Scuderi, Magdeleine De

, sister of the preceding, and his superior in talents, was born at Havre-de-Grace in 1607, and became very eminent for her wit and her writings. She went earty to Paris, where she gained admission into the assemblies of learning and fashion. Having recourse, like her brother, to the pen, she gratified the taste of the age for romances, by various productions of that kind, which were very eagerly read, and even procured her literary honours. The celebrated academy of the Ricovrati at Padua complimented her with a place in their society; and some great personages showed their regard | by presents, and other marks of esteem. The prince of Paderborn, bishop of Munster, sent her his works and a medal; and Christina of Sweden often wrote to her, settled on her a pension, and sent her her picture. Cardinal Mazarin left her an annuity by his will: and Lewis XIV. in 1683, at the solicitation of M. de Maintenon, settled a good pension upon her, which was punctually paid. His majesty also appointed her a special audience to receive her acknowledgments, and paid her some very flattering compliments. She had an extensive correspondence with men of learning and wit: and her house at Paris was the rendezvous of all who would be thought to patronize genius. She died in 1701, aged 94; and two churches contended for the honour of possessing her remains, which was thought a point of so much consequence, that nothing less than the authority of the cardinal de Noailles, to whom the affair was referred, *was sufficient to decide it. She was a very voluminous writer as well as her brother, but of more merit; and it is remarkable of this lady, that she obtained the first prize of eloquence founded by the academy. There is much common-place panegyric upon her in the “Menagiana,” from the personal regard Menage had for her but her merits are better settled by Boileau, in the “Discours” prefixed to his dialogue entitled “Les Hero des Roman.” Her principal works are, “Artamene, ou le Grand Cyrus,” 1650, 10 vols. 8 vo; “Clelie,” 1660, 10 vols. 8vo; “Celanire, ou la Promenade de Versailles,” 1693, 12mo; “Ibrahim, ou l’Illustre Bassa,” 1641, 4 vols. 8vo “Almahide, ou PEsclave Reine,” 1660, 8 vols. 8vo Celine,“1661, 8vo” Mathilde d’Aguiiar,“1667, 8vo;” Conversations et Entretiens," 10 vols. c. These last conversations are thought the best of Mad Scuderi’s wo^ks, but there was a time when English translations of her prolix romances were read. What recommended them to the French public was the traits of living characters which she occasionally introduced. ¹