained a complete knowledge of it in three quarters of a year. Not long after his return to England he married, in 1577, Juliana Arundel, of Trerice. In 1581, Mr. Carew was made justice of the peace, and in 1586 was appointed high sheriff of the county of Cornwal; about which time he was, likewise, queen’s deputy for the militia. In 1589 he was elected a member of the college of antiquaries, a distinction to which he was entitled by his literary abilities and pursuits. What particularly engaged his attention was his native county, his “Survey” of which was published in quarto, at London, in 1602. It has been twice reprinted, first in 1723, and next in 1769. Of this work Camden speaks in high terms, and acknowledges his obligations to the author. In the present improved state of topographical knowledge, and since Dr. Borlase’s excellent publications relative to the county of Cornwall, the valae of Mr. Carew’s “Survey” must have been greatly diminished. Mr. Gough remarks, that the history and monuments of this county were faintly touched by Mr. Carew; but it is added, that he was a person extremely capable of describing them, if the infancy of those studies at that time had afforded him light and materials. Another work of our author was a translation from the Italian, but originally written by Huarte in Spanish, entitled “The Examination of Men’s Wits. In which, by discovering the variety of natures, is shewed for what profession each one is apt, and how far he shall profit therein.” This was published at London in 1504, and afterwards in 1604; and, thouo-h. Richard Carew’s name is prefixed to it, has been principally ascribed by some persons to his father. According to Wood, Mr. Carevv wrote also “The true and ready way to learn the Latin Tongue,” in answer to a query, whether the ordinary method of teaching the Latin by the rules of grammar, be the best mode of instructing youths in that language? This tract t is involved in Mr. Samuel Hartlib’s book upon the same subject, and with the same title. It is certain that Mr. Carew was a gentleman of considerable abilities and literature,and that he was held in great estimation by some of the most eminent scholars of his time. He was particularly intimate with sir Henry Spelman, who extols him for his ingenuity, virtue, and learning. Amongst his neighbours he was celebrated as the most excellent manager of bees in Cornwall. He died Nov. 6, 1620, and was buried with his ancestors, in the church of St. Anthony, where a splendid monument, with a large inscription, in Latin, was erected to his memory. In an epigram written upon him he was styled “another Livy, another Maro, another Papinian,” epithets somewhat too high fot his real merit. An English translation of “Godfrey of Bulloigne,” from Tasso, by him, was published in 1594, 4to. Of this an ample specimen has lately been given in the Bibliographer.

He wrote, 1. “Summa veterum interpretum in universam dialecticam Aristotelis,” London, 1584, 4to; Oxon. 1592, 1598, 4to. 2. “Speculum moralium questionum in universam ethicam Aristotelis,” Oxon. 1585, 4to; Francf. 1616, 8vo. 3. “Sphaera civitatis, sive de politica,” Oxon. 1588, 4to; Francf. 1616, 8vo. The former edition was printed by Barnes, and having been pirated on the continent, Barnes obtained an order that every bachelor of arts, when he determined, should provide himself with a genuine copy. 4. “Apologia musices, tarn vocalis, quam instrumentalis, et mixtae,” Oxon. 1588, 8vo. Wood mentions B book entitled “The Praise of Music, &c.” 1586, 8vo, which an ingenious writer in the Bibliographer (vol.11.) is inclined to attribute to Dr. Case, and Dr. Farmer was of the same opinion. The most conclusive proof must depend on a comparison of the Latin with the English work, neither of which is at present within our reach. 5. “Thesaurus ceconomiae, seu commentarius in ceconomia Aristotelis,” Oxon. 1597; Hanov. 1598, 8vo. 6. “Appendix Theium ceconomicarum,” ibid. 7. “lleflexus speculi moralis, seu comment, in magna moralia Arist.” Oxon. 1596. 8. “Lapis Philosophicus, seu comment, in octo libros phisicorum Arist.” Oxon. 1599, 4to. 9. “Ancilla philosophise, seu Epit. in 8 lib. Arist.” Oxon. 1599, 4to.

, is the adopted name of Francis, or Francesco Stabili; a native of Ascoli, in the march of Ancona, in the thirteenth and fourteenth centuries, whg acquired considerable reputation, unfortunately for himself, as a critic and poet. Among the many anachronisms and contradictions in the accounts given of his life, which Tirabotchi has endeavoured to correct, we find that when young, he was professor of astrology in the university of Bologna, that he published a book on that science, which being denounced to the Inquisition, he escaped by recanting what was offensive but that the same accusations being afterwards renewed at Florence, he was condemned to be burnt, and suffered that horrible deatb in 1327, in the seventieth year of his age. We have already seen, in former lives, that it was no uncommon thing for enraged authors to apply to the secular arm for that revenge which they could not otherwise have inflicted on one another. The pretence for putting this poor man to death, was his “Commentary on the Sphere of John de Sacrabosco,” in which, following the superstition of the times, he asserted that wonderful things might be done by the agency of certain demons who inhabited the first of the celestial spheres. This was foolish enough, but it was the prevalent folly of the times, and Cecco probably believed what he wrote. That he was not an impostor wiser than those whom he duped, appears from his conduct to Charles, duke of Calabria, who appointed him his astrologer, and who, having consulted him on the future conduct of his wife and daughter, Cecco, by his art, foretold that they would turn out very abandoned characters. Had he not persuaded himself into the truth of this, he surely would have conciliated so powerful a patron by a prediction of a more favourable kind; and this, as may be supposed, lost him the favour of the duke. But even the loss of his friend would not have brought him to the stake, if he had not rendered himself unpopular by attacking the literary merit of Dante and Guido Cavalcanti, in his poem entitled “Acerba.” This provoked the malice of a famous physician, named Dino del Garbo, who never desisted until he procured him to be capitally condemned. This poem “Acerba,” properly “Acerbo,” or “Acervo,” in Latin Acervus, is in the sesta rima divided into five books, and each of these into a number of chapters, treating of the heavens, the elements, virtues, vices, love, animals, minerals, religion, &c. The whole is written in a bad style, destitute of harmony, elegance, or grace; and, according to a late author, much of the plan, as well as the materials, are taken from the “Tresor” of Brunetto Latini. It is, however, a work in demand with collectors, and although often printed, most of the editions are now very scarce. The first was printed at Venice in 1476, 4to, with the commentary of Nicolo Massetti, and was reprinted in 1478. Haym (in the edition of his Biblioteca, 1771) speaks of a first edition as early as 1458, which we apprehend no bibliographer has seen.

, an eminent German bibliographer, was a French preacher at Hanover, a man profoundly acquainted with the history of literature, and the author of a well-known collection of bibliography, entitled “Bibliotheque curieuse, historique, et critique, ou Catalogue raisonne de livres difficiles a trouver,” 9 vols. 4to, Gottingen, &c. 1750 1760, at which last date^this useful work was interrupted by his death, and has never been completed. It is in alphabetical order, and extends no farther than the letter H. Its only fault is that the author marks many books as rare, which are very common. He published also “Specimen Bibliothecae Hispano-Maiansianae, sive idea novi catalog! critici operum scriptorum Hispanorum, quse kabet in sua bibliotheca Gregorius Maiansius,” Hanover, 1753, 4to.

His poetical works are numerous, but discover very little taste or talent: 1. “St. Peter’s Complaint, with other Poems,” Loud. 1595, 4to. 2. “Mirum in modo; a glimpse of God’s glory, and the soul’s shape,” ibid. 1602, and 1616, 8vo. 3. “Microcosmus, or the Discovery of the Little World,” Oxon. 1603, 4to. 4. “The Holy Rood of Christ’s Church,” Lond. 1609, 4to, with Sonnets. 5. “Humours Heaven and Earth, with the civil wars of Death and Fortune,” ibid. 1609, 8vo. 6. “Wit’s Pilgrimage,” Lond. 4to, no date. 7. “Muse’s Sacrifice, or Divine Meditations,” ibid. 1612, 12mo. 8. “The Muse’s Tears for the loss of their hope, the heroic and never too much praised Henry, prince of Wales,” ibid. 1613, 4to, &c. &c. &c. Four of these volumes are noticed in the Censura Literaria, one in Beloe’s Anecdotes, and one in the British Bibliographer, by Mr. Haslewood, whose character of Davis’s poetry may be adopted with confidence. “Davis’s poetical attempts are generally heavy, dull, obscure, and inharmonious and his pages are remarkable for inconsistency. One while he is pouring forth celestial rhapsodies, and then * with jerkes of wit (as he terms them) to whip every vice,' blundering on expressions too gross for pen or press, while the reader, who may have been edified by his morality, is left to fill up the blank of a disgusting parenthesis. His witticisms are often feeble puns, double entendres, and occasionally have their point depending on a fabricated name. Yet though the whole of his pieces now class as rare, from their number it seems presumable they were not ill received. To us moderns, however, there seldom appears poignancy in his wit, or nerve in his poetry.”

, an eminent German bibliographer, and principal librarian of the imperial library of Vienna, was born at Sclarden, in Bavaria, in 1729, and died at Vienna in 1800, in the seventy -first year of his age. He published several works on subjects of philology, bibliography, literary, and even natural history, and poetry. The principal of these are, 1. A translation into German of “Ossian’s poems,” Vienna, 1768—1772, 3 vols. 4to, and 8vo. This translation is truly poetical; but the author appears to have committed an error in judgment, in giving the preference to hexameters, by which he has given a refinement and a connection to the whole, which does not correspond with the original. 2. “The Songs of the Bard Sined,” (Denis) with a preliminary dissertation on the ancient poetry of the North, Vienna, 1772, 8vo. 3. “A systematic catalogue of Butterflies in the environs of Vienna,” ibid. 1776, 4to, with plates. 4. “An Introduction to the knowledge of Books,” 2 vols. 4to, 1777 — 1778. This, which like most of his works, is written in German, contains a division of Bibliography into three periods. The first relates to the state of book-writing, previous to Christianity; the second comprehends the state of Bibliography from the introduction of Christianity to the restoration of letters, or the invention of printing; and the third extends from this latter period to the present times. Each of these periods contains an historical and mechanical account of book-making. The historical account of the first period exhibits the origin, progress, and decline of the art of writing and preserving books in different nations; and the other part of this same period contains a description of the alphabets, paper, and instruments employed in writing, and the form of books in these early times. In the second period is the history of printing; and in the third, an account of the most celebrated libraries of that time in Italy, England, France, Holland, Spain, Sweden, Poland, Russia, Germany, and Vienna, comprehending printed books and manuscripts. In this exhibition, the books are reduced, like the sciences, under the distinct classes of theology, law, philosophy, physic, mathematics, history, and philology, and are considered with respect to their number, their qualities, their rarity, &c. and the manuscripts, whether Hebrew, Greek, Latin, Gothic, Lombard, French, or Anglo-Saxon, are enumerated, though without many critical illustrations. 5. “A Typographical History of Vienna from the year 1482 to 1560,” ibid. 1782, 4to. 6. A publication in Latin, “8. Augustini Sermones inediti, admixtis quibusdarn dubiis,” ibid. 1792, fol. These were copied from a manuscript of the twelfth century in the imperial library. 7. “Codices manuscripti theologici Latiui aliarumque occidentis linguarum bibliothecae Palatinse Vindobon.” vol. I. 1793, fol. vol. II. 1801, intended as a continuation of Lambecius’s very elaborate catalogue. The two together form a complete catalogue of every article in the imperial library of the theological kind, except ecclesiastical history, and the canon-law. 9. “Carmina qusedam,” Vienna, 1794, 4to, a collection of Latin poems.

, a puritan divine of the sixteenth century, was a native of the county of Kent, and related to the Derings of Surrenden. He was educated at Christ’s college, Cambridge, of which he was chosen fellow ia 1668, and then took his degree of bachelor of divinity. The year before, according to Mr. Cole, he was admitted lady Margaret’s professor of divinity. He was also one of the preachers at St. Paul’s, and in 1569 obtained the rectory of Pluckley in the diocese of Canterbury, and became chaplain to the duke of Norfolk. On Dec. 20, 1571, he was presented by the queen to the prebend of Chardstoke in the cathedral of Salisbury. He was much celebrated for his eloquence in the pulpit, and for his general learning and acuteness as a disputant, of which last he gave a proof, in a work written against the popish Dr. Harding, entitled “A Sparing Restraint of many lavish Untruths,” &c. 1568, 4to. But at length he not only adopted the sentiments of Cartwright and others on the subject of habits and ceremonies, but contended in the pulpit for the entire change of church government by bishops, &c. for which he was, after a long examination and controversy, suspended from preaching in 1573. Strype has given a particular account of his prosecution and answers. He died June 26, 1576, lamented for his piety and usefulness. But he appears to have carried his resistance to the established religion to a greater height than most of his brethren, and did not spare the queen herself. Once when preaching before her majesty, he told her, that when she was persecuted by queen Mary, her motto was tanquam ovis (“like a sheep”), but now it might be tanquam indomita juvjenca (“like an untamed heifer”). The queen, however, retained so much of her milder character as only to forbid his preaching at court; to which Neal, who quotes Fuller for this anecdote, adds that “he lost all his preferments in the church,” although no such words are to be found in Fuller. His principal works are, 1. a A Lecture or Exposition upon a part of the fifth chapter of the Epistle to the Hebrews, as it was read in St. Paul’s, Dec. 6, 1572,“Lond. 1581, Itnno. This work was extended to” Twenty-seven Lectures or Readings upon part of that Epistle,“1576. 2.” A Sermon preached before the Queen’s Majesty, Feb. 25, 1569,“Lond. 1584. 3.” A Sermon preached at the Tower of London, Dec. 11, 1569,“ibid. 158-k These three are noticed, with extracts, in the Bibliographer, vol. I. 4.” Certain godly and comfortable Letters, full of Christian consolation," &c. no date, 4to, all which, with some other tracts of Dering’s, were collected and printed in one vol. 8vo, by Field in 1595. His correspondence with lord Burleigh may be seen in Strype’s Annals.

, an English divine and poet, of the sixteenth century, was educated at St. John’s college, Cambridge, where he took his degree of bachelor in divinity in 1569. The same year he was admitted to the prebend of Firles in the cathedral of Chichester, June 27, and on July 2 to that of Chamberlaynward in St. Paul’s, and March 9 following, he was installed archdeacon of Lewes. He seems to have been chaplain to Grindall, when archbishop of York. He was a tolerable Latin poet, and translated the Ecclesiastes into Latin hexameters, 1572, 4to, and published two miscellanies of Latin poetry, the one entitled “Sylva,” and the other “Poemata varia et externa,” the last printed at Paris. In the “Sylva,” he mentions his new version of David’s psalms, which Wartou supposes to have been in English, and says, he had begun to translate the Iliad, but had gone no further than the fourth book. In 1566 he published what he called “A medicinable Morall, that is, the two bookes of Horace his satyres Englished, according to the prescription of St. Hierome,” &c. Lond. and in the following year appeared “Horace, his arte of Poetrie, Pistles, and Satyrs Englished.” This version, which Drant undertook in the character of a grave divine, and as a teacher of morality, is very paraphrastic, and sometimes parodical. His other publications are, 1. “Gregory Nazianzen his Epigrams and spiritual sentences,” 1568, 8vo. 2. “Shaklocki, epigrammatis in mortem Cuthberti Scoti, apomaxis,” Lond. 1565, 4to which occurs in Herbert’s Antiquities under the title “An Epygrame of the death of Cuthberte Skotte some tyme beshoppe of Chester, by Roger Shacklocke, and replyed against by Thomas Drant.” 3. “Thomae Drantae Angli, Advordingamiae Praesul,” 1575, 4to. These two last are in the British Museum. 4. “Three godly and learned Sermons, very necessary to be read and regarded of all men,” 1584, 8vo. Extracts from these are given in the Bibliographer. The time of his death is no where mentioned, but as the archdeaconry of Lewes was vacant in 1578, it might have been in consequence of that event.

He wrote pastoral odes and madrigals, some of which are in “England’s Helicon,” first published at the close of queen Elizabeth’s reign, and lately republished in the “Bibliographer.” He wrote also a “Description of Friendship,” a poem in the Ashmolean Museum, where also, from Aubrey’s ms. we learn that he almost entirely spent an estate of 4000l. a year. There is a letter of his to sir Christopher Hatton, dated Oct. 9, 1512, in the Harleian Mss. and another to the earl of Leicester, dated May 22, 1586, in the Cottonian collection, and some of his unpublished verses are in a ms collection, formerly belonging to Dr. Uawlinson, now in the Bodleian library. Sir Edward died some years after James came to the throne, and was succeeded in his chancellorship of the garter by sir John Herbert, knt. principal secretary of state.

, one of our ancient English poets, was born in Somersetshire in 1523, and admitted scholar of Corpus Christi college, Oxford, under the tuition of George Etheridge, May 11, 1540, and probationer fellow Aug. 11, 1514. In 1547, when Christ church was founded by Henry VIII. he was admitted student of the upper table, and the same year took his master’s degree. Warton cites a passage from his poems to prove that in his early years, he was employed in some department about the court. In the British Museum there is a small set of manuscript sonnets, signed with his initials, addressed to some of the beauties of the courts of queen Mary and queen Elizabeth. He therefore probably did not remain long at the university. In the beginning of Elizabeth’s reign, he was made one of the gentlemen of her chapel, and master of the children there, having the character of not only being an excellent musician, but an exact poet, as many of his compositions in music and poetry testify. For these he was highly valued, by those who knew him, especially his associates in Lincoln’s- Inn (of which he was a member), and much lamented by them when he died. This event, according to sir John Hawkins, happened Oct. 31, 1556, but others say in 1566. He wrote “Damon and Pythias,” a comedy, acted at court and in the university, first printed in 1570, or perhaps’ in 1565, and “Palamon and Arcyte,” another comedy in two parts, probably never printed, but acted in Christ-church hall, 1566, before queen Elizabeth, of which performance Wood gives a curious account. Warton thinks it probable that he wrote many other dramatic pieces now lost. He is mentioned by Puttenham, as gaining the prize for comedy and interlude. Besides being a writer of regular dramas, he appears to have been a contriver of masques, and a composer of poetry for pageants. In a word, he united all those arts and accomplishments which ministered to popular pleasantry, in an age when the taste of the courtiers was not of a much higher order than that of the vulgar in our time. His English poems, for he wrote also Latin poetry, are for the most part extant in “The Paradise of Dainty Devises,” Lond. 1578, 4to, lately reprinted in the “Bibliographer,” where, as well as in our other authorities, are some farther notices of Edwards. It is justly observed by Warton, that his popularity seems to have altogether arisen from those pleasing talents, of which no specimens could be transmitted to posterity, and which prejudiced his partial contemporaries in favour of his poetry.

, a French Jesuit, and a native of Rouergue, and confessor to the king of France, was born in 1614, and turned a Jesuit in 1632. He had taught philosophy fonr years, divinity twelve years, and ethics two years. He had been principal of the college of Toulouse, and had acquitted himself very well of that employment. The Jesuits probably looked upon him as a very able man, since they designed to make him the king’s confessor, to which office he was promoted in 1670. He died in the convent of the Jesuits at Paris, October 29, 1674. He was one of the ablest antagonists of Jansenius’s followers, and his thesis concerning probability, which hq maintained at Toulouse the 8th and the llth of June 1659, made a considerable noise. He wrote a Latin answer to father Baron’s objections against the “Scientia media,” entitled “Responsio ad Objectiones Vincentianas,” Toulouse, 1668, 8vo. He intended also to publish a body of divinity, but only the first volume of it has been printed, which treats <c Of the Unity of God according to St. Augustin and St. Thomas’s principles." His other works are written in French, and relate for the most part to Jansenism. He wrote two letters against Arnauld, and he gave an account of all that passed in 1653, concerning the affair of Jansenism. According to the bibliographer of the Jesuits, he wrote a book concerning the immortality of the soul in 1660, and another on the beauty of Jesus Christ in 1657 but these were the production of John Ferrier, a Jesuit of Guienne.

, an English versifier in queert Elizabeth’s time, whose works are still an object of some curiosity, was educated at the ex pence of air Philip Sydney at St. John’s college, Cambridge, where he took his master’s degree, and afterwards went to Gray’s-lnn, where be remained till he was called to the bar of the court of the Marches in Wales. In August 1590, he was recommended by Henry earl of Pembroke, to lord treasurer Burleigh, as 41 man in every respect qualified for the place of her majesty’s solicitor in that court, but his history cannot Ixe traced any farther. He wrote, 1 “The Lamentations of Amituas for the death of Phillis, in English hexameters,” London, 1587, 4to. 2. “The countess of Pembroke’s Ivy-church and Emamiel,” in English hexameters, London, 1591. In this is included a translation of Tasso’s Aminta. At the end of the Ivy-church is also a translation of Virgil’s Alexis into English hexameters, verse for verse, which he calls “The Lamentations of Corydon,” &c. Fraunce also translated the beginning of “Heliodorns’s Ethiopics,” Lond. 1591, 8vo. and wrote a book with the title of “Tke Lawier’s Logike, exemplifying the precepts of Logike by the practice of the Common Lawe.” Of this last, as well as of his “Sheapheardes Logike,” a ms., an account is givenin the “Bibliographer,” and a few particulars of the authors other writings may be found in our authorities.

, an industrious French author and bibliographer, was born at Chalons sur Saone, Aug. 20, 1608. He was educated among the Carmelites, and entered into that order in 1625, and, during his studies, the distinguished progress he made in theology and 'he belles lettres, procured him easy access to the libraries and the collections of literary men of eminence, who contributed very readily to promote his taste for bibliography and literary history. In 1639 he went to Italy, and resided some time at Rome, consulting the libraries, and collecting materials for his future works, particularly his “Bibliotheca Pontificia,” which he undertook at the solicitation of Gabriel Naude“, and published at Lyons in 1642; but this is by far the worst specimen of his talents, and has many ridiculous errors, which we can only ascribe to his having hastily copied erroneous catalogues, without consulting the books themselves. On his return to Paris he became librarian to de Gondi, afterwards cardinal de Retz, and was likewise appointed counsellor and almoner to the king. We find him then librarian to de Harlay, first president of the parliament of Paris, in whose house he lodged, and where he died May 10, 1670. He was a man of great industry and application, and continually employed in inquiries into the history of literature and literary men; but he was deficient in critical taste, undertook too many things at once, and hence committed errors which have thrown a suspicion on the general accuracy of all his works. Niceron has enumerated thirty-seven of his publications, of which the principal are, 1.” Bibliotheca Pontificia,“already mentioned, Lyons, 1643, 4to. 2.” Traite“des plus belles Bibliotheques du monde,” Paris, 1644, 8vo. 3. “Bibliotheca Parisina, hoc est Catalogus omnium librorum Parisiis annis 1643 & 1644 inclusive excusorum,” Paris, 1645, 4to. This catalogue, for such it simply is, without any thing but the titles of the books, he continued to the year 1650; and by way of supplement compiled his “Bibliotheca Gallica universalis,” for the same or a greater number of years, including books published in other parts of France. 4. “De Claris Scriptoribus Cabilonensibus, libri tres,” 1652, 4to. Among the many plans which he meditated, one was an universal library of French authors, which he is said to have compiled, but what became of it is not known. If completed, as Mr. Dibdin says, in 1638, it could not have been a work of much accuracy, for he had then scarcely attained his thirtieth year, and published long afterwards works which sufficiently shew that he never attained much experience and correctness in his researches.

His other writings were, 1. “Alarm against the Usurers, containing tried experiences against worldly abuses,” Lond. 1584. 2. “History of Tribonius and Prisseria, with Truth’s Complaint over England.” 3. “Euphues Golden Legacy.” 4. “Treatise of the Plague, containing the nature, signs, and accidents of the same,” Lond. 1603, 4to. 5. “Countess of Lincoln’s Nursery,” Oxford, 1622, 4 to. 6. “Treatise in defence of Plays.” 7. “Catharos Diogenes in his singularitie, &c.” Lond. 1591, 4to. Of this satire the reader may see an account in the Bibliographer. 8. “The Divel conjured,” ibid. 1596, 4to. noticed in the “Restituta.” He translated also into English Josephus’s Works, Lond. 1602, 1609, 1620, &c. fol. and Seneca’s Works, “both moral and natural,” ibid. 1614, 1620, &c. fol.

, an eminent French historian and bibliographer, was born at Paris, April 19, 1665. His mother dying while he was very young, his father married again, and entrusted his education to one of his relations, a priest, who was director of the religious at Estampes. After he had been taught grammar and Latin for two or three years under this ecclesiastic, his father sent him to Malta, with a view to procure him admission among the clerks of the order of St. John of Jerusalem. He had scarcely arrived here when the plague broke out, to which he incautiously exposed himself; but although he escaped the contagion, he fancied that the air of Malta did not agree with him, and obtained leave of his superiors to return to Paris, where he might prosecute his studies in the classics, philosophy, and divinity. As he had not taken the vows in the order of St. John, he had no sooner completed his studies at home, than he entered into the congregation of the oratory. His year of probation being passed, he was sent to the college of Jully, where he taught mathematics, and went afterwards to the seminary of Notre Dame des Vertus, where he employed his leisure time in study, particularly of philosophy, which brought him acquainted with father Malbranche. On his return to Paris he was appointed to the care of the library belonging to the fathers of the oratory, a place for which he was admirably qualified, as he was not only acquainted with Latin, Greek, Hebrew, and the Chaldean, but with the Italian, Spanish, Portuguese and English languages, and had a very extensive knowledge of literary history, of books, editions, and printing. The continual pains, however, which he bestowed on this library, and on his own publications, undermined his constitution, which was originally delicate, and brought on a complaint in the chest, which proved fatal, Aug. 13, 1721, in the fifty. sixth year of his life. His time for many years had been divided between devotion and study; he allowed very little to sleep, and less to the table. Although a man of extensive knowledge, and often consulted, he was equally modest and unaffected. In all his researches he shewed much acuteness and judgment, but the course of his studies had alienated him from works of taste and imagination, for which he had little relish. His principal object was the ascertaining of truth in matters of literary history; and the recovery of dates and other minutiae, on which he was frequently obliged to bestow the time that seemed disproportionate, was to him a matter of great importance, nor was he to be diverted from such accuracy by his friend Malbranche, who did not think philosophy concerned in such matters. “Truth,” said Le Long, “is so valuable, that we ought not to neglect it even in trifles.” His works are, 1. “Methode Hebraique du P. Renou,” 1708, 8vo. 2. “Bibliotheca Sacra, sive syllabus omnium ferme Sacrse Scripture eclitionum ac versionum,” Paris, 1709, 8vo, 2 vols. Of this a very much enlarged edition was published at Paris in 1723, 2 vols. fol. by Desmolets. Another edition was begun by Masch in 1778, and between that and 1790, 5 vols. 4to were published, but the plan is yet unfinished. 3. “Discours historique sur les principales Editions des Bibles Polyglottes,” Paris, 1713, 8vo, a very curious work. 4. “Histoire des demelez du pape Boniface VIII. avec Philippe Le Bel, roi de France,” 1718, 12mo, a posthumous work of M. Baillet, to which Le Long added some documents illustrating that period of French history. 5. “Bibliotheque Historique de France,” 1719, fol. a work of vast labour and research, and perhaps the greatest of all his undertakings. It has since been enlarged by Ferret de Fontette and others, to 5 vols. fol. 1768—78, and is the most comprehensive collection of the kind in any language. The only other publication of M. Le Long was a letter to M. Martin, minister of Utrecht, with whom he had a short controversy respecting the disputed text in 1 John, v. 7.

, whom Granger, by mistake, calls Dr. Lupton, was one of the earliest publishers of biographical collections in English, but with his own history we are almost totally unacquainted. We can only gather from one of his dedications that he had served in the army several years, and from the contents of his two principal publications, that he was a man of piety, and an admirer of the characters of those eminent fathers and divines who made the greatest figure in the church from the earliest periods to the reformation. The first of these is entitled “The History of the Moderne Protestant Divines, &c. faithfully translated out of Latin,” Lond. 1637, a small 12mo. This is dedicated to sir Paul Pindar, sir John Wolstenholme, sir Abraham Dawes, sir John Jacob, “farmers of the custom-house.” It contains twenty-two foreign lives, and twenty-three English, translated from Holland’s “Heroologia, and Verheiden’s” Effigies,“with each an engraved head dopied, in small, from those in Holland and Verheiden. Mr. Churton has made particular mention of this curious and very scarce volume in the preface to his elaborate life of dean Newell, and an account has since been published in the Bibliographer. The other biographical collection said to be by Lupton is a 4to volume, entitled” The Glory of their Times, or the Lives of the Primitive Fathers,“&c. London, printed by J. Okes, 1640. This contains forty four lives, with heads of the same scale as. the other, but of less value, as being mostly imaginary. We know not on what authority this work is attributed to Lupton, >as there is no mention of his name in any part of the copy now before us, and the preface, or address to the reader, is signed Typographies. From internal evidence, however, we should be inclined to think it was his compilation. Lupton’s other productions werte,” London and the countrey carbonadoed and quartered into several chafacters,“1632, 8vo” ObjectorUm reductio; or daily employment for the soule,“1634, 8vo” Emblems of Rarities; or choice Observations out of worthy Histories, &c.“1636, l&tTio; and” England’s command of the Seas; or the English Seas guarded," 1653, 12mo.

, an author to whom the curious in literary history are greatly indebted, was probably a native of Paris, and born towards the conclusion of the seventeenth century. He was bred up as a bookseller in that city, a business which always requires some knowledge of books, but which he carried to an extent very unusual, and for forty years employed almost the whole of his time in inspecting the works of eminent authors, inquiring into their history, their editions, differences, and every species of information which forms the accurate bibliographer. During the time that Mr. Bernard published the “Nouvelles de la Republiques des Lettres,” Marchand was his constant correspondent, and contributed all the literary anecdotes from Paris, which appeared in that journal. Being, however, a conscientious protestant, and suspecting that in consequence of the repeal of the edict of Nantz, he might be interrupted in the exercise of his religion, he went to reside in Holland, and carried on the bookselling trade there for some time, until meeting with some lack of honesty among his brethren (pen de bonne-foi qiCil avoit trouvej, he relinquished business, and devoted his time entirely to literary history and biography. In both his knowledge was so conspicuous, that the booksellers were always happy to avail themselves of his opinion respecting intended publications, and more happy when they could engage his assistance as an editor. In the latter character, we find that he superintended an edition, 1. of Bayle’s “Dictionary,” and “Letters,” both which he illustrated with notes. 2. “Satyre Menippee,” Ratisbonne (Brussels), 1714, 3 vols. 8vo. 3. “Cymbalum mundi,” by Bonaventure de Perrieres, Amst. 1732, 12mo. 4. Fenelon’s “Direction pomla conscience d'un roi,” Hague, 1747, 8vo and 12mo. 5. The abbe Brenner’s “Histoire des Revolutions de Hongrie,” ibid. 1739, 2 vols. 4to, and 6 vols. 12mo. 6. “Lettres, Memoires, et Negociations du comte d'Estrades,” London (Hague)^ 1743, 9 vols. 12mo. 7. “Histoire de Fenelon,” Hague, 1747, 12mo. 8. “Oeuvres de Brantome,” ibid. 1740, 15 vols. 12mo. 9. “Oeuvres de Villon,” ibid. 1742, 8vo, &c. &c.

, a learned bibliographer and miscellaneous writer, familiarly known in France by the title of the abbe de St. Leger, was born at Lyons, April 1, 1734. He entered when young, into the congregation of St. Genevieve, of which he became librarian, at the time that the learned Pingre, his predecessor in that office, went to observe the transit of Venus. In 1764, when Louis XV. visited this library, he was so much pleased with Mercier’s intelligent manner of displaying its treasures, that he appointed him abbe of St. Leger at Soisson, a preferment which then happened to be vacant Mercier often travelled to Holland and the Netherlands to visit the libraries and learned men of those countries, and was industriously following his various 'literary pursuits, when the revolution interrupted his tranquillity, and reduced him to a state of indigence. This he could have borne; but the many miseries he witnessed around him, and particularly the sight of his friend the abbe Poyer dragged to the scaffold, proved too much for his constitution. He continued to linger on, however, until May 13, 1799, when death relieved him. He was a man of great learning and research, as his works evidently shew, and in his private character, social, communicative, and amiable. His works are, 1. “Lettre sur la Bibliographic de Debure,” 1763, 8vo. 2. “Lettre a M. Capperonier,” on the same subject, which was followed by a third, printed in the “Journal de Trevoux.” 3. “Lettre sur le veritable auteur du Testament Politique du cardinal de Richelieu,” Paris, 1765, 8vo. 4. “Supplement a l‘Histoire de l’imprimerie de Prosper Marchand,” 1765, 4to, reprinted with additions, &c. 1771. 5. “Lettre sur la Pucelle D'Orleans,” 1775. 6. “Dissertation sur Pauteur du livre de PImitation de Jesus-Christ.” 7. “Notice du livre rare, intitule* Pedis Admirandte, par J. d'Artis.” 8. “Notice de la Platopodologie d'Antoine Fiance, medecin de Besangon,” a curious satire by Fiance. 9. “Lettre a un ami, sur la suppression de la Charge de Bibliothecaire du roi en France,” (Paris), 1737, 8vo. 10. “Notice sur les tornbeaux des dues de Bourgogne.” 11. '“Lettres sur differentes editions rares du 15 siecle,” Paris, 1785, 8vo, particularly valuable for Italian books. 12. “Observations surPEssai d'un projet de Catalogue de Bibliotheque.” 13. “Description* d'une giraffe vue a Fano.” 14. “Notice raisonnée des ouvrages de Gaspard Schott, Jesuite,” 1785, 8vo. 15. “Bibliotheque de Romans traduits du Grec.” 1796, 12 vols. 12mo. 16. “Lettre sur le projet de decret concernant les religieux, proposee a PAssemblee Nationale par M. Treilhard,” 1789, 8vo. 17. “Lettre sur un nouveau Dictionnaire Historique portatif en 4 vols. 8vo.” This, wbich appeared in the *' Journal de Trevoux," contains a sharp critique upon the first volumes of Cbaudon’s Dictionary. Mercier bestowed great pains in correcting and improving his copy of this work, which fell in the hands of thcs editors of the last edition of the Diet. Hist. Mercier was frequently employed in the public libraries; and those of Soubise and La Valliere owe much of their treasures to his discoveries of curious books. He was also a frequent writer in the Journal de Trevoux, the Journal des S9avans, the Magazin Encyclopedique, and the Annee Litteraire. He left some curious manuscripts, and manuscript notes and illustrations of many of his books.

As a satirist, his most virulent paper-war was carried on with Gabriel Harvey, particularly in his tract, entitled “Have with you to Saffron-Walden,” which was Harvey’s residence. His dramatic pieces were only three “Dido, queen of Carthage,” a tragedy, 1594, 4to 2. “Summer’s Last Will and Testament,” a comedy, 1600, 4to and “The Isle of Dogs,” above-mentioned, not published. He engaged on the side of the church against Martin Marprelate; and the following are supposed to have formed his share of this controversy: “A Countercuffe given to Martin, junior,” &c.; “Martin’s month’s minde” “The Returne of the renowned cavaliero Pasquill of England,” &c. all published in 1589, 4to, and analyzed, with specimens, in vol. II. of the “Bibliographer.” Nash wrote with considerable ease, harmony, and energy, yet Ma lone says, that “of all the writers of the age of queen Elizabeth, Nash is the most licentious in his language; perpetually distorting words from their primitive signification, in a manner often puerile and ridiculous, but more frequently incomprehensible and absurd.” He pleased his own age, however, for we find that his “Have with you to Saffron-Walden,” passed through six editions; and an eminent poetical critic and antiquary thinks that Malone must have formed his severe censure of Nash from this piece, which was intended to ridicule the inflated and turgid language of Harvey, in his astrological tracts. The style of “Pierce Penniless,” adds sir E. Brydges, is very dissimilar, and his “Address to the two Universities,” published in 1589, is written in a vein of spirited and judicious criticism, of which the English language has no contemporary example.

, a learned French writer and bibliographer, was born at Paris in the beginning of February 1600, and having discovered a strong inclination in his earliest years for reading, his parents determined to give him every benefit of education. After studying Latin, and being initiated in the principles of religion, in a community of the religious, he was sent to the university, where he made such proficiency in humanity and philosophy, as to be admitted to the degree of master of arts much before the usual age. He then, principally by the advice of his friends, began to study with a view to the church; but this was not agreeable to his sentiments, which were more free in matters of religion than consisted with a cordial profession of the prevailing tenets. He therefore soon preferred the study of medicine, and in 1626 attended the lectures with such application as to acquire a name in the world. Henry de Mesmes, president-a-mortier, hearing of him, appointed him to that for which it appeared afterwards he was best qualified, the office of librarian; and it was for this patron’s use that he wrote his excellent little work, entitled “Avis pour dresser une Bibliotheque,” printed at Paris in 1627, and again in 1644, with Louis Jacob’s “Traite des plus belles Bibliotheques.”

From his works he appears to have deserved the high character he enjoyed during his life-time, and which some critics of modern times have revived. He was one of the very few in those days who turned their thoughts to the history of literature. His first publication was “Erotema Grascae Linguae, cum proefatione Philippi Melanchthonis de utilitate Grsecae linguse,” Basil, 1553, and 1565, 8vo. In a subsequent edition Neander gives a list of the works he had published, or which he had projected, and among the latter was an universal history of authors, “Pandectae variorum auctorum et scriptorum.” From the sketch he had given of the proposed contents of this work, there is great reason to regret that he did not complete it; in the second edition of his “Erotemata” he has given a specimen of what he could have done, in a dissertation on ancient libraries, on books that are lost, and on the libraries of his own time which contained the most valuable Mss. and an account of the principal Greek and Latin authors, whose works have been published, with a minuteness of description which would have reflected credit on a modern bibliographer. The last edition of his “Erotemata” was edited at Leipsic in 1589, 8vo, by his disciple, John Volland. Neander’s other works are, 2. “Graecae Linguae Tabulae,” Basil, 1564, and Wittemberg, 1581, 8vo. 3. “Linguae Hebreae Erotemata, cum veterurn Rabbinorurn testimoniis de Christo, apophthegmatibus veterum Hebreeorum et notitia de Talmude, Cabbala, &c.” Basil, 1556, 8vo, often reprinted. The preface to this work is on the same plan with that to the “Erotemata Graecae Linguae,” containing notices of the most eminent Oriental scholars, the writings of the rabbins, the editions of the Bible, &c. 4. “Aristologia Pindarica Graeco-Latina, et Sententiae novem Lyricorum,” Basil, 1556, 8vo, with prolegomena on the life of Pindar, the Greek games, &c. 5. “Aristologia GraecoLatina Euripidis; argumenta quoque singulis tragcediis praemissa sunt,” ibid. 1559, 4to. 6. “Anthologicum Graeco-Latinum,” ibid. 1556, 8vo. This is a collection of sentences from Hesiod, Theognes, and other ancient poets, with three books of similar extracts from Plato, Xenophon, Plutarch, &c. but is by no means, as some bibliographers have called it, a new edition of the Greek Anthology. 7. “Gnomonologia Graeco-Latina, sive insigniores sententiae philosophorum, poetarum, oratorum, et historicorum, ex magno Anthologio Joannis Stobaei excerptae, et in locos supra bis centum digests,” ibid. 1558, 8vo. 8. “Opus aureum et Scholasticum,” Leipsic, 1577, or, according to Fabricius, 1575, a collection somewhat like the former, but with some entire pieces, as the poem of Comthus on the rape of Helen, that of Tryphiodorus on the destruction of Troy, and three books of Quintus Calaber, which last are translated into Latin prose by Lawrence Rhodoman, one of Neander’s pupils. 9. “Sententiae Theologicae selectiores, Græco-Latinæ,” Basil, 1557, 8vo. 10. “Catechesis parva Martini Lutheri Graeco-Latina,” &c. ibid. 1564­and 1567, 8vo. 11. “Loci communes Philosophic! Graeci,” Leipsic, 1588, 8vo, a work by Volland, above-mentioned, with notes by Neander. 12. “Gnomonologia Latina ex omnibus Latinis vetustis ac probatis autoribus, recentioribus etiam aliquot, in locos communes digesta,” Leipsic, 1581, and 1590, 8vo. 13. “Phraseologia Isocratis GraecoLatina,” Basil, 1558, 8vo. 14. “Joannis Vollandi de re Poetica Graecorum libri quatuor, e noutionibus et bibliotheca Mich. Neandri collecti,” Leipsic, 1582, 1592, ancl 1613, 8vo. 15. “Argonautica, Thebaica, Troica, Ilias parva; poematia Graeca anonymi (Laur. Rhodomani) primum edita cum argumentis a Mich. Neandro,” Leipsic, 1588, 8vo. Some other works have been attributed to Neander, on less certain authority, which are mentioned by Fabricius and Baillet; and more ample information respecting him may probably be found in a work which we have not seen, a life of him by Volborth, in German, published at Gottingen in 1777. There flourished about the same time with our author, a physician of the same names, who was born in 1529, and died in 1581, whose forgotten works, however, cannot easily be mistaken for those of the learned Greek professor.

He wrote, 1. “A notable history of the Saracens, &c. drawn out of Aug. Curio, in three books,” Lond. 1575, 4to. 2. “A Summary, or brief Chronicle of the Saracens and Turks,” &c. printed with the former. 3. “Approved medicines and cordial precepts, with the nature and symptoms,” &c. ibid. 1580, 8vo. 4. “Illustrium aliquot Anglorum encomia,” ibid. 1589, 4to, at the end of Leland’s “Encomia.” 5. “Atropoion Delion or the death of Delia, with the tears of her funeral. A poetical Discourse of our late Elizabeth,” ibid. 1603, 4to. 6. “A pleasant new History: or a Fragrant Posie made of three flowers: Rose, Rosalynd, and Rosemary,” ibid. 1604. He also corrected “Embryon Relimatum,” written by John Stambridge, but he was not the author of the two parts of Tamerlane the great Scythian emperor, which were written by Marlow. He translated the following works: 7. “A Direction for the Health of Magistrates and Students,” from Gratarolus, Lond. 1574, 12mo; of this a copious extract may be seen in the Bibliographer, vol. II, 8. “Commentary on the two Epistles general of St. Simon and St. Jude,” from Luther, ibid. 1581, 4to. 9. “Touchstone of Complexions,” from Levinus Lemnius, ibid. 1581, 8vo, noticed in the “Censura Literaria,” with an extract, vol. VI. 10. “The third tragedy of L. An. Seneca, entitled Thebais,” ibid. 1581, published with the other translated plays, by Studley, Nevile, &c. Dr. Pulteney thinks that the “Herbal to the Bible,” printed in 1587, 8vo, was by him; and this is not improbable, as it is only a translation, of “Levini Lemnii explicatio similitudjnum quæ in Bibliis ex herbis et arboribus sumuntur.” He conceives also that Newton was the writer of the commendatory lines prefixed to Lyte’s Herbal, in which, after complimenting the author for his judicious selection of useful knowledge from former writers, he has versified, in less than two pages, the names of more than two hundred worthies in medical science, from the earliest antiquity to his own times. Warton observes that most of the ingenious and learned men of that age courted his favours as a polite and popular encomiast. Warton also infers that he was a partizan of the puritans, from no better authority than his having written “Christian friendship, with an invective against dice-play and other profane games,” Lond. 1586.

, whom Mr. Headley considers as a poet of great elegance and imagination, and one of the ornaments of the reign of Elizabeth, was born in London, of genteel parents, in 1584. In 1602 he entered a student of Magdalen college, Oxford, whence, after a short time, he removed to Magdalen hall, and took the degree of B. A. in 1606. After remaining at the university some years, and being esteemed among the most ingenious men of his day, according to Wood, he quitted Oxford for London, where he “obtained an employment suitable to his faculty.” What this employment was, we are left to conjecture. The time of his death is also uncertain, but he appears to have been alive at least in 1616, and was then but young. The most material of his works are his additions to “The Mirror for Magistrates,” a book most popular in its time (see Higgins), containing a series of pieces by Sackville, Baldwyne, Ferrers, Churchyard, Phayer, Higgins, Drayton. It was ultimately completed, and its contents new arranged by Nichols, whose supplement to the edition of 1610 is entitled “A Winter Night’s Vision,” To this likewise is improperly subjoined “England’s Eliza; or the victorious and triumphant reigneof that virgin Empress, &c. Elizabeth, queen of England,” &c. His other writings are, “The Cuckow, a Poem,” London, 1607; “Monodia, or Waltham’s complaint upon the death of the most vertuous and noble lady, late deceased, the lady Honor Hay,” ibid. 1615; a play called “TheTwynnes Tragedye” is attributed to him in the Biog. Dram.; but we can, on better authority, add “London’s Artillery, briefly containing the noble practice of that worthie Society,” &c. &c. 1616, 4to; “The Three Sisters’ Tears, shed at the late solernne Funerals of the royal Henry, prince of Wales,” &c. 1613, 4to; and “The Furies, with Vertue’s encomium, &c. in two books of epigrammes, satirical and encomiastic,” 1614, 8vo. Ample specimens of his poetry are given in Headley’s “Beauties,” and the “Bibliographer.”

, a bibliographer of great industry and accuracy, was born July 14, 1696. He was the natural son of Dr. William Oldys, chancellor of Lincoln, commissary of St. Catharine’s, official of St. Alban’s, and advocate of the Admiralty, by a woman who was maintained by her keeper in a very penurious and private manner, and whose son, it is probable, had but little assistance in his education from parents so circumstanced.

, an eminent bibliographer, was born at Sulzbach in the Upper Palatinate, March 16, 1729, and having been educated for the church, took his doctor’s degree in divinity and philosophy, and became pastor of the cathedral church of St. Sebaldus at Nuremberg, where he died in 1805. No farther particulars have yet reached us of this learned and laborious writer, who has long been known here by his “Annales Typographiei, ab artis inventæ origine ad annum M. D. post Maittairii, Denisii, aliorumque doctissimorum virorum curas in ordinem redacti, emendati et aucti,” Nuremberg, 1793—1803, 11 vols. 4to. This is unquestionably a work of the very first importance to bibliographers, and is thought to exceed Maittaire’s in clearness of arrangement and accuracy. It comes down, beyond his original intention, to 1536; but is not quite complete without another work of his printed in German, “Annals of ancient German Literature, or an account of books printed in Germany frpm the invention of the art to 1520,” Nuremberg, 1788, 4to. His other works, also unfortunately in German, are an “Account of the most ancient German Bibles, printed in the fifteenth century, which are in the library at Nuremberg,” 1777, 4to; “History of Bibles printed at Nuremberg, from the invention of the Art,” Nuremberg, 1778, 4to. And a “History of early Printing at Nuremberg to the year 1500,” ibid. 1789, 4to.

The first person who attempted to give a sketch of universal bibliography and literary history was the learned and laborious Christopher-Augustus Hermann, professor in the university of Gottingen, in the year 1718, when, ie published his well known work, ‘ Conspectus Reipublicae Literarioe, sive Via ad Historian! Literariam*’ which gradually went through seven editions, the last of which was published at Hanover, 1763. Numberless other works, analogous to this, were published in the same interval, in Germany. About the period alluded to, many detailed, descriptive, and rational catalogues of books appeared in the several countries of Europe; the art and the taste of constructing libraries became more general than in any preceding age; and the only thing which appears worthy of remark, and rather unaccountable, is that, even after the progress of philosophy or bibliography, the Germans, in this department, have excelled every other people in Europe. It is universally acknowledged, that the best work of the kind that ever appeared, about that time, was the catalogue of the celebrated library of the count of Bunau, better known under the name of “Bibliotheca Bunaviana,” so remarkable, indeed, for number, selection, order, connexion, references, and universal interest. The only historical system of national literature exhibited in Europe was that of the Italian, by Tiraboschi. IVlr. Paterson supplied some important materials towards one among ourselves, in his “Bibliotheca Anglica Curiosa, 1771.” He was an enemy to those systems of bibliography which are now generally practised on the continent; and he set no importance even on the newly-established classification of the “Universal Repertory of Literature,” published at Jena. We hope, indeed, that those among the readers themselves, who have happened to look at the above-mentioned catalogue, will not only coincide with our bibliographer’s opinion, but will perhaps smile at seeing all the branches of human knowledge confined in sixteen classes, and the last of them entitled “Miscellaneous Works;” the proper meaning of which words has a tendency to destroy the whole classification! Mr. Paterson acted consistently with these ideas in all his bibliographical performances; and it is owing to the merit of an appropriate, circumstantial, and judicious classification, that his catalogues are unrivaled, and some of them are justly regarded as models. We refer the readers to the catalogues themselves, and especially to the Bibliotheca Fleetwoodiana, Beauclerktana, Croftsiana, Pinelliana, published from time to time, as well as to those of the Strange, Fagel, and Tyssen libraries, which he performed within the last two years of his life; and they will perceive in each of them an admirable spirit of order, exhibited in different ways, and suggested by those superior abilities which alone can discover and appreciate these variable combinations of the several circumstances.

A man so thoroughly conversant in the history of literature could not fail to perceive that a vast number of books were held as valuable and scarce in England, which were rather common in other countries. He thought he could do his native country an essential service, and procure emolument for himself, if he should undertake a journey through some parts of the continent, and succeed in purchasing some articles of this description. With this view he set out for the continent in the year 1776, and actually bought a capital collection of books, which, on his return to England, he digested in the catalogue (the best, perhaps, of his performances) that bears the title of “Bibliotheca Universalis Selecta.” One of the most respectable booksellers of London had been his fellow-traveller in that journey; and, being informed of his design, and relying on his good sense and excellent intention, offered him his friendly assistance. He lent him a thousand pounds, to be employed in an additional purchase of books, in hopes that he might have the money returned to him when the speculation was carried into execution. Mr. Paterson, as usual, proved unsuccessful; and the generous friend, sympathising in his misfortunes, never claimed the return of his loan! Mr. Paterson’s fame had come to the ears of the late marquis of Lansdown, who requested the learned bibliographer to arrange his elegant and valuable library, to compile a detailed catalogue of his books and manuscripts, and to accept, for the purpose, the place of his librarian, with a liberal salary. Mr. Paterson accordingly entered into the office of librarian, remained in it for some years, and perhaps expected to close his life in the same station when, unfortunately, a misunderstanding took place between the noble lord and him, by which he was obliged to withdraw.

, a German statesman, but more known as an accomplished scholar and bibliographer, was born in Hungary Nov. 4, 1737. Among his other diplomatic appointments he resided for some years in London as envoy from the Imperial court, and afterwards in a private capacity. He died at Vienna in August 1793.

In an old comedy, or scenical history, whichever it is proper to call it, with the following whimsical title, “When you see me you know me,” by Samuel Rowley, printed in 1623, wherein are represented in the manner of a drama some of the remarkable events during the reign of Henry VIII. is a conversation between prince Edward and Dr. Tye on the subject of music, which, for its curiosity, sir John Hawkins has transcribed at length. The “Acts of the Apostles,” mentioned in this dialogue, were never completed; but the first fourteen chapters thereof were, in 1553, printed by Wyllyam Seres, with the following quaint title: “The Actes of the Appostles, translated into Englyshe metre, and dedicated to the kynges most excellent majestye by Christofer Tye, doctor in musyke, and one of the Gentylmen of hys graces moste honourable Chappell, wyth notes to eche Chapter, to syng and also to play upon, the Lute, very necessarye for studentes after theyr studye, to fyle theyr wyttes, and alsoe for all Christians that cannot synge to reade the good and godlye storyes of the Hues of Christ hys Apostles.” The dedication is, “To the vertuous and godlye learned prynce Edwarde the VI.” and is in stanzas of alternate metre. The reader will find some account of it in the “Bibliographer,” vol. I.

, a Latin poet and moral writer, was the son of Walter Vaughan, of the Golden Grove, in Carmarthenshire, esq. and younger brother to sir John Vaughan, first earl of Carbery, and patron of bishop Jeremy Taylor. He was born at Golden Grove in 1577, and became a commoner of Jesus college, Oxford, in 1591, where he took his degrees in arts. The fruits of his scholastic attainments began to appear uncommonly early, as he was only in his fifteenth year when he prepared for printing an easy paraphrase of Persius in English and Latin; and his publications which appeared in 1597 and 1598 bespeak a prematurity of genius. After taking his degrees in arts, he applied to the study of the law, but before he proceeded in that faculty, set out on his travels, and at Vienna performed the necessary exercises for a doctor’s degree, in which he was incorporated at Oxford in 1605. He afterwards appears to have meditated a settlement in Cambriol, Newfoundland, where he was living in 1628, but the time of his death is not mentioned. His Latin poems are, 1. the “Song of Solomon, and some of the Psalms,” translated, Lond. 1597. 2. “Varia Poemata de Sphaerarum online,” 1589, 8vo. 3. “Poemata continent. Encom. Roberti Comitis Essex,” 1598, 8vo. 4. “Cambrensium Caroleia,” &c. a poem on the nuptials of Charles I. 1625 or 1630, 8vo. His English works are, “The Golden Grove, moralized in three books,” 1608, 8vo, which seems to have suggested to bishop Taylor the title of one of his most popular works; and “The Golden Fleece,” 1626, 4to: both works of the moral kind, and replete with observations on the manners of the times, and the principal personages. A particular account of both is given in the “Bibliographer,” vol. II. by which it appears that Vaughan had translated a part of Boccalini’s Advices from Parnassus, and had published “Circles called the Spirit of Detraction, conjured and convicted,” and “Commentaries upon, and paraphrase of, Juvenal and Persius,” all in early life.

As a poet, he has long been deprived of his merit by his pieces having been attributed to his father, Nicholas lord Vaux, an error which Dr. Percy first detected, and the title of Thomas lord Vaux seems now indisputable. The largest collection of his poetry is in the “Paradise of dainty Devises,” lately reprinted in the “Bibliographer;” and Dr. Percy and Mr. Ellis have printed “The Assault of Cupid,” and the “Dyttye, or sonet made by the lorde Vaus in time of the noble queeneMarye, representinge the image of Deathe;” but the popular notion of lord Vaux’s having composed this last on his death-bed, seems unfounded. From the prose prologue to Sackville’s “Induction,” in the “Mirror for Magistrates,” it would seem that lord Vaux had undertaken to pen the history of king Edward’s two sons cruelly murdered in the Tower of London; but what he performed of his undertaking does not appear. Lord Vaux, as a poet, is more distinguished by morality of sentiment than by imagery; yet even in the latter, his two celebrated poems of “The Assault of Cupid,” and the “Aged Lover’s renunciation of Love,” are far from deficient and the sweet and touching simplicity of the ideas, and the airy ease of the language, entitle them to high commendation.

, a very useful biographer and bibliographer, was born at Montbrison en Forez, Nov. 11, 1544. He appears to have served the king both in a military and civil capacity, and was historiographer and gentleman in ordinary to his majesty. He died at Duerne, Sept. 25, 1600. In his youth he had cultivated poetry, but of his poetical efforts he published only some indifferent specimens in his great work. He had, according to Scaliger, a fine library of Italian, French, Spanish, Greek, and Latin authors, and was conversant in books of all kinds. The fruits of his labours were, 1. “La Prosopographie, ou Description des personnes insignes, &c. avec les effigies d‘aucuns d’iceux, et braves observations de leur temps, annees, fails, et dits,” Lyons, 1373, 4to. This he reprinted three times with improvements; and the last, left also by him for the press, was published by his son Claude, who made some, few additions at Paris in 1603, 3 vols. folio. This is a very miscellaneous compilation, in which, although there are a few particulars of the eminent men of his time, it requires some patience to find them. 2. “Les Diverses lemons d'Antoine Duverclier, suivant celJes de P. Messi-e,” Lyons, 1576, 8vo. Of this there have been several editions, the most complete of which is that ofTournon, 1605. These legons were part of Duverdier’s extracts, in the course of his reading, from various Greek, Latin, and Italian authors, 3. “Le Compseutique, ou Traits facetieux,” 12mo; but there are some doubts whether this, which did not appear until 1584-, was not the compilation of another author. 4. “La Bibliotheque d'Ant. Duverdier, contenant le catalogue de tons les auteurs qui ont ecrit ou traduit en Frangais, avec le supplement Latin, du meme Duverdier, a la biblioiheque de Gesner,” Lyons, 1585, folio. Croix Du Maine’s work of the same kind had appeared the year before, and was thought to be the best executed of the two; but they have both been republished with so many improvements, that, like Moreri’s, they retain very little of the original authors. This improved edition was the production of Rigoley and Juvigny, who added the notes of Lamonnoye, the president Bouhier and Falconet, and published the whole in six handsome volumes, 4to, under the title of Les Bibliotheques Franchises de Lacroix du Maine et de Duverdier,“1772. The work is undoubtedly still capable of improvement, but, as it is, it forms a very valuable addition to the bibliographical library. There is a copy in the king’s library at Paris, with a vast mass of ms additions and corrections by Mercier de Saint-Leger. Le Long and some others attribute to Du. Verdier” La Biographic et Prosopographie des rois de France jusqu'a Henri III.“Paris, 1583, and 1586, 8vo. But others have doubted this, because he makes no mention of it in a list of his works which he wrote in 1585, and in which he gave not only what he had published, but what remained in manuscript, such as a translation of Seneca, &c. His son, Claude Verdier, was born about 1566, and had the ambition to become an author, but turned out to be a bad poet and a worse critic; he also spent the property his father left him, and lived an obscure and miserable life till about 1649, which is said to have been its period. The worst feature of his character is the disrespectful manner in which he has treated his father’s talents and labours, in a work which he published in 1586, and 1609, 4to, entitled” In autores pene omnes anttquos potissimum censiones et correctiones." It is a sufficient character of this work, that he blames Virgil for his bad Latin.

His character appears to have been marked with haughtiness, vanity, and affectation. He aped Italian dresses, and was called “the mirror of Tuscanismo.” His rank, however, and his illustrious family commanded the respect of a large portion of the literary world, and among his eulogists were the contemporary writers, Watson, Lily, Golding, Munday, Greene, Lock, and Spenser. Scattered pieces of his poetry are found in the collections of the times, and particularly in the “Paradise of dayntie devises,” lately reprinted in the Bibliographer. In these there appear the same traits as are said to have been exhibited in his character. They are generally affected, full of conceit and antithesis, and obscure. He is said also to have written comedies, and to have been reckoned the best writer of comedy in his time, but the very names of these plays are lost. His lady, Anne, has lately been introduced to public observation, as a poetess, by Mr. George Steeveris, the editor of Shakspeare. Her poetical attempts are to be found in a collection of odes and sonnets, entitled “Diana,” published by one John Southern or Soothern. Some account of these, which seem to be below mediocrity, is given by Mr. Park as a supplementary article to Walpole’s “Royal and Noble Authors.”

In the cathedral of Winchester, on a large black flat marble stone, is an inscription to his memory, the poetry of which has very little to recommend it. Of the various editions of Walton’s Angler, and other works on the same subject, an accurate catalogue is given in the British Bibliographer, vol. II. Of his “Lives” a much improved edition was published by Dr. Zouch in 1796, 4to, reprinted since in 8vo. The life of Walton followed in the preceding sketch, is principally that by sir John Hawkins, in his edition of the Angler. Dr. Zouch’s is perhaps more elegant, but has few additional facts. "

That Wither was a poet, and a poet deserving to be better known, has been sufficiently proved by the selection from his “Juvenilia,” printed by the late Alexander Dalfymple, esq. in 1785, and particularly by the more recent republications of his “Shepherd’s Hunting,” 1814, his “Fidelia,” 1815, and his “Hymns and Songs of the Church,” 1815, by sir Egerton Brydges, whose prefaces and remarks add no small value to these beautiful volumes, and whose judgment and taste in the revival of works of neglected merit cannot be too highly appreciated. It is to this learned baronet also that the reader is indebted for all that is valuable in the present sketch of Wither, taken frorii a more copious life of the poet in the “Bibliographer.” In the same work, the reader may be referred to a very accurate list, and history, by Mr. Park, of all Wither’s writings, amounting to 112 articles in prose and verse, from which very pleasing selections may yet be made, They are almost all of rare occurrence, and expensive in proportion, since the attention of the public has been drawn to them by the various critics mentioned in our references.