Dandini, Pietro

, an eminent painter, nephew to the preceding, was born at Florence in 1646, and received his first instruction in the art of painting from Valerio Spada, who excelled in small drawings with a pen. Whilst he was under the tuition of thrt artist he gave such evident proofs of genius, that he was then placed as a disciple with his uncle Vincent. He afterwards travelled through most of the cities of Italy, studying the works of those who were most distinguished; and resided for a long time at Venice, where he copied the paintings of Titian, Tintoretto, and Paolo Veronese. He next visited Parma and Modena, to study the works of Correggio; omitting no opportunity that might contribute to improve his hand or his judgment. When he returned to Florence, the grand duke Cosmo III. the grand duchess Victoria, and the prince Ferdinand, kept him perpetually employed, in fresco painting as well as in oil; his subjects being taken not only from sacred or fabulous history, but from his own invention and fancy, which frequently furnished him with such as were odd and singular, and especially with whimsical caricatures. He died in 1712. — This master had an extraordinary talent for imitating the style of even the most celebrated ancient painters of every school, particularly Titian, Veronese, and Tintoretto; and with a force and elegance, equal to his subjects of history, he painted | portraits, landscapes, architecture, flowers, fruit, battles, animals of all kinds, and likewise sea-pieces; proving himself an universal artist, arid excellent in even thing he undertook. Mr. Fuseli, however, says that the avidity of gain led him to dispatch and a general mediocrity, compensated by little more than the admirable freedom of his pencil. He exerted his powers according to the price he received for his work: they are seen to advantage in the cupolas of S. Maria Maddalena, in various frescos of the ducal palace and villas, and in the public hall of Pisa, where he represented the taking of Jerusalem. There are likewise altar-pieces which shew his merit: that of St. Francis in S. Maria Maggiore, and another of S. Piccolomini saying mass in the church a'Servi, a pleasing animated performance. He had a son, Octavio, who proved not inferior to him in any branch of his profession, and was an honour to his family and his country. ¹