Cochin, Charles Nicholas
, son of the preceding artist, was born at Paris in 1715, and, assisted by the instructions of his father, and his mother Louise Madeleine Hortemels, became an engraver of considerable celebrity. In 1749, he travelled to Italy with the marquis de Marigny, and after his return, was in 1752 made a member of the royal academy of Paris, and, in the sequel, appointed secretary and historian to that society. In addition to these honours, he was made a knight of the order of St. Michael, and keeper of the king’s drawings. Of his works, then extremely numerous, Mr. Jombert published a catalogue in 1770. He died April 29, 1790, after having published some works connected with his profession, as, 1. “Lettres sur les Peintures d'Herculaneum,” 1751, 12mo. 2. “Dissertation sur l’effet de la lumiere et des ombres, relativement a la peinture,” 1757, 12mo. 3. “Voyage d‘ltalie, ou Recueil d’ observations sur les ouvrages d‘architecture, de peinture, et de sculpture, que l’on voit dans les principales villes d’ltalie,” Lausanne, 1773, 3 vols. 8vo. 4. “Les Mysotechniques aux enfers,” 1763, 12mo. 5. “Lettres sur les Vies de Slodz et de Deshays,” 1765, 12mo. 6. | “Projet d’une salle de spectacle,” 1765, 12mo. Cochin gave the design for the monument of the mareschal D’Harcourt, executed by Pigal, which is now in the French museum. 1