Dyer, John
, an English poet, was born in 1700, the second son of Robert Dyer, of Aberglasney, in Caermarthenshire, a solicitor of great capacity and note. He passed through Westminster-school under the care of Dr. Freind, and was then called home to be instructed in his father’s profession. His genius, however, led him a different way; for, besides his early taste for poetry, having a passion no less strong for the arts of design, he determined to make painting his profession. With this view, having studied awhile under his master, he became, as he tells his friend, an itinerant painter, and wandered about South Wales and the parts adjacent; and about 1727 printed “Grongar Hill,” a poem which Dr. Johnson says, “is not very accurately written but the scenes which it | displays are so pleasing, the images which they raise so welcome to the mind, and the reflections of the writer so consonant to the general sense or experience of mankind, that when it is once read, it will be read again.” Being probably unsatisfied with his own proficiency, he made the tour of Italy; where, besides the usual study of the remains of antiquity, and the works of the great masters, he frequently spent whole days in the country about Rome and Florence, sketching those picturesque prospects with facility and spirit. Images from hence naturally transferred themselves into his poetical compositions; the principal beauties of the “Ruins of Rome,” are perhaps of this kind, and the various landscapes in the “Fleece” have been particularly admired. On his return to England, he published the “Ruins of Rome,” 1740; but soon found that he could not relish a town life, nor submit to the assiduity required in his profession; his talent indeed, was rather for sketching than finishing; so he contentedly sat down in the country with his little fortune, painting now and then a portrait or a landscape, as his fancy led him. As his turn of mind was rather serious, and his conduct and behaviour always irreproachable, he was advised by his friends to enter into orders; and it is presumed, though his education had not been regular, that he found no difficulty in obtaining them. He was ordained by the bishop of Lincoln, and had a law degree conferred on him.
About the same time he married a lady of Coleshill, named Ensor; “whose grandmother,” says he, “was a Shakspeare, descended from a brother of every body’s Shakspeare.” His ecclesiastical provision was a long time but slender. His first patron, Mr. Harper, gave him in 1741, Calthorp in Leicestershire, of 80l. a year, on which he lived ten years; and in April 1757, exchanged it for Belchford, in Lincolnshire, of 75l. which was given him by lord-chancellor Hardwicke, on the recommendation of a friend to virtue and the muses.*
Daniel Wray, esq. one of the deputy tellers of the exchequer, and a curator of the British Museum. For this gentleman Mr. Dyer seems to have entertained the sincerest iegard. Mr. Dyer calls “good Mr. Edwards,” author of the “Canons of Criticism,” his particular friend; and in Savage’s poems are two epistles to Dyer, one of them in answer to the beautiful little poem which begins,
"Have my friends in the town, in the
gay busy town,
Forgot such a man as John Dyer?"
Mr. Dyer’s character as a writer, has been fixed by three poems, “Grongar Hill,” “The Ruins of Rome,” and “The Fleece,” in which a poetical imagination perfectly original, a natural simplicity connected with the true sublime, and often productive of it, the warmest sentiments of benevolence and virtue, have been universally observed and admired. These pieces were published separately in his life-time but after his death collected in 1 vol. 8vo, 1761; with a short account of himself prefixed. 1
Biog. Brit. Johnson’s English Poets.