Pierce Egan, the author of the adventures of Tom and Jerry was born about 1772 and died in 1849. He had won his spurs as a sporting reporter by 1812, and for eleven years was recognised as one of the smartest of the epigrammatists, song-writers, and wits of the time. Boxiana, a monthly serial, was commenced in 1818. It consisted of ‘Sketches of Modern Pugilism’, giving memoirs and portraits of all the most celebrated pugilists, contemporary and antecedent, with full reports of their respective prize-fights, victories, and defeats, told with so much spirited humour, yet with such close attention to accuracy, that the work holds a unique position. It was continued in several volumes, with copperplates, to 1824. At this date, having seen that Londoners read with avidity his accounts of country sports and pastimes, he conceived the idea of a similar description of the amusements pursued by sporting men in town. Accordingly he announced the publication of Life in London in shilling numbers, monthly, and secured the aid of George Cruikshank, and his brother, Isaac Robert Cruikshank, to draw and engrave the illustrations in aquatint, to be coloured by hand. George IV had caused Egan to be presented at court, and at once accepted the dedication of the forthcoming work. This was the more generous on the king’s part because he must have known himself to have been often satirised and caricatured mercilessly in the Green Bag literature by G. Cruikshank, the intended illustrator. On 15 July 1821 appeared the first number of Life in London; or, ’The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Jem, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis.’ The success was instantaneous and unprecedented. It took both town and country by storm. So great was the demand for copies, increasing with the publication of each successive number, month by month, that the colourists could not keep pace with the printers. The alternate scenes of high life and low life, the contrasted characters, and revelations of misery side by side with prodigal waste and folly, attracted attention, while the vivacity of dialogue and description never flagged.
Stanza III, line 10. New Drop. The extreme penalty of the law, long carried out at Tyburn (near the Marble Arch corner of Hyde Park), was ultimately transferred to Newgate. The lament for “Tyburn’s merry roam” was, without doubt, heart-felt and characteristic. Executions were then one of the best of all good excuses for a picnic and jollification. Yet the change of scene to Newgate does not appear to have detracted much from these functions as shows. “Newgate to-day,” says a recent writer in The Daily Mail, is little wanted, and all but vacant, as a general rule. In former days enormous crowds were herded together indiscriminately—young and old, innocent and guilty, men, women, and children, the heinous offender, and the neophyte in crime. The worst part of the prison was the “Press Yard,” the place then allotted to convicts cast for death. There were as many as sixty or seventy sometimes within these narrow limits, and most were kept six months and more thus hovering between a wretched existence and a shameful death. Men in momentary expectation of being hanged rubbed shoulders with others still hoping for reprieve. If the first were seriously inclined, they were quite debarred from private religious meditation, but consorted, perforce, with reckless ruffians, who played leap-frog, and swore and drank continually. Infants of tender years were among the condemned; lunatics, too, raged furiously through the Press Yard, and were a constant annoyance and danger to all. The “condemned sermon” in the prison chapel drew a crowd of fashionable folk, to stare at those who were to die, packed together in a long pew hung with black, and on a table in front was placed an open coffin. Outside, in the Old Bailey, on the days of execution, the awful scenes nearly baffle description. Thousands collected to gloat over the dying struggles of the criminals, and fought and roared and trampled each other to death in their horrible eagerness, so that hundreds were wounded or killed. Ten or a dozen were sometimes hanged in a row, men and women side by side.
Taken from Musa Pedestris, Three Centuries of Canting Songs and Slang Rhymes [1536―1896], collected and annotated by John S. Farmer.
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